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Naati Charami is a fine cultural and traditional blend alongside a contemporary and modern India, spanning from the days of new independence to the turn of the millennium. The story follows its 3 protagonists through conflicts between love and duty; idealism and reality; and values and individuality. Swati is an epitome of love and adherence to dharma fortifies her path. Her internal struggle in line with social situations and unwanted surprises that resulted as the byproduct of womens education and emancipation are beautifully observed. Staunch traditions and destiny plunge Lakshmi Prasanna into the center-court of life. Her determination and strength hold her stead through trials and triumphs and her brilliance is dazzled with unparalleled success. Charmi becomes a pawn in the balance of the old and the new. While she is the center of her parents' universe and her every desire is lovingly catered to, her life takes on an unexpected turn when she is denied freedom in her most important decision yet.
It can't be you.. When Colonel Belliappa, Indian Army (Retd), a highly decorated war hero is found dying one night frothing at the mouth in anguish, there is no one else at home. Other than his immediate family. His wife, his daughter and his son. Did he, who killed so many, kill himself to bury something dreadful from his past? Or, was he killed? His death sets the clock back to his life as a career officer in the Indian Army. He fights with great valour in the 1971 war against Pakistan which leaves him physically and psychologically scarred for life. Years later, his aggression and maniacal bravery leads to a secret assignment. He is handpicked to command a crack team of Indian Army snipers as an irregular force to fight intruders and militants in the Kashmir Valley from 1989. Today, he is a partner in a flourishing and successful armaments firm. The Colonel finds himself in a series of conflicts with his family, amongst others. Standing to gain from his death, they plan to kill him for their own reasons, quite unknown to each other. Do Colonel Belliappa and his family pay the ultimate price? For the spiral of vengeance he himself triggered some decades ago.
Text with translation of the Āyurvedasaukhya, one of the 22 sections of Toḍarānanda, encyclopaedic work compiled under the guidance of Toḍaramalla, d. 1589.
Reprint of the original, first published in 1891.
Hymn to Tripurasundarī (Hindu deity).
As the 21st century gets into stride so does the call for a discipline combining culture and translation. This second edition of Translating Cultures retains its original aim of putting some rigour and coherence into these fashionable words and lays the foundation for such a discipline. This edition has not only been thoroughly revised, but it has also been expanded. In particular, a new chapter has been added which focuses specifically on training translators for translational and intercultural competencies. The core of the book provides a model for teaching culture to translators, interpreters and other mediators. It introduces the reader to current understanding about culture and aims to raise awareness of the fundamental role of culture in constructing, perceiving and translating reality. Culture is perceived throughout as a system for orienting experience, and a basic presupposition is that the organization of experience is not 'reality', but rather a simplified model and a 'distortion' which varies from culture to culture. Each culture acts as a frame within which external signs or 'reality' are interpreted. The approach is interdisciplinary, taking ideas from contemporary translation theory, anthropology, Bateson's logical typing and metamessage theories, Bandler and Grinder's NLP meta-model theory, and Hallidayan functional grammar. Authentic texts and translations are offered to illustrate the various strategies that a cultural mediator can adopt in order to make the different cultural frames he or she is mediating between more explicit.