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A unique work from local historian and podcaster Eli Lewis-Lycett, bringing together a series of explorations regarding the historical provenance of legend and folklore inherent across East Cheshire, Peak District Derbyshire and the Staffordshire Moorlands. From headless horsemen and teleporting witches to ancient priesthoods and Civil War brutalities, through fresh research, Mythstoric Origins presents the reader with a new, in-depth vision of their local history, as it journeys through the endlessly curious logic-heritage of the three-shires region.
What are myths? How have they evolved? And why do we still so desperately need them? A history of myth is a history of humanity, Karen Armstrong argues in this insightful and eloquent book: our stories and beliefs, our curiosity and attempts to understand the world, link us to our ancestors and each other. This is a brilliant and thought-provoking introduction to myth in the broadest sense–from Palaeolithic times to the “Great Western Transformation” of the last 500 years–and why we dismiss it only at our peril.
This remarkable book is the most ambitious work on mythology since that of the renowned Mircea Eliade, who all but single-handedly invented the modern study of myth and religion. Focusing on the oldest available texts, buttressed by data from archeology, comparative linguistics and human population genetics, Michael Witzel reconstructs a single original African source for our collective myths, dating back some 100,000 years. Identifying features shared by this "Out of Africa" mythology and its northern Eurasian offshoots, Witzel suggests that these common myths--recounted by the communities of the "African Eve"--are the earliest evidence of ancient spirituality. Moreover these common features, Witzel shows, survive today in all major religions. Witzel's book is an intellectual hand grenade that will doubtless generate considerable excitement--and consternation--in the scholarly community. Indeed, everyone interested in mythology will want to grapple with Witzel's extraordinary hypothesis about the spirituality of our common ancestors, and to understand what it tells us about our modern cultures and the way they are linked at the deepest level.
Greek myths have long been admired as beautiful, thrilling stories but dismissed as serious objects of belief. For centuries scholars have held that Greek epics, tragedies, and the other compelling works handed down to us obscure the “real” myths that supposedly inspired them. Instead of joining in this pursuit of hidden meanings, Sarah Iles Johnston argues that the very nature of myths as stories—as gripping tales starring vivid characters—enabled them to do their most important work: to create and sustain belief in the gods and heroes who formed the basis of Greek religion. By drawing on work in narratology, sociology, and folklore studies, and by comparing Greek myths not only to the myths of other cultures but also to fairy tales, ghost stories, fantasy works, modern novels, and television series, The Story of Myth reveals the subtle yet powerful ways in which these ancient Greek tales forged enduring bonds between their characters and their audiences, created coherent story-worlds, and made it possible to believe in extraordinary gods. Johnston captures what makes Greek myths distinctively Greek, but simultaneously brings these myths into a broader conversation about how the stories told by all cultures affect our shared view of the cosmos and the creatures who inhabit it.
Presented in clear, comprehensible language, this study first explains the aspects of psychoanalytic theory relevant to the understanding of Greek myth, and then interprets, using psychoanalytic methodology, the Greek myth of origin and succession, particularly as stated in Hesiod's Theogony. Caldwell's provocative study will appeal to a wide range of classicists, teachers and students of mythology, and those interested in the application of psychoanalytic methods to literature.
Did the universe start with a bang, or has it existed always? Was there a supernatural being behind it all, or just mindless forces? The beginning of things has forever tested the limits of curiosity, and such questions have both challenged atheists and inspired believers. Ancient cultures resorted to myth and symbolism to tell vibrant stories about human origins. Later civilizations added philosophical and scientific explanations: but these are not definitive. The nature and meaning of existence - the 'why' as much as the 'how' questions - are in the end mysterious. In this lively and wide-ranging book, G R Evans explores the world's myriad creation stories against the background of the biggest question there is: what are we doing here? Discussing Swahili legends that resemble the Book of Genesis, Greek tales about the Titans, Native American, Inca and Mesopotamian mythologies, and Vedic creation cycles that begin with a cosmic egg or seed, the author surveys polytheist, monotheist and dualist ideas about supernatural power. Tracing the history of humanity as it has struggled, over many millennia, to make sense of itself, The Creation Myth will attract students of religion, history and philosophy and general readers alike.
Sir James G. Frazer (1854-1941) is famous as the author of The Golden Bough, but his work ranged widely across classics, cultural history, folklore and literary criticism as well as anthropology. A Fellow of Trinity College, Cambridge, for 62 years, Sir James G. Frazer devoted his life to research. This volume was first published in 1930.
"Nilsson studied the geographical aspects of the Greek myths. He proved that almost without exception, the places in the myths, especially those in the great cycle of stories, are the very same places as those now known from archaeology to have been important Bronze-Age sites ... Nilsson made it amply clear, in a host of interesting details which he worked out with ingenuity and almost always good sense, that the memory of the great Bronze-Age centres survived, and that the stories told of them ... truly reflected, in Classical times, the Mykenaian Age. To have discovered this great bridge was the triumphant achievement of Nilsson." [Back cover].
Myth in the Ancient World provides a complete introduction to this important field of study. It contains a selection of readings from ancient texts and a comprehensive glossary designed for readers meeting the people and places of the ancient world for the first time. The book asks what a myth is and how it differs from other narratives, such as legends and folktales. It also looks at interpretations of meaning in mythology. The focus is on Ancient Greek myth, but Roman reinterpretation of Greek stories and the invention of Roman myth are also discussed. Texts from Egypt, the peoples of Mesopotamia, and the Jewish traditions found in the Bible broaden the context and deepen our understanding of myth. The book examines the relevance of key themes to the cultures in which the myths arose or in which they were adapted and retold. Looking at the reflection of the ancient world through myth helps us to identify important religious, social and political aspects of ancient cultures.