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The Second World War gave rise to a rich crop of legends, many of which persist in the public consciousness today. Some are well known, such as the escape of an undead Hitler to South America, Allied aircraft buzzed by 'Foo Fighters' and UFOs, German parachutists dressed as nuns, and a failed German invasion of Suffolk in 1940. Others are more subtle, such as the vaunted Dunkirk spirit, which portrayed the disaster of 1940 as a victory, and the conspiracy theories surrounding Rudolf Hess. Did he fly to Scotland to negotiate a peace treaty with members of the Royal Family? Was the aged prisoner who died in Spandau Prison a double? From tales of betrayal at Dieppe and Arnhem to Hitler's obsession with the occult and Nazi U-boat bases in Ireland, James Hayward offers a refreshing and intriguing perspective on the myths, legends and folk memories of the Second World War.
Provides a bold new interpretation of the Soviet myth of World War II from its Stalinist origins to its emergence as arguably the supreme myth of state under Brezhnev. Jonathan Brunstedt offers a timely historical investigation into the roots of the revival of the war's memory in Russia today.
“A remarkable book, from its title and subtitle to its last words . . . A stirring indictment of American sentimentality about war.” —Robert G. Kaiser, The Washington Post In Looking for the Good War, Elizabeth D. Samet reexamines the literature, art, and culture that emerged after World War II, bringing her expertise as a professor of English at West Point to bear on the complexity of the postwar period in national life. She exposes the confusion about American identity that was expressed during and immediately after the war, and the deep national ambivalence toward war, violence, and veterans—all of which were suppressed in subsequent decades by a dangerously sentimental attitude toward the United States’ “exceptional” history and destiny. Samet finds the war's ambivalent legacy in some of its most heavily mythologized figures: the war correspondent epitomized by Ernie Pyle, the character of the erstwhile G.I. turned either cop or criminal in the pulp fiction and feature films of the late 1940s, the disaffected Civil War veteran who looms so large on the screen in the Cold War Western, and the resurgent military hero of the post-Vietnam period. Taken together, these figures reveal key elements of postwar attitudes toward violence, liberty, and nation—attitudes that have shaped domestic and foreign policy and that respond in various ways to various assumptions about national identity and purpose established or affirmed by World War II. As the United States reassesses its roles in Afghanistan and the Middle East, the time has come to rethink our national mythology: the way that World War II shaped our sense of national destiny, our beliefs about the use of American military force throughout the world, and our inability to accept the realities of the twenty-first century’s decades of devastating conflict.
This book offers a fresh and provocative look at the role of the USA in World War II. It spent four months on the nonfiction bestseller lists in Europe when it was first published in Belgium in 2000.
Winner of the Pulitzer Prize: “The richest and most powerful single document of the American experience in World War II” (The Boston Globe). “The Good War” is a testament not only to the experience of war but to the extraordinary skill of Studs Terkel as an interviewer and oral historian. From a pipe fitter’s apprentice at Pearl Harbor to a crew member of the flight that dropped the atomic bomb on Nagasaki, his subjects are open and unrelenting in their analyses of themselves and their experiences, producing what People magazine has called “a splendid epic history” of WWII. With this volume Terkel expanded his scope to the global and the historical, and the result is a masterpiece of oral history. “Tremendously compelling, somehow dramatic and intimate at the same time, as if one has stumbled on private accounts in letters locked in attic trunks . . . In terms of plain human interest, Mr. Terkel may well have put together the most vivid collection of World War II sketches ever gathered between covers.” —The New York Times Book Review “I promise you will remember your war years, if you were alive then, with extraordinary vividness as you go through Studs Terkel’s book. Or, if you are too young to remember, this is the best place to get a sense of what people were feeling.” —Chicago Tribune “A powerful book, repeatedly moving and profoundly disturbing.” —People
Myth and the Greatest Generation calls into question the glowing paradigm of the World War II generation set up by such books as The Greatest Generation by Tom Brokaw. Including analysis of news reports, memoirs, novels, films and other cultural artefacts Ken Rose shows the war was much more disruptive to the lives of Americans in the military and on the home front during World War II than is generally acknowledged. Issues of racial, labor unrest, juvenile delinquency, and marital infidelity were rampant, and the black market flourished. This book delves into both personal and national issues, calling into questions the dominant view of World War II as ‘The Good War’.
A WWII veteran's controversial perspective
Is any war a "good war"? In Worshipping the Myths of World War II, the author takes a critical look at what he sees is America's dedication to war as panacea and as Washington's primary method for leading the world. Articulating why he believes the lessons of World War II are profoundly relevant to today's events, Edward W. Wood, Jr., reflects on such topics as the killing of innocents, which became increasingly accepted during the war; on how actual killing is usually ignored in war discussions and reporting; on the lifetime impact of frontline duty, which he knew firsthand; on the widely accepted concept of "the Greatest Generation"; on present criteria for judging war memoirs and novels; on the fallacy that the United States won the war largely on its own; and on the effect that the Holocaust had on our national concepts of evil and purity. His final chapter centers on how the "war on terror" is different from World War II--and why the myths created about the latter hide that reality.
Surrounded by potential adversaries, nineteenth-century Prussia and twentieth-century Germany faced the formidable prospect of multifront wars and wars of attrition. To counteract these threats, generations of general staff officers were educated in operational thinking, the main tenets of which were extremely influential on military planning across the globe and were adopted by American and Soviet armies. In the twentieth century, Germany's art of warfare dominated military theory and practice, creating a myth of German operational brilliance that lingers today, despite the nation's crushing defeats in two world wars. In this seminal study, Gerhard P. Gross provides a comprehensive examination of the development and failure of German operational thinking over a period of more than a century. He analyzes the strengths and weaknesses of five different armies, from the mid--nineteenth century through the early days of NATO. He also offers fresh interpretations of towering figures of German military history, including Moltke the Elder, Alfred von Schlieffen, and Erich Ludendorff. Essential reading for military historians and strategists, this innovative work dismantles cherished myths and offers new insights into Germany's failed attempts to become a global power through military means.
A bold reinterpretation of some of the most decisive battles of World War II, showing that the outcomes had less to do with popular new technology than old–fashioned, on–the–ground warfare. The military myths of World War II were based on the assumption that the new technology of the airplane and the tank would cause rapid and massive breakthroughs on the battlefield, or demoralization of the enemy by intensive bombing resulting in destruction, or surrender in a matter of weeks. The two apostles for these new theories were the Englishman J.C.F. Fuller for armoured warfare, and the Italian Emilio Drouhet for airpower. Hitler, Rommel, von Manstein, Montgomery and Patton were all seduced by the breakthrough myth or blitzkrieg as the decisive way to victory. Mosier shows how the Polish campaign in fall 1939 and the fall of France in spring 1940 were not the blitzkrieg victories as proclaimed. He also reinterprets Rommel's North African campaigns, D–Day and the Normandy campaign, Patton's attempted breakthrough into the Saar and Germany, Montgomery's flawed breakthrough at Arnhem, and Hitler's last desperate breakthrough effort to Antwerp in the Battle of the Bulge in December 1944. All of these actions saw the clash of the breakthrough theories with the realities of conventional military tactics, and Mosier's novel analysis of these campaigns, the failure of airpower, and the military leaders on both sides, is a challenging reassessment of the military history of World War II. The book includes maps and photos.