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This Book Contains Some Three Hundred And Eighty Stories Collected In The Remote Villages Largely Untouched By External Influence, Of The Hitherto Known North-East Frontier Agency Of India.
Since time immemorial, India has been an ocean bed over which numerous stories have flowed and enriched the world. Storytellers from Tulsidas to Rohinton Mistry have added their magic to this magnificent repository. Inspired in part by Somadeva’s Kathasaritasagara, William Radice collects these timeless tales of India, and tells them anew through his unique idiom. Like itinerant storytellers, he fills these tales with emotion and wit, bringing them alive for the contemporary reader. In Volume 1, the first section begins with the creation myth of Prajapati, while the Mahabharata section starts with Sakuntala’s story, going up to the founding of Dvaraka by Krishna. In Volume 2, the first section begins with the Hindu myth about Brahma’s creation of bodies, while the Mahabharata section starts with the notorious dice-game and ends with the death of Abhimanyu. True to India’s diversity, the third section of both volumes comprises legends and folk tales from Hindu, Muslim, Buddhist, Jain, Christian and tribal sources. The volumes of Myths and Legends of India are a treasure to delight in and cherish.
This book has been written to cater to the needs of undergraduate and postgraduate students of Anthropology and Sociology. It takes stock of the work done in the Anthropology of North-East India, and deals in four sections with various aspects of this question. Section I focuses on prehistoric Anthropology, section II looks at the colonial context and its effect on policy and perceptions about the North-East. Section III, on Biological Anthropology and section IV on Social Anthropology.
This Relationship Starts From Ancient Magico-Religious Rituals And Continues Through Ages Right Upto Present Times. In This Long History We Find Different Religions Adopting Different Attitude Towards Theatrical Arts. In Many Cases Theatre Became A Most Powerful Medium Of Propagation Of Religious Creeds. It Was Considered That The Best Way To Appeasse God Is To Offer Him Theatricals. Beautiful Maidens Were Consecrated To The Temples To Serve The Deities By Entertaining Them With Songs, Music, Dance And Drama. One Time The Magnificent Temple Of Brihadeshvara Had In Its Service Four Hundred Devadasis Skilled In Theatrical Arts. Advent Of Bhakti Movement In India Gave New Impetus To The Theatrical Arts In India. Various Theatrical Forms Purported To Depict Leelas Or Divine Acts Of Various Deities Emerged All Over The Country. Grants Were Made To Temples And Religious Establishments To Sustain Theatrical Activities. The Book Gives All Interesting Information About Various Facets Of Theatre-Religion Relationship. The Author, Known For His Erudite Scholarship, Examines Minutely Various Evidences Including Ancient Cave Paintings, Folk And Tribal Rituals, Inscriptions, Religious Scriptures And Theatrical Forms Themselves. The Book Is Must For The Serious Students Of Indology And Indian Theatre.
Entangled Lives is a case study in environmental history, multispecies history, more-than-human history, posthumanism, and environmental humanities. Its main objective is to foreground that history is co-created, but that its contours are locally specific.
Ascetics and mystics have played a prominent role in the development of nearly all religious traditions. The particular importance of such figures within Hinduism is especially evident in the traditions recounted of the Seven Rsis--the seven archetypal sages or seers who are depicted as being more important and powerful than even the gods themselves: indeed, through their asceticism the Rsis become the progenitors of the gods, as also of men, demons and all other orders of creation. Traditions of the Seven Rsis is the first systematic study of these traditions, and consists of two separate but closely related parts: the first part is a text-historical examination of how and when different traditions were formulated, while the second part explores the various activities and ideas associated with the Seven Rsis. Basing his study on the Sanskrit sources, but making use also of Tamil, tribal and non-Indian sources, Dr. Mitchiner sets out the main traditions associated with the Seven Rsis and traces the underlying themes in those traditiions--particularly that of the creative role of these ascetic figures. The work encompasses a wealth of original literary material, much of it previously untranslated, and is both a sourcebook of the Rsi traditions and a study of the historical development, symbolic meaning and interconnectedness of those traditions, illustrating above all the dynamically creative role of the ascetic and mystic within Hinduism.
About the Book A FASCINATING BOOK ON THE MANY VERSIONS OF RAMAYANA AND THEIR ORIGIN The renowned scholar A.K. Ramanujan was of the view that there are thousands of Ramayanas. He maintained that they are not variant texts of the Valmiki Ramayana, but largely independent ‘tellings’. Even in our age, when printing has become wide-spread, Rama’s story lives on in the minds of the people through narration and performance. In Kerala itself, there are many unwritten Ramayanas. It is believed that the crucial events in the epic unfolded in Wayanad. The names of places and community consciousness corroborate this belief: the ashram at Ashramkolly near Pulpally is Valmiki’s ashram; Jadayattakavu is where Sita went down into the earth; locals recognise the scar left by the tail of Hanuman. But there are several Ramayanas in Wayanad, not just one. In their differences are reflected the social relations of each community. The Adiya Ramayana, Chetti Ramayana and Sitayana, collected and edited by Azeez Tharuvana are innovative tellings. In this fascinating book, Tharuvana talks about the many forms of the timeless epic that originated in Wayanad against the backdrop of the other Ramayanas popular in India and abroad. The stories, collected as part of this effort, provide insights into the traditional cultural consciousness and ideological world of communities in Wayanad. Brilliantly researched and simply written, The Wayanad Ramayanas presents a new perspective: this ode to Rama is a social text, not a religious one.
This book engages with notions of self and landscape as manifest in water, forest and land via historical and current perspectives in the context of indigenous communities in India. It also brings processes of identity formation among tribes in Africa and Latin America into relief. Using interconnected historical moments and representations of being, becoming and belonging, it situates the content and complexities of Adivasi self-fashioning in contemporary times, and discusses constructions of selfhood, diaspora, homeland, environment and ecology, political structures, state, marginality, development, alienation and rights. Drawing on a range of historical sources – from recorded oral traditions and village histories to contemporary Adivasi self-narratives – the volume will be of great interest to scholars and researchers of modern Indian history, sociology and social anthropology, tribal and indigenous studies and politics.