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"When this book made its first appearance in 1958, it was well received by lovers of Yoruba history and culture. Indeed, the most famous scholar of the Yoruba at that time, Professor S. O. Biobaku, who encouraged the project, supplied a foreword to the first edition. The reason for reprinting this book is exactly the same reason expressed many years ago: a new generation remains ignorant of the history of their people. The central focus is the city of Ile-Ife; the author, the late J. A. Ademakinwa, was an Ife indigene. He puts the mythologies and traditions of his people to good use to speak to a host of subjects.." . . "Ademakinwa's book fulfills the goals set out by the author, conveying ideas to understand historical events within the idioms and conception of history by his own people. It links rituals with mythologies to explain events and phenomena. It explains the formation of Yoruba customs and culture in combination with traditional accounts that tell us about Yoruba history and culture. The book deals primarily with a past that is no more, that very distant time not covered by scientific explanations but by mythologies. In this sense, the myths are valid within the rubric of traditional stories. The book can be enjoyed at multiple levels: as the history of Ife and the Yoruba; as a body of impressive myths about the past; and as the memory of a different age." -Toyin Falola University Distinguished Teaching Professor Jacob and Frances Sanger Mossiker Chair in the Humanities The University of Texas at Austin (From the New Foreword) ABOUT THE AUTHOR J. A. Ademakinwa is believed to have been born in Ile-Ife sometime in 1894 according to the Yoruba traditional method of age calculation in the absence of official birth registry records. He was among the earliest Ife indigenes to embrace the Christian faith. As a result of this conversion, he was admitted to the CMS Primary School, Aiyegbaju, Ile-Ife. His brilliant performance at the school earned him a scholarship to the prestigious St. Andrew's College, Oyo from where he graduated in 1918. Upon graduation, he taught in several schools in the Old Western Region of Nigeria before moving to Lagos in 1928 where he continued his teaching career and eventually retired. During a teaching tenure at Ijebu-Ode, he met a fellow teacher and an indigene of the town, Victoria Abosede Oluyemi-Wright whom he later married in Lagos in 1930. The union was blessed with six children. J. A. Ademakinwa was one of the founding members of the Yoruba Research Council. Between the early 1940s and late 1960s, he was a regular contributor to major Lagos-based newspapers as well as Radio programs. He was also the author of The History of St. Andrew's College, Oyo and The History of Christ Apostolic Church (both written in Yoruba language).
This mysterious, poetic and often amusing collection of myths illustrates the religion and thought of the West African Yoruba People.
This stunning series brings together captivating stories from ancient civilizations. The stories are simply told, whilst retaining the flavour of the original myths, and are superbly illustrated by artists specially commissioned to portray key visual features from the culture the story originated in. The stories are set in context by the use of coloured panels throughout the text, highlighting further information about the characters, settings or historical context.
The author focuses on one of the most important religious centers in Africa: the Yoruba city of Ile-Ife in southwest Nigeria. The spread of Yoruba traditions in the African diaspora has come to define the cultural identity of millions of black and white people in Brazil, Cuba, Puerto Rico, Trinidad, and the United States. He describes how the city went from great prominence to near obliteration and then rose again as a contemporary city of gods. Throughout, he corroborates the indispensable linkages between religion, cosmology, migration, and kinship as espoused in the power of royal lineages, hegemonic state structure, gender, and the Yoruba sense of place.
In Myth, Ritual, and Visible Expressions of Ọbàtálá and Olókun in Ilé-Ifẹ̀, Oluwafunminiyi Wasiu Raheem and Ayowole S. Elugbaju explore Ọbàtálá's (the Yorùbá deity of creation) and Olókun’s (the preeminent owner of the ocean) existence in myth, history, and religion through various facets of pan-human worship, belief, and everyday ritual practices. Raheem and Elugbaju explore Yorùbá history, culture, and religion to provide an extensive analysis of core themes in Ọbàtálá’s and Olókun’s stories. They argue for a more complex reading of Ọbàtálá beyond the often sustained and single narrative of struggle and defeat as well as a more nuanced reading of Olókun as a holy well beyond its popular exemplification of a female deity of wealth, childbirth, and preeminent owner of the world’s ocean. Drawing from oral accounts, chants, folk songs, praise poems, and verses from the Ifá corpus, the authors provide new insights into the worlds of both deities hitherto missing in the literature.
A rich and accessible account of Yoruba history, society and culture from the pre-colonial period to the present.
In this book, Suzanne Preston Blier examines the intersection of art, risk and creativity in early African arts from the Yoruba center of Ife and the striking ways that ancient Ife artworks inform society, politics, history and religion. Yoruba art offers a unique lens into one of Africa's most important and least understood early civilizations, one whose historic arts have long been of interest to local residents and Westerners alike because of their tour-de-force visual power and technical complexity. Among the complementary subjects explored are questions of art making, art viewing and aesthetics in the famed ancient Nigerian city-state, as well as the attendant risks and danger assumed by artists, patrons and viewers alike in certain forms of subject matter and modes of portrayal, including unique genres of body marking, portraiture, animal symbolism and regalia. This volume celebrates art, history and the shared passion and skill with which the remarkable artists of early Ife sought to define their past for generations of viewers.
Gods and Heroes is the first volume of the Itan—Legends of the Golden Age trilogy about the thousand-year story of the Yoruba people. It starts with the establishment of Ile-Ife by Oduduwa and the great sacrifice of the heroine Moremi. The ancient gods of Yorubaland, Obatala, Orunmila, Ogun, and Olokun all play their part, as well as the great heroes and heroines of antiquity—Oranmiyan, Sango, Oya, Oba Esigie of Benin, and Obanta of Ijebuland. The author uses the genre of the historical novel in a refreshing and imaginative fashion to present the whole tableau of Yoruba history. The result is a vast and rich panorama enlivened with traditional myths and legends seen through the eyes of a single Yoruba family and the Old Woman, the fabled storyteller.
Discover what secrets myths from twenty-one different cultures from around the world reveal about our planet in this A to Z guide. Richard Leviton has become the pre-eminent authority on sacred sites and visionary geography. Through books such as Signs on the Earth, The Emerald Modem, and The Galaxy on Earth, he has explored both the personal and universal aspects of our connection to the planet. Now he shows in Encyclopedia of Earth Myths how many of the oldest and most evocative of the world’s myths contain a secret about the Earth. They tell something vital about its make-up and history and our long-standing human relation to it. Encyclopedia of Earth Myths offers a unique blueprint for understanding world mythology. Carl Jung and Joseph Campbell tutored us in the psychological relevance of myths and the universality of their themes. Now Richard Leviton shows us how they reveal hidden clues about the Earth’s spiritual landscape. Using clairvoyance and scholarship, Leviton examines 153 mythic topics in A-Z fashion drawn from twenty-one cultures to tease out their information about Earth’s secret landscape. Each entry shows how something considered merely mythic—dragons, giants, the Minotaur, Holy Grail, Fountain of Youth, Golden Apples—actually decodes and illuminates the planet’s esoteric make-up. Whether it’s African, Tibetan, Native American, Hindu, Peruvian, Egyptian, Greek, or one of fourteen other cultures, myths of many cultures all point to the planet. It’s as if clues about the Earth’s visionary geography have been scattered in all cultures, awaiting our retrieval and decoding. Encyclopedia of Earth Myths is also a practical tutorial for a new subject: our Earth. But this is virtually a new planet we’re being introduced to here. The result is an essential reference for anyone interested in world mythology who wants to look beyond the cloak of mythic symbolism and see the world anew.