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The Sanskrit Mahabharata (which contains the Bhagavad Gita) is sorely neglected as a classic - perhaps the classic - of world literature, and is of particularly timely human importance in today's globalised and war-torn world. This book is a chronological survey of the Sanskrit Mahabharata's central royal patriline - a family tree that is also a list of kings. Brodbeck explores the importance and implications of patrilineal maintenance within the royal culture depicted by the text, and shows how patrilineal memory comes up against the fact that in every generation a wife must be involved, with the consequent danger that the children might not sustain the memorial tradition of their paternal family.The Mahabharata Patriline bridges a gap in text-critical methodology between the traditional philological approach and more recent trends in gender and literary theory. Studying the Mahabharata as an integral literary unit and as a story stretched over dozens of generations, this book casts particular light on the events of the more recent generations and suggests that the text's internal narrators are members of the family whose story they tell.
An Introduction to Mythology by Lewis Spence: Embark on a fascinating journey through the myths and legends of various cultures with Lewis Spence's "An Introduction to Mythology." This comprehensive guide introduces readers to the rich tapestry of human mythology. Key Aspects of the Book "An Introduction to Mythology": Mythological Diversity: Lewis Spence explores myths from a wide range of cultures, providing readers with a global perspective on human storytelling. Legendary Figures: The book introduces readers to gods, heroes, and mythical creatures from different mythologies, shedding light on their significance and symbolism. Cultural Insights: "An Introduction to Mythology" offers insights into the cultural, religious, and psychological aspects of mythology, enriching our understanding of human belief systems. Lewis Spence was a Scottish author and folklorist known for his work on mythology and the occult. His exploration of myths from around the world in this book provides a valuable resource for enthusiasts and scholars alike.
Irawati Karve studies the humanity of the Mahabharata`s great figures, with all their virtues and their equally numerous faults. Sought out by an inquirer like her, whose view of life is secular, scientific, anthropological in the widest sense, yet appreciative of literary values, social problems of the past and present alike, and human needs and responses in her own time and in antiquity as she identifies them... Seen through her eyes the Mahabharata is more than a work which Hindus look upon as divinely inspired, and venerate. It becomes a record of complex humanity and a mirror to all the faces which we ourselves wear.
Human culture has always weaved myths around its pattern of existence for multiple purposes. The interplay of religion and social practices have found their own space within the sphere of mythology. It is possible to read mythical texts to probe into the greater picture of human civilization. The contribution of myths towards the shaping of human beliefs, behavioural patterns are evident and assessing them often reveals a plethora of cultural histories unexplored and therefore unacknowledged before. The contribution of mythopoeia towards the construct of human socio-cultural identity has been largely accepted. Modern academia has thus taken a strong interest in revisionist literature to understand the hitherto unknown nuances of human civilization. In the edited anthology, Art and Aesthetics of Modern Mythopoeia: Literatures, Myths and Revisionism (Vol-II), like the first volume, an attempt has been made to anthologize the works of a large number of authors who have talked about pertinent issues in the context of myth-making, the latent politics of mythopoeia and has taken into account several under-explored texts that are rich in mythical content. This volume offers a wide range of critical studies involving classical as well as modern myths around the globe.
Can leadership lessons be learnt from the Mahabharata? Demystifying Leadership positively asserts that we can and probes inquiry in the lives of six characters-Bhishma, Ashvatthama, Karna, Shakuni, Kunti and Krishna. It studies these characters in inescapable situations as they navigate through life by demonstrating values, decision-making ability, integrity and principles. Within the given constraints, some of these characters swim and rise, while others sink in moral turpitude. Extrapolating these successful and not-so-successful character traits to corporate leaders and linking them to scholarship, the authors provide lessons for leaders and managers operating in diverse situations. Borrowing from different disciplines, such as literature, philosophy, politics and psychology, Demystifying Leadership proposes to link essentials of leadership in the form of a Leadership Triangle comprising six levels: positive personality, peace with personal identity, purpose, positive use of power and politics, paradoxical leadership and principled pragmatism. It takes a grounded approach in amalgamating mythology and leadership through scholarship and practice.
Did the ancients have the technology of flight? In this incredible volume on ancient India, authentic Indian texts such as the Ramayana and the Mahabharata, are used to prove that ancient aircraft were in use more than four thousand years ago. Included in this book is the entire Fourth Century BC manuscript Vimaanika Shastra by the ancient author Maharishi Bharadwaaja, translated into English by the Mysore Sanskrit professor G.R. Josyer. Also included are chapters on Atlantean technology, the incredible Rama Empire of India and the devastating wars that destroyed it. Also an entire chapter on mercury vortex propulsion and mercury gyros, the power source described in the ancient Indian texts. Not to be missed by those interested in ancient civilizations or the UFO enigma. Tons of illustrations!
About 16 centuries ago, an unknown Indian author or authors gathered together the diverse threads of already ancient traditions and wove them into a verbal tapestry that today is still the central text for worshippers of the Hindu Devi, the Divine Mother. This spiritual classic, the Devimahatmya, addresses the perennial questions of the nature of the universe, humankind, and divinity. How are they related, how do we live in a world torn between good and evil, and how do we find lasting satisfaction and inner peace? These questions and their answers form the substance of the Devimahatmya. Its narrative of a dispossessed king, a merchant betrayed by the family he loves, and a seer whose teaching leads beyond existential suffering sets the stage for a trilogy of myths concerning the all-powerful Divine Mother, Durga, and the fierce battles she wages against throngs of demonic foes. In these allegories, her adversaries represent our all-too-human impulses toward power, possessions, and pleasure. The battlefields symbolize the field of human consciousness on which our lives' dramas play out in joy and sorrow, in wisdom and folly. The Devimahatmya speaks to us across the ages of the experiences and beliefs of our ancient ancestors. We sense their enchantment at nature's bounty and their terror before its destructive fury, their recognition of the good and evil in the human heart, and their understanding that everything in our experience is the expression of a greater reality, personified as the Divine Mother.