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Myth and Meaning in Early Daoism examines some of the earliest texts associated with the Daoist tradition (primarily the Daode jing, Zhuangzi, and Huainanzi) from the outlook of the comparative history of religions and finds a kind of thematic and soteriological unity rooted in the mythological symbolism of hundun, the primal chaos being and principle that is foundational for the philosophy and practice of the Dao as creatio continua in cosmic, social, and individual life. Dedicated to the proposition that ancient Chinese texts and traditions are often best understood from a broad interdisciplinary and interpretive perspective, this work when it was written challenged many prevailing conceptions of the Daode jing and Zhuangzi as primarily philosophical texts without any religious significance or affinity with the later sectarian traditions. While controversial and at times playfully provocative, the methodology and findings of this book are still important for the ongoing scholarship about Daoism in China and the world.
Myth and Meaning in Early Daoism examines some of the earliest texts associated with the Daoist tradition (primarily the Daode jing, Zhuangzi, and Huainanzi) from the outlook of the comparative history of religions and finds a kind of thematic and soteriological unity rooted in the mythological symbolism of hundun, the primal chaos being and principle that is foundational for the philosophy and practice of the Dao as creatio continua in cosmic, social, and individual life. Dedicated to the proposition that ancient Chinese texts and traditions are often best understood from a broad interdisciplinary and interpretive perspective, this work when it was written challenged many prevailing conceptions of the Daode jing and Zhuangzi as primarily "philosophical" texts without any religious significance or affinity with the later sectarian traditions. While controversial and at times playfully provocative, the methodology and findings of this book are still important for the ongoing scholarship about Daoism in China and the world.
Early Chinese ideas about the construction of an ordered human space received narrative form in a set of stories dealing with the rescue of the world and its inhabitants from a universal flood. This book demonstrates how early Chinese stories of the re-creation of the world from a watery chaos provided principles underlying such fundamental units as the state, lineage, the married couple, and even the human body. These myths also supplied a charter for the major political and social institutions of Warring States (481–221 BC) and early imperial (220 BC–AD 220) China. In some versions of the tales, the flood was triggered by rebellion, while other versions linked the taming of the flood with the creation of the institution of a lineage, and still others linked the taming to the process in which the divided principles of the masculine and the feminine were joined in the married couple to produce an ordered household. While availing themselves of earlier stories and of central religious rituals of the period, these myths transformed earlier divinities or animal spirits into rulers or ministers and provided both etiologies and legitimation for the emerging political and social institutions that culminated in the creation of a unitary empire.
Starting with a reevaluation of the critical scholarship done on the Chinese text, the Mu T'ien-tzu chuan, the author challenges the view of the text as a product of historical composition. Porter then argues that the discursive structures of flood myths, elements of which appear in the Mu T'ien-tzu chuan, have their origins in an attempt to mediate linguistically the frightening consequences of the falsification of cosmological truths. The heuristic potential of the psychoanalytical theory of the symbol is used to explain the specific cosmogonic intentions underlying the genesis of myth, as well as broader manifestations of historical, social, and cultural behavior, most particularly literary works like the Mu T'ien-tzu chuan. The author explains how mythic symbols invested with cosmogonic and regenerative significance are appropriated in the literary resolution of a socio-political trauma analogous to those mediated by flood myths. Finally, she argues that not simply the Mu T'ien-tzu chuan but Chinese fictional discourse in general is most appropriately understood as a wholly symbolic form.
Lord Lao, first known as the philosopher Laozi, the purported author of the Daode jing, later became an immortal, a messiah, and high god of Daoism. Laozi, divinized during the Han dynasty and in early Daoist movements, reached his highest level of veneration under the Tang when the rulers honored him as a royal ancestor. In subsequent eras he remained prominent and is still a major deity in China today. Livia Kohn's two-part study first traces the historical development of Lord Lao and the roles he played at different times for different believers. Part Two is based on one of Lord Lao's major hagiographies, the twelfth-century Youlong zhuan (Like Unto a Dragon), and studies the complex myth surrounding him. Lord Lao appears in eight distinct mythical roles, each associated with a particular phase in his life: He is the creator of the universe, bringer of cosmic order, teacher of dynasties, and the divine made flesh on earth. He is also the converter of the barbarians, the source of major Daoist revelations, and the god of Great Peace and political harmony. Comparing his story with related Confucian, Buddhist, and Western mythic tropes, Kohn illuminates the dynamics of the Daoist tale and persuades us to appreciate Lord Lao as a key deity of traditional China. Includes illustrations and tables. Livia Kohn is Professor of Religion and East Asian Studies, Boston University; Adjunct Professor of Chinese Studies, Eotvos Lorand University, Budapest, Hungary; and Visiting Professor of Japanese Religion, Stanford Center for Technology and Innovation, Kyoto, Japan. Her most recent book is Lao-tzu and the Tao-te-ching.
This book shows how writers like James Joyce, James Merrill, and Doris Lessing; scientists like Gregory Bateson, Ilya Prigogine, and David Bohm; and theorists like Jacques Derrida, Jacques Lacan, and Michel Serres forecasted and initiated a shift away from modernist conceptions of the world as a machine; the self as an isolated, enclosed principle, and representation as a reductive survey of the world and the self. The focus of this book is the "chaosmos" (a Joycean coinage) apparent within the atom and also within analogous "nuclear" sites such as the self, the word, the organism, and the world. By "chaosmos," Kuberski intends a unitary and yet untotalized—a chiasmic—concept of the world as a field of inevitable and intermittent interference and convergence, a multi-leveled complexity from which emerge organisms, languages, and selves. In exploring and mapping chaosmos, Kuberski emphasizes significant convergences of literary and philosophic, deconstructive and organistic, Eastern and Western, and scientific and humanistic points of view.
The most comprehensive resource available on creation myths from around the world—their narratives, themes, motifs, similarities, and differences—and what they reveal about their cultures of origin. ABC-CLIO's breakthrough reference work on creation beliefs from around the world returns in a richly updated and expanded new edition. From the Garden of Eden, to the female creators of Acoma Indians, to the rival creators of the Basonge tribe in the Congo, Creation Myths of the World: An Encyclopedia, Second Edition examines how different cultures explain the origins of their existence. Expanded into two volumes, the new edition of Creation Myths of the World begins with introductory essays on the five basic types of creation stories, analyzing their nature and significance. Following are over 200 creation myths, each introduced with a brief discussion of its culture of origin. At the core of the new edition is its enhanced focus on creation mythology as a global human phenomenon, with greatly expanded coverage of recurring motifs, comparative themes, the influence of geography, the social impact of myths, and more.
This book examines the popular, yet puzzling, Chinese saying Nande hutu 难得糊涂 to uncover how the ancient Chinese wisdom of not knowing is constructed, interpreted, practiced and valued in contemporary society. Originating in the calligraphy of Qing-dynasty scholar Zheng Banqiao, Nande hutu translates literally as: “hard to attain muddle-headedness”. Mieke Matthyssen traces the historical development of this saying and related philosophies to reveal a culturally conditioned, multi-layered inclination to different forms of not knowing. In contemporary society, she argues, this inclination forms part of a living art: in some respects, a passive, evasive strategy for self-preservation; in other respects, a strategy for coping with intrapersonal, interpersonal and social complexities. Drawing on an extensive range of primary sources and original research, the analysis skillfully combines philosophical and socio-historical analysis with theory from Chinese philosophy, philosophical psychology and the relatively new field of indigenous psychology, to provide an in-depth understanding of how Nande hutu has shaped, and continues to shape, the Chinese psyche and behaviour. This book will appeal to all readers looking for fresh insights into Chinese culture, and in particular to students and scholars of Chinese and Asian studies, cultural and social anthropology, and philosophical and indigenous psychology.