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How did the crow get its black feathers? How do the gods protect the people from drought and other natural disasters? Explore the rich mythologies and legends of the many cultures of the peoples of South and Southeast Asia. Famous Myths and Legends is a beautifully photographed and illustrated 12-volume series designed to narrate the ancient mythologies and inherited stories from the many diverse cultures throughout the world.
"Myths and legends from South and Southeast Asia. Features include information about the history and culture behind the myths, pronunciations, lists of deities, word glossary, further information, and index"--
The first anthology in English of South-East Asian myths, this book is an engaging look at these rich storytelling traditions. It includes new translations of some shorter tales and concise paraphrases of longer epics. There are separate sections devoted to poetry, drama, proverbs, and prose from various regions and cultures. A wide range of readers will find themselves absorbed in the romance, tragedy, drama, and adventure of South-East Asian kings, princes, princesses, heroes and heroines, and ordinary people.
An unparalleled portrait, Donald K. Swearer's Buddhist World of Southeast Asia has been a key source for all those interested in the Theravada homelands since the work's publication in 1995. Expanded and updated, the second edition offers this wide ranging account for readers at the beginning of the twenty-first century. Swearer shows Theravada Buddhism in Southeast Asia to be a dynamic, complex system of thought and practice embedded in the cultures, societies, and histories of Thailand, Myanmar (Burma), Laos, Cambodia, and Sri Lanka. The work focuses on three distinct yet interrelated aspects of this milieu. The first is the popular tradition of life models personified in myths and legends, rites of passage, festival celebrations, and ritual occasions. The second deals with Buddhism and the state, illustrating how King Asoka serves as the paradigmatic Buddhist monarch, discussing the relationship of cosmology and kingship, and detailing the rise of charismatic Buddhist political leaders in the postcolonial period. The third is the modern transformation of Buddhism: the changing roles of monks and laity, modern reform movements, the role of women, and Buddhism in the West.
Presents works of art selected from the South and Southeast Asian and Islamic collection of The Metropolitan Museum of Art, lessons plans, and classroom activities.
This is an A-Z dictionary of mythologies of the Asian continent. Major characters, places and events of Asian mythology, as well as certain relevant themes and cultural traditions are included.
In captivating text and illustrations, this beautiful multicultural children's book presents a collection of cherished fables, myths, legends and fairy tales from Thailand that have been passed down through generations of Thai families. The nine charming stories in this book feature clever princesses, warring gods and goddesses, foolish kings, and wily tigers, against a backdrop of traditional Thai village life. They deal with the universal values that parents everywhere want to teach their children, such as good versus evil, right versus wrong, and wisdom versus foolishness. Stories include "How The Thais Learned to Be Calm," when a small village argument escalates into a terrible war; "Princess Golden Flower and the Vulture King," in which a brave princess saves herself from an evil king; and "The Gold Harvest" in which a wise father-in-law tricks his lazy son-in-law into working hard for his family. Curated and narrated by Marion D. Toth and illustrated by Thai artist Patcharee Meesukhon, this collection will provide children with an insight into the traditional Thai culture, and the values and lifestyle of its people. This book will be enjoyed by children ages six to ten, as well as by their parents. Other Thai stories in this book include: How the Bay of Bangkok Came to Be Why Do We Have Thunder and Lightning? The Wisest Man in Siam There is No Such Thing As a Secret How the Tiger Got its Stripes The Footprint of the Buddha
Steampunk takes on Southeast Asia in this anthology The stories in this collection merge technological wonder with the everyday. Children upgrade their fighting spiders with armor, and toymakers create punchcard-driven marionettes. Large fish lumber across the skies, while boat people find a new home on the edge of a different dimension. Technology and tradition meld as the people adapt to the changing forces of their world. The Sea Is Ours is an exciting new anthology that features stories infused with the spirits of Southeast Asia's diverse peoples, legends, and geography.
Another deluxe edition of new writing and neglected perspectives. Asian ghosts, from India to China, Japan to Thailand, Korea to the Philippines, can be both terrifying and comforting. Underpinned by strong cultural beliefs in the cycles of life and ancestor worship, the nature of Asian spirits differs from that of their counterparts in other areas of the world. The possibility is more instinctually accepted that ghosts remain with us, as part of the world, whether we can see them or not. In Saigon The Daughter of Hui Bi Hua roams the corridors of the Ho Chi Minh City Museum of Art, in Japan the Kappa displays an insatiable appetite for cucumbers, in Indonesia the Kuntilanak is a wicked spirit, feared by all, and in Thailand the Preta is a disgusting, hungry ghost. The Flame Tree Gothic Fantasy, Classic Stories and Epic Tales collections bring together the entire range of myth, folklore and modern short fiction. Highlighting the roots of suspense, supernatural, science fiction and mystery stories, the books in Flame Tree Collections series are beautifully presented, perfect as a gift and offer a lifetime of reading pleasure.
This collection of essays examines how Southeast Asian women writers engage with the grand narratives of nationalism and the modern nation-state by exploring the representations of gender, identity and nation in the postcolonial literatures of Brunei Darussalam, Malaysia, Singapore, Indonesia, and the Philippines. Bringing to light the selected works of overlooked local women writers and providing new analyses of those produced by internationally-known women authors and artists, the essays situate regional literary developments within historicized geopolitical landscapes to offer incisive analyses and readings on how women and the feminine are imagined, represented, and positioned in relation to the Southeast Asian nation.The book, which features both cross-country comparative analyses and country-specific investigations, also considers the ideas of the nation and the state by investigating related ideologies, rhetoric, apparatuses, and discourses, and the ways in which they affect women’s bodies, subjectivities, and lived realities in both historical and contemporary Southeast Asian contexts. By considering how these literary expressions critique, contest, or are complicit in nationalist projects and state-mandated agendas, the collection contributes to the overall regional and comparative discourses on gender, identity and nation in Southeast Asian studies.