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This book presents papers written by colleagues of Professor Gregory E. Areshian on the occasion his 65th birthday. The range of topics includes Near Eastern, Mediterranean and Armenian archaeology, theory of interpretation in archaeology and art history, interdisciplinary history, historical linguistics, art history, and comparative mythology.
There are many holy cities in India, but Mumbai is not usually considered one of them. More popular images of the city capture the world’s collective imagination—as a Bollywood fantasia or a slumland dystopia. Yet for many, if not most, people who live in the city, the neighborhood streets are indeed shared with local gods and guardian spirits. In The Neighborhood of Gods, William Elison examines the link between territory and divinity in India’s most self-consciously modern city. In this densely settled environment, space is scarce, and anxiety about housing is pervasive. Consecrating space—first with impromptu displays and then, eventually, with full-blown temples and official recognition—is one way of staking a claim. But how can a marginalized community make its gods visible, and therefore powerful, in the eyes of others? The Neighborhood of Gods explores this question, bringing an ethnographic lens to a range of visual and spatial practices: from the shrine construction that encroaches on downtown streets, to the “tribal art” practices of an indigenous group facing displacement, to the work of image production at two Bollywood film studios. A pioneering ethnography, this book offers a creative intervention in debates on postcolonial citizenship, urban geography, and visuality in the religions of India.
Ethnographic study of the Gond tribe of Vidarbha region of Maharashtra, India.
This book tries to critically examine almost all the major aspects of the Ahom culture, on the basis of the empirical data supplemented by secondary sources of information. Providing a historical perspective, it analyses the process of change
The Making of a Village examines the social and cultural life of indigenous peoples in India. It unfolds intimate aspects of Adivasi history such as the birth of a village, its demographic formation, forging of social relations, in- and out-migration, and the dialectics of the village as a socio-physical space during precolonial and colonial periods. Drawing on oral, archival and empirical data from eastern India, it highlights the interconnected themes of inflection of identity; the change of the Adivasis from historic agents to colonial subjects and their arcadia to a servile landscape; and the indigenous notion of state. It also initiates a dialogue between the past and present to bring into sharp relief ideas of village community, indigeneity, migration, governance, colonialism, agency, subjecthood, rural change, environment and ecology. Redefining the study of rural sociology in South Asia, this volume will be of great interest to scholars and researchers of modern Indian history, politics, development studies, sociology, social and cultural anthropology, Adivasi and indigenous studies, and South Asian studies.
Study with reference to Sriharikota, India.
Presents The Classical World Of The Performing Arts And Folk Literature Of Tribals-Gonds, Pardhans, Kolam, Korku And The Banjara In Maharashtra. Based On The Authors Study While Working Among The Tribes Mentioned Above.
Social life and customs of Kolami, Indic people, residing in various states of India.
Contents: Socio-Cultural and Demographic Profile of the Warli Tribe, Research Methodology, What About the Warli Painting Tradition?, Wall Paintings of the Saora Tribe of Orissa, Comparison of Rock Paintings with Tribal Paintings, Wall Paintings of the Rathwa Tribe, Threads Together: Some Reflections.