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Sometimes we find ourselves with people who tell us something that then turns out to be not true, that may not stop being an anecdote, but when lies are constant, we may be before a mythomaniac, that is, a person who lies almost compulsively, also known as a pathological liar. With this text you will learn what it is, how to differentiate it from other cases that show similar symptoms of lies and how to deal with this problem.
A triumphant memoir by the former editor-in-chief of French Elle that reveals an indomitable spirit and celebrates the liberating power of consciousness. In 1995, Jean-Dominique Bauby was the editor-in-chief of French Elle, the father of two young children, a 44-year-old man known and loved for his wit, his style, and his impassioned approach to life. By the end of the year he was also the victim of a rare kind of stroke to the brainstem. After 20 days in a coma, Bauby awoke into a body which had all but stopped working: only his left eye functioned, allowing him to see and, by blinking it, to make clear that his mind was unimpaired. Almost miraculously, he was soon able to express himself in the richest detail: dictating a word at a time, blinking to select each letter as the alphabet was recited to him slowly, over and over again. In the same way, he was able eventually to compose this extraordinary book. By turns wistful, mischievous, angry, and witty, Bauby bears witness to his determination to live as fully in his mind as he had been able to do in his body. He explains the joy, and deep sadness, of seeing his children and of hearing his aged father's voice on the phone. In magical sequences, he imagines traveling to other places and times and of lying next to the woman he loves. Fed only intravenously, he imagines preparing and tasting the full flavor of delectable dishes. Again and again he returns to an "inexhaustible reservoir of sensations," keeping in touch with himself and the life around him. Jean-Dominique Bauby died two days after the French publication of The Diving Bell and the Butterfly. This book is a lasting testament to his life.
Step into a world where reality dances with illusion, where the line between truth and deception blurs into a mesmerizing tapestry. Welcome to "The Truth About Lies: How and Why We Deceive Ourselves and Others," a captivating journey into the depths of human nature. Prepare to be spellbound as you uncover the intricate web of lies that we weave, not only to others but also to ourselves. With every turn of the page, you will delve into the darkest corners of the human psyche, where truth and deception intertwine in a delicate dance. Secrets will be unveiled, illusions shattered, and the profound power of deception exposed. In this extraordinary exploration, acclaimed author [Author Name] fearlessly confronts the profound questions that haunt our existence. What drives us to deceive? How do we become masters of illusion? And why, oh why, do we often choose the comfort of lies over the unsettling embrace of truth? "The Truth About Lies" unveils the hidden mechanisms behind our most captivating deceptions. From the subtle art of body language to the artifice of language itself, this book uncovers the hidden forces that manipulate our perceptions and alter our realities. It unravels the enigma of self-deception, revealing the psychological defenses we erect to shield ourselves from uncomfortable truths. Immerse yourself in the gripping stories that populate these pages—tales of betrayal, cunning, and self-delusion. Explore the realms of politics, relationships, and everyday life, as you discover the astounding ways in which lies shape our world. Through meticulous research and profound insights, [Author Name] guides you on a transformative journey, leaving no stone unturned. "The Truth About Lies" is not just a book; it is a revelation—an invitation to introspection and self-discovery. It challenges you to question your own beliefs, confront your own deceptions, and find the courage to embrace the liberating power of truth. Prepare to be captivated, enlightened, and forever changed. Whether you are a seeker of knowledge, a lover of psychological intrigue, or simply someone who yearns to understand the intricate dance of truth and deception, this book will leave an indelible mark upon your soul. Dare to uncover the truth. Are you ready to embark on this transformative odyssey? Open the pages of "The Truth About Lies" and prepare to be awestruck by the profound secrets that lie within.
Think you know the real story behind the Greek myths? Think again. Most people only know what Zeus wants them to. But the truth is, Zeus is a total myth-o-maniac. Hades, King of the Underworld, is here to set the record straight on how he ended up as Ruler of the Underworld and Zeus became King of the Gods.
"The beauty of Lauren Slater's prose is shocking," said Newsday about Welcome to My Country, and now, in this powerful and provocative new book, Slater brilliantly explores a mind, a body, and a life under siege. Diag-nosed as a child with a strange illness, brought up in a family given to fantasy and ambition, Lauren Slater developed seizures, auras, neurological disturbances--and an ability to lie. In Lying: A Metaphorical Memoir, Slater blends a coming-of-age story with an electrifying exploration of the nature of truth, and of whether it is ever possible to tell--or to know--the facts about a self, a human being, a life. Lying chronicles the doctors, the tests, the seizures, the family embarrassments, even as it explores a sensitive child's illness as both metaphor and a means of attention-getting--a human being's susceptibility to malady, and to storytelling as an act of healing and as part of the quest for love. This mesmerizing memoir openly questions the reliability of memoir itself, the trickiness of the mind in perceiving reality, the slippery nature of illness and diagnosis--the shifting perceptions and images of who we are and what, for God's sake, is the matter with us. In Lying, Lauren Slater forces us to redraw the boundary between what we know as fact and what we believe we create as fiction. Here a young woman discovers not only what plagues her but also what heals her--the birth of sensuality, her creativity as an artist--in a book that reaffirms how a fine writer can reveal what is common to us all in the course of telling her own unique story. About Welcome to My Country, the San Francisco Chronicle said, "Every page brims with beautifully rendered images of thoughts, feelings, emotional states." The same can be said about Lying: A Metaphorical Memoir.
This collection of brief essays and still briefer commentaries is a personal reflection on some topics that have been thematic in the development of my theoretical work. These essays are not meant to extend the theory into yet-uncharted territory, but rather to draw out some of its implications for clinical neuroscience, philosophy of mind, and everyday life. The point of view guiding these reflections can be found in prior works, but the discerning reader will not fail to see a departure from current models of mind and brain based on circuit board diagrams, modular and computational theories that conflict with a processual account in which the mind/brain is more like a living organism. This perspective, which is often at odds with common sense and folk psychology, has particular relevance to our concepts of the self, the inner life, subjective time, adaptive process, and the world represented in perception.
Through his I-Maximum Approach, Dr. Shrand helps readers learn how to set aside self-doubt, show others they are valued, and make more meaningful connections. Through his I-Maximum Approach, Dr. Shrand helps readers learn how to set aside self-doubt, show others they are valued, and make more meaningful connections.In a sense, we all try to be mind readers. We “theorize” about whether we are admired or envied, despised or loved. Psychologists use the term “Theory of Mind” to describe our natural tendency to make assumptions about what others think and how they feel about us based on the tone of their voice, facial expressions, and body language. These cues either signal us to open up further and make a connection or to put up a wall to protect ourselves from rejection. But it is also easy to misinterpret these cues and become unnecessarily guarded, such as when someone appears to be angry with us and we later learn they were just having a bad day and the negative signs we were picking up really had nothing to do with us.The more emotional baggage we bring to our interactions, the more likely we are to negatively misinterpret other people’s feelings and the more disconnected from them we become. In this groundbreaking book, Joseph Shrand, MD, instructor of psychiatry at Harvard Medical School, and Leigh Devine teach us that by setting aside self-doubt and assuming the best about ourselves and others, we can make more meaningful connections based on mutual respect and value. This is the heart of Dr. Shrand’s I-Maximum Approach, which teaches us to assume that we all are doing the best we can at any given time. With the heightened empathy that we gain from this approach comes a deeper understanding of our own and others’ mental and emotional states and how they influence our interactions, resulting in stronger connections and more rewarding relationships.
More than six years after his death, Michael Jackson continues to fascinate the world. Shana Mangatal was one of Jackson's only constant and true rocks of stability for nearly two decades. Their relationship was quiet and sweet and real—a closely guarded secret, known only to a few trusted employees and friends. Shana is now coming forward to tell their love story. Her story is rich with every little detail. She witnessed the scandals, lawsuits, the release of groundbreaking albums and subsequent world tours, big-budget short films, addictions. Michael and Me entertains and inspires, but above all, Shana continues to treat Michael (and his legacy) with respect. This is not an exploitative tell-all, but rather a book that shows the side of Michael people never knew. In it, Shana paints a more intimate picture of this beloved, yet very misunderstood man.
Ever since Herodotus declared in Histories that to preserve the memories of the great achievements of the Greeks and other nations he would count on their own stories, historians have debated whether and how they should deal with myth. Most have sided with Thucydides, who denounced myth as "unscientific" and banished it from historiography. In Mythistory, Joseph Mali revives this oldest controversy in historiography. Contesting the conventional opposition between myth and history, Mali advocates instead for a historiography that reconciles the two and recognizes the crucial role that myth plays in the construction of personal and communal identities. The task of historiography, he argues, is to illuminate, not eliminate, these fictions by showing how they have passed into and shaped historical reality. Drawing on the works of modern theorists and artists of myth such as Nietzsche and Wittgenstein, Joyce and Eliot, Mali redefines modern historiography and relates it to the older notion and tradition of "mythistory." Tracing the origins and transformations of this historiographical tradition from the ancient world to the modern, Mali shows how Livy and Machiavelli sought to recover true history from uncertain myth-and how Vico and Michelet then reversed this pattern of inquiry, seeking instead to recover a deeper and truer myth from uncertain history. In the heart of Mythistory, Mali turns his attention to four thinkers who rediscovered myth in and for modern cultural history: Jacob Burckhardt, Aby Warburg, Ernst Kantorowicz, and Walter Benjamin. His elaboration of the different biographical and historiographical routes by which all four sought to account for the persistence and significance of myth in Western civilization opens up new perspectives for an alternative intellectual history of modernity-one that may better explain the proliferation of mythic imageries of redemption in our secular, all too secular, times.