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In this book, Katherine Spencer examines Navaho cultural values by studying a specific subset of Navaho mythology: chantway myths, part of ceremonies performed to cure illness. She begins with a summary of the general plot construction of chantway myths and the value themes presented in these plots, then discusses “explanatory elements” inserted by the narrators of the myths. She continues with a deeper analysis of the cultural value judgements conveyed by these myths. At the end of the book, Spencer includes abstracts of the myths she discusses.
Here are case studies in which myths have helped Dr. May's patients make sense out of an often senseless world. It happens almost daily in a therapist's office. A patient, recalling a person, an event, an emotion, quite unexpectedly supplies a link from a life in the present to one of the durable myths of our culture. In this moment, the myth becomes a mirror, revealing to the patient the source of disturbance and pain in a pattern of behavior that often stretches a year or longer. The healing process begins. The myth, "eternity breaking into time" in Rollo Mays's words, becomes the focal point of recovery. Through tracing myths – whether from classical Greece and Dante's Middle Ages, European legend (Faust and the prototype of Sleeping Beauty), or contemporary American life (Jay Gatsby) -- and relating them to the dreams and associations he encounters in his own practice, Dr. May provides meaning and structure for all who seek direction in a morally confusing world. In this, perhaps the finest achievement of a great therapist, Rollo May writes with "the grace, wit, and style: for which he recently received the Gold Medal of the American Psychological Society.
The scholarly community has become increasingly aware of the differences between Roman myths and the more familiar myths of Greece. Early Rome: Myth and Society steps in to provide much-needed modern and accessible translations and commentaries on Italian legends. This work examines the tales of Roman pre-and legendary history, discusses relevant cultural and contextual information, and presents author biographies. This book offers updated translations of key texts, including authors who are often absent from classical mythology textbooks, such as Dionysius of Halicarnassus and Servius. Editor Jaclyn Neel debunks the idea that Romans were unimaginative copyists by spotlighting the vitality and flexibility of Italian myth — particularly those parts that are less closely connected to Greek tales, such as the story of Caeculus of Praeneste. Finally, by calling attention to the Italian rather than Roman nature of the collection, this book suggests that Roman culture was broader than the city itself. This important work offers: Up-to-date and accessible translations of Roman and Italic legends from authors throughout antiquity Examination of compelling tales that involve the Roman equivalent of Greek “heroes” Unique view of the strength and plasticity of Roman and Italic myth, particularly the parts less closely connected to familiar Greek tales Intelligent discussion of relevant cultural and contextual information Argument that Roman culture reached far beyond the city of Rome Fresh and readable, Early Rome: Myth and Society offers essential reading for students of ancient Rome as well as those interested in Roman and Greek mythology.
With The Modern Myths, brilliant science communicator Philip Ball spins a new yarn. From novels and comic books to B-movies, it is an epic exploration of literature, new media and technology, the nature of storytelling, and the making and meaning of our most important tales. Myths are usually seen as stories from the depths of time—fun and fantastical, but no longer believed by anyone. Yet, as Philip Ball shows, we are still writing them—and still living them—today. From Robinson Crusoe and Frankenstein to Batman, many stories written in the past few centuries are commonly, perhaps glibly, called “modern myths.” But Ball argues that we should take that idea seriously. Our stories of Dracula, Dr. Jekyll and Mr. Hyde, and Sherlock Holmes are doing the kind of cultural work that the ancient myths once did. Through the medium of narratives that all of us know in their basic outline and which have no clear moral or resolution, these modern myths explore some of our deepest fears, dreams, and anxieties. We keep returning to these tales, reinventing them endlessly for new uses. But what are they really about, and why do we need them? What myths are still taking shape today? And what makes a story become a modern myth? In The Modern Myths, Ball takes us on a wide-ranging tour of our collective imagination, asking what some of its most popular stories reveal about the nature of being human in the modern age.
"I doubt I would have grown up to be the writer and artist I became had I not fallen in love with D’Aulaire’s Book of Greek Myths at the age of seven."—R. J. Palacio, author of Wonder Kids can lose themselves in a world of myth and magic while learning important cultural history in this beloved classic collection of Greek mythology. Now updated with a new cover and an afterword featuring never-before-published drawings from the sketchbook of Ingri and Edgar D'Aulaire, plus an essay about their life and work and photos from the family achive. In print for over fifty years, D'Aulaires Book of Greek Myths has introduced generations to Greek mythology—and continues to enthrall young readers. Here are the greats of ancient Greece—gods and goddesses, heroes and monsters—as freshly described in words and pictures as if they were alive today. No other volume of Greek mythology has inspired as many young readers as this timeless classic. Both adults and children alike will find this book a treasure for years to come.
World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.
"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--
Presenting major myth theorists from antiquity to the present, this work offers a cross-disciplinary approach to the study of myth. Rewritten and restructured, it reflects the increased interest in myth among both scholars and general readers since the publication of the first edition.
Reveals how key myths of the world present timeless truths that enrich our understanding of the world and the role humans play today.
Greek myths have long been admired as beautiful, thrilling stories but dismissed as serious objects of belief. For centuries scholars have held that Greek epics, tragedies, and the other compelling works handed down to us obscure the “real” myths that supposedly inspired them. Instead of joining in this pursuit of hidden meanings, Sarah Iles Johnston argues that the very nature of myths as stories—as gripping tales starring vivid characters—enabled them to do their most important work: to create and sustain belief in the gods and heroes who formed the basis of Greek religion. By drawing on work in narratology, sociology, and folklore studies, and by comparing Greek myths not only to the myths of other cultures but also to fairy tales, ghost stories, fantasy works, modern novels, and television series, The Story of Myth reveals the subtle yet powerful ways in which these ancient Greek tales forged enduring bonds between their characters and their audiences, created coherent story-worlds, and made it possible to believe in extraordinary gods. Johnston captures what makes Greek myths distinctively Greek, but simultaneously brings these myths into a broader conversation about how the stories told by all cultures affect our shared view of the cosmos and the creatures who inhabit it.