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This is the gloriously funny and endlessly fascinating account of the author's recent journey on foot across the north of England in the footsteps of a man who made the same journey 100 years ago with a dog trouve called Pontiflunk.
Attributed to Phil Smith ("the Crab Man") on the publisher's webite.
From the internationally bestselling creator of Wreck This Journal... wan·der verb \ˈwän-dər\ to walk/explore/amble in an unplanned or aimless way with a complete openness to the unknown Several years ago when Keri Smith, bestselling author of Wreck This Journal, discovered cryptic handwritten notations in a worn copy of Walt Whitman’s Leaves of Grass, her interest was piqued. Little did she know at the time that those simple markings would become the basis of a years-long, life-changing exploration into a mysterious group known only as The Wander Society, as well as the subject of this book. Within these pages, you’ll find the results of Smith’s research: A guide to the Wander Society, a secretive group that holds up the act of wandering, or unplanned exploring, as a way of life. You’ll learn about the group’s mysterious origins, meet fellow wanderers through time, discover how wandering feeds the creative mind, and learn how to best practice the art of wandering, should you choose to accept the mission.
the world’s first walkable novel - set in Milton Keynes
In 2010, Phil Smith reinvented psychogeography with his own unique take on the subject. He called it Mythogeography and it is at the heart of any discussion/practice of radical walking, site-specific urban performance, 'drift and dÃ?©rive' and 'guiding and misguiding.' In this new book, he has reinvented Mythogeography. This beautiful book contains an essay by Phil Smith and images by John Schott taken during Phil's recent invitation to be Artist-in-Residence at Carleton College, Minnesota. Phil Smith addresses 16 key themes: 1. On being touched, but not obliged-how to fully engage with places with no surrender of our nomadic self. 2. Pilgrimage-how to weave the practice of pilgrimage in and out of our daily lives. 3. The big picture and the zero-local history, tourist guides, our stories always start from somewhere-everything before that gets deleted. 4. Breadth & Narrowness-the 'narrowness' of everyday lives is often compared to the 'openness' of history. But mythogeographers find and explore them curled up inside each other. 5. Individual embodying an idea. 6. The mob-"I want people to walk mythogeographically, but under their own steam; not led". 7. The compromised body as an agent of joy-put our bodies (not ideas) back at the centre of walking. 8. The "talented" walker ready to pounce-how to leave an action until the last moment. 9. Dread space-how to transform a feeling of sourceless fear into an act of liberation. 10. Walking with your imagined self-we can enter our own fantasies about and in a place as we walk. 11. From classic pilgrimage to ambulant architecture-building new shrines, installing trip hazards, overlaying mazes across the path as we walk. 12. Ritual and repetition-walk a place repeatedly until you make up your own ritual of the place. 13. Using architecture as a magic wand-Find 'new menhirs.' 14. Provisional mythogeography-allow your research and maps to unravel in the face of a place. 15. Fighting the Spectacle with the power of zero-look for the infinitesimal change that can disrupt. 16. Evangelising-readers must do this stuff in their own and better ways. [Subject: Mythogeography, Radical Walking, Psychogeography, Performing Arts]
Phil Smith's walking tour of East Anglia matches Sebald's erudition, originality and humour swathe for swathe.
Since the early 2000s there has been an increase in artists who are walking as an essential part of their artistic practice. This book identifies the unique attributes of walking to develop a definition for walking as an artistic medium. Drawing on historical sources, such as the walks of the Romantic poets, Dadaists and Letterist/Situationist Internationals, it presents a practice based approach to walking focused on the radical memory of the medium. The book covers three contemporary organisations working to develop the artistic medium of walking—London’s Walking Artists Network, Scotland’s Walking Institute and New York City’s Walk Exchange—and looks at how these different organisation’s strategies contribute to the development of the artistic medium of walking. The book is framed by five walking exercises, and invites the reader to create a memory palace for the medium of walking as a practical exploration of artistic walking practices.
A book about developments in walking and walk-performance for enthusiasts, practitioners, students and academics.
A guide to subverting the way that heritage sites would like to be seen.
A mythogeography of South Devon and how to walk it