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For almost three decades, Cormac McCarthy solidified his reputation as an American "writer's writer" with remarkable novels such as his Appalachian Tales, The Orchard Keeper, Outer Dark, Child of God, Suttree, and his terrifying Western masterpiece, Blood Meridian. Then, with the publication of All the Pretty Horses, the first work of his celebrated Border Trilogy in 1992, McCarthy's popularity exploded on to a world stage. As his reputation burgeoned with the publications of The Crossing and Cities of the Plain, the critical response to McCarthy has grown apace.
Greek mythology is stranger than you might think. Gods and the Dust collects numerous stories from the ancient source material and strings them together into one fluid plot, fleshing out the sparse details into a dramatic fantasy novel. At the dawn of time, the Earth and Sky mated to populate the world. Their most powerful children are the gods and goddesses - living personifications of all things great and small, physical and conceptual. These powerful deities engage in an interconnected string of relationships and misadventures involving mortals and immortals, dispensing wrath and favor in equal measure, resulting in murders, love affairs, offspring, and wars.
This definitive assessment of Cormac McCarthy’s novels captures the interactions among the literary and mythic elements, the social dynamics of violence, and the natural world in The Orchard Keeper, Child of God, Outer Dark, Blood Meridian, and The Road. Elegantly written and deeply engaged with previous scholarship as well as interviews with the novelist, this study provides a comprehensive introduction to McCarthy’s work while offering an insightful new analysis. Drawing on René Girard’s mimetic theory, mythography, thermodynamics, and information science, Markus Wierschem identifies a literary apocalypse at the center of McCarthy’s work, one that unveils another buried deep within the history, religion, and myths of American and Western culture.
A collection of original, stimulating interpretations of key texts by Cormac McCarthy, designed for students and edited and written by leading scholars in the field
Don DeLillo, Paul Auster, Cormac McCarthy, Rolando Hinojosa, E. Annie Proulx, Bret Easton Ellis, Douglas Coupland, and Thomas Pynchon: An Introduction to Contemporary American Fiction introduces the work of a range of key American authors, all of whom can be said to engage with postmodernism. Exploring the vitality and energy of contemporary writing in light of pessimistic proclamations on the state of postmodern American culture, Bilton highlights the tension between "realistic" description and linguistic self-consciousness in contemporary fiction. In addition, by addressing a central problem in literary theory—its neglect of literary discussion and the practice of reading—An Introduction to Contemporary American Fiction is able to present a working model for reading a text theoretically. As an introductory text, it assumes no prior knowledge of the authors of the novels discussed. To encourage understanding and aid further study, the following features are included: * GLOSSARY OF CRITICAL AND LITERARY TERMS * BIBLIOGRAPHY OF EACH AUTHOR'S WORKS * BIOGRAPHY OF EACH AUTHOR * GUIDE TO FURTHER READING * THEMATIC AND AUTHOR INDICES
A powerhouse grimdark fantasy of bloodshed, ambition, and fate, The House of Sacrifice is the thunderous conclusion to Anna Smith Spark's Empires of Dust trilogy, which began with The Court of Broken Knives. Marith Altrersyr has won. He cut a path of blood and vengeance and needless violence around the world and now he rules. It is time for Marith to put down his sword, to send home his armies, to grow a beard and become fat. It is time to look to his own house, and to produce an heir. The King of Death must now learn to live.But some things cannot be learnt. The spoils of war turn to ash in the mouths of the Amrath Army and soon they are on the move again. But Marith, lord of lies, dragon-killer, father-killer, has begun to falter and his mind decays. How long can a warlord rotting from within continue to win? As the Army marches on to Sorlost, Thalia's thoughts turn to home and to the future: a life grows inside her and it is a precious thing - but it grows weak. Why must the sins of the father curse the child? Empires of DustThe Court of Broken KnivesThe Tower of Living and DyingThe House of Sacrifice
"Reconceives the moral significance of Cormac McCarthy's novels through a constructive engagement with postmodern theory and Christian theology"--
This wide-ranging book illuminates the importance of the Western in American history. It explores the interconnections between the Western in both literature and film and the United States in the 20th century.Structured chronologically, the book traces the evolution of the Western as a uniquely American form. The author argues that America's frontier past was quickly transformed into a set of symbols and myths, an American meta-narrative that came to underpin much of the 'American century'. He details how and why this process occurred, the form and function of Western myths and symbols, the evolution of this mythology, and its subversions and reconstructions throughout 20th-century American history.The book engages with the full range of historical, literary and cinematic perspectives and texts, from the founding Western histories of Theodore Roosevelt and Frederick Jackson Turner to the New Western history of Patricia Nelson Limerick and Richard White.
Even before Harold Bloom designated Blood Meridian as the Great American Novel, Cormac McCarthy had attracted unprecedented attention as a novelist who is both serious and successful, a rare combination in recent American fiction. Critics have been quick to address McCarthy’s indebtedness to southern literature, Christianity, and existential thought, but the essays in this collection are among the first to tackle such issues as gender and race in McCarthy’s work. The rich complexity of the novels leaves room for a wide variety of interpretation. Some of the contributors see racist attitudes in McCarthy’s views of Mexico, whereas others praise his depiction of U.S.-Mexican border culture and contact. Several of the essays approach McCarthy’s work from the perspective of ecocriticism, focusing on his representations of the natural world and the relationships that his characters forge with their geographical environments. And by exploring the author’s use of and attitudes toward language, some of the contributors examine McCarthy’s complex and innovative storytelling techniques.
Mark Twain once wrote, "We are nothing but echoes." Despite this pronouncement, Twain's voice continues to reverberate in the 21st century. Twain's Adventures of Huckleberry Finn helped define modern American literature, creating The Huck Finn Tradition in contemporary writing. This volume discusses the intertextual connections between Twain's iconic novel and eight works by celebrated American author Cormac McCarthy, including Suttree, The Orchard Keeper, Blood Meridian, All the Pretty Horses, The Crossing, Cities of the Plain, No Country for Old Men, and The Road. By chronicling the diverse scholarly comparisons between Twain and McCarthy and exploring the echoes of Twain and Huck Finn in McCarthy's writing, this study reveals how McCarthy has not only absorbed Twain's tradition, but transformed it, with consequences that surpass the work of other Twain heirs.