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This book offers a study of the three evolutions in a circle (cosmos, life, and knowledge) with the aim of discussing human social behavior, a metaphor of the general behavior of nature (from which man derives) within the fluctuating equilibrium between the opposite tendencies to cohesion and shredding; a circularity revealing an indefinite and probably never conclusive run-up of human beings to the knowledge of nature; an analysis that demonstrates any theoretical/practical impossibility to formulate absolute certainties, since it depicts a situation in which man finds himself hovering between a rational way of living and the contradictory modus operandi of mythos. All that, within a society where the powerful communication and transportation technologies give rise to conflicts and fragmentations, where anyone’s will to self-distinguishing is enhanced by highlighting any small difference and obscuring any large similarity. The main difference between this book and existing ones stems from its interdisciplinary nature, particularly because it establishes a close connection between three, apparently so different disciplines—cosmology, life sciences, and sociology—compared with respect to their increasing complexity laws, giving rise to always more chaotic configurations.
Ancient myths about watery chaos uniquely transcend time and culture to speak to the universal human condition as expression to the hopes, aspirations and fears that have defined--for ancient thinkers as well as modern scientists--what it means to be human in a chaotic world. "The Hero and the Sea examines the mythological pattern of heroic battles with watery chaos in the "Gilgamesh Epic, the "Iliad, the "Odyssey, and the Old Testament, in the light of anthropology, comparative religion, literature, mythology, psychology, and modern chaos theory; how mythic patterns of heroic battle with chaotic adversaries respond to the cultural needs, religious concerns, and worldview of their audience. The last chapter explores points of contact between the ancient mythic patterns and the discoveries of modern scholars engaged in the theoretical study of chaos and chaotics.
The Second Principle of Thermodynamics is nowadays a sort of "religious" belief: the certainty that our universe, with everything in it, is destined to be destroyed, sentients included—a thought that has been heavily radicated for decades in a society divided between rigid atheists and likewise rigid religious people. The laws of nature are presently not so clear about this topic. What was initially the "Second Principle of Thermodynamics" has now become for most people the "Second Law of Thermodynamics." A "law" is true everywhere, whereas a "principle" is true only on Earth. However, Earth is a planet of the solar system; the presence of stars (the sun being one) changes the things, but this fact is normally not taken into account. This book discusses man’s derivation from inert matter and disproves the general validity of the Second Principle of Thermodynamics, together with inherent social considerations. This view renders coherent the full history of the universe’s evolution with human beings in it, bringing out incoherent hypotheses connected with vaguely religious necessities. At variance with all previous narrations, this new perspective also renders coherent the presence and the future of the human beings on Earth, a vision that enlarges the perspectives even from the religious points of view.
Mythic Imagination Today is an illustrated guide to the interpenetration of mythology and science throughout the ages. This monograph brings alive our collective need for story as a guide to the rules, roles, and relationships of everyday life.
Wry wit and down-to-earth commonsense as the authors supply grains of truth in ideas we ordinarily dismiss.
Alfred Tennyson Tennyson, 1809-1892 and Thomas Stearns Eliot, 1888-1965, English poets.
From the noble Titan Prometheus who stole fire from Mount Olympus to the bloody tale of how Kronos castrated his own father Ouranos to avenge his mother Gaia, these visceral, often dark and powerful stories about the creation of the world are also larger than life projections of human passions, the exercise of power in a violent and hierarchical world and a reflection on the bitter-sweet human condition. With their remote origins in Mesopotamia and the ancient civilisations of the Near East, these myths come down to us primarily from the early Greek poet and farmer Hesiod in his two epic poems; the Theogony and the Works and Days. Drawing on Hesiod's account as well as ancient authors such as Ovid, Aeschylus and Apollodorus of Alexandria, In the Beginning was Chaos recounts the stories of the ancient Greeks about how the world began, the creation of humanity and their troubled relationship with the Gods. It includes the war between the Olympians and the Titans, Prometheus and his struggle with Zeus, as well as detailed descriptions of the twelve Olympian gods and goddesses and an account of the Underworld. It also includes the story Deucalion and Pyrrha and the great flood with its striking parallels to the Biblical account of the flood.
One of the most influential works of this century, The Myth of Sisyphus and Other Essays is a crucial exposition of existentialist thought. Influenced by works such as Don Juan and the novels of Kafka, these essays begin with a meditation on suicide; the question of living or not living in a universe devoid of order or meaning. With lyric eloquence, Albert Camus brilliantly posits a way out of despair, reaffirming the value of personal existence, and the possibility of life lived with dignity and authenticity.