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A radical new interpretation of Picasso and his relation to the classical seen through the artist's prints of the 1930s.
The transformation of human beings to animals, plants, and stones is one of the commonest and most characteristic themes of Greek mythology; whereas many cultures contain some such stories, in none are they so popular as in the Greek myths. Transformations are also some of the most mysterious and fantastic episodes in Greek mythology. Given the intriguing nature of the subject-matter, it is surprising that no study of these stories has ever appeared in English. But this book is unusual in its approach. Studies of Greek myths have usually tended to try to explain them away in terms of some external entity, whether it be some hypothetical ritual, some curious phenomenum of nature or some long-forgotten historical event. The book argues that this attitude ignores what is of most interest about Greek myths - their appeal as stories. The author analyses the various ways in which these stories imagine and explore what it means for a person to change his or her form.
An illustrated study of a number of Greek myths about the transformations of humans and gods. Richard Buxton poses the question of how seriously the Greeks took these tales, and in doing so also illuminates issues explored by anthropologists and students of religion.
The impact of Ovid's Metamorphoses on our culture can hardly be overestimated. The poem is one of the most exciting and accessible classical texts, our key source for nearly all the famous myths of Greece and Rome. Sarah Annes Brown offers a lively, and sometimes provocative, introduction to the Metamorphoses, exploring the impact of recent critical developments and tracing its rich afterlife in both high and popular culture. The book's later chapters are devoted to five of the most memorable Ovidian stories - Apollo and Daphne, Actaeon, Philomela, Arachne and Pygmalion. Each subtle and elusive story is found to have generated a huge range of creative responses. The influence of the Pygmalion myth, for example, can be traced in Frankenstein, Vertigo and Blade Runner, as well as in the works of Chaucer and Shakespeare.
This play is based on David R. Slavitt's translation of The Metamorphoses of Ovid - Monologues.
This volume contains the lectures delivered at an international conference in Israel devoted to the topic of Franz Kafka (1883-1924) and Zionism. Kafka's interests in Hebrew, Yiddish, and Jewish Nationalism and his various relationships to his Zionist friends and his participation in Jewish national and Zionist-related activity are explored from a number of different critical vantage points. Likewise, his writings are considered within the specific framework of Jewish nationalism and Zionism.
Ovid's Metamorphoses is one of the most influential works of Western literature, inspiring artists and writers from Titian to Shakespeare to Salman Rushdie. These are some of the most famous Roman myths as you've never read them before—sensuous, dangerously witty, audacious—from the fall of Troy to birth of the minotaur, and many others that only appear in the Metamorphoses. Connected together by the immutable laws of change and metamorphosis, the myths tell the story of the world from its creation up to the transformation of Julius Caesar from man into god. In the ten-beat, unrhymed lines of this now-legendary and widely praised translation, Rolfe Humphries captures the spirit of Ovid's swift and conversational language, bringing the wit and sophistication of the Roman poet to modern readers. This special annotated edition includes new, comprehensive commentary and notes by Joseph D. Reed, Professor of Classics and Comparative Literature at Brown University.