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Myth, magic, and monsters--the stuff of childhood dreams (or nightmares) and adult fantasies. Delve into these classic fairy tales retold with a queer twist and surrender to the world of seductive spells and dark temptations.
Myth, magic, and monsters—the stuff of childhood dreams (or nightmares) and adult fantasies. Delve into these classic fairy tales retold with a queer twist and surrender to the world of seductive spells and dark temptations.
Thirteen tales are unspun from the deeply familiar, and woven anew into a collection of fairy tales that wind back through time. Acclaimed Irish author Emma Donoghue reveals heroines young and old in unexpected alliances--sometimes treacherous, sometimes erotic, but always courageous. Told with luminous voices that shimmer with sensuality and truth, these age-old characters shed their antiquated cloaks to travel a seductive new landscape, radiantly transformed.Cinderella forsakes the handsome prince and runs off with the fairy godmother; Beauty discovers the Beast behind the mask is not so very different from the face she sees in the mirror; Snow White is awakened from slumber by the bittersweet fruit of an unnamed desire. Acclaimed writer Emma Donoghue spins new tales out of old in a magical web of thirteen interconnected stories about power and transformation and choosing one's own path in the world. In these fairy tales, women young and old tell their own stories of love and hate, honor and revenge, passion and deception. Using the intricate patterns and oral rhythms of traditional fairy tales, Emma Donoghue wraps age-old characters in a dazzling new skin. 2000 List of Popular Paperbacks for YA
“Fantastic . . . an honest, beautifully detailed book and an entertaining read.” —DIANA GABALDON, THE WASHINGTON POST "A fantastical treat." —PEOPLE “Simultaneously sweeping and intricate . . . Tompkins’s amazing debut novel conjures an epic battle for the soul of Ireland. Filled with papal machination and royal intrigue, magic and mayhem, faeries, Vikings, legates, kings and queens, angels and goddesses, this is one wild and breathless ride.” —KAREN JOY FOWLER “Plundering the treasure chest of human myths, from mysterious biblical giants to ferocious Celtic faeries, Tompkins has created a fantasy adventure with the shifting perspectives of dreamscape. A novel rich and strange.” —GERALDINE BROOKS What became of magic in the world? Who needed to do away with it, and for what reasons? Drawing on myth, legend, fairy tales, and Biblical mysteries, The Last Days of Magic brilliantly imagines answers to these questions, sweeping us back to a world where humans and magical beings co-exist as they had for centuries. Aisling, a goddess in human form, was born to rule both domains and—with her twin, Anya—unite the Celts with the powerful faeries of the Middle Kingdom. But within medieval Ireland interests are divided, and far from its shores greater forces are mustering. Both England and Rome have a stake in driving magic from the Emerald Isle. Jordan, the Vatican commander tasked with vanquishing the remnants of otherworldly creatures from a disenchanted Europe, has built a career on such plots. But increasingly he finds himself torn between duty and his desire to understand the magic that has been forbidden. As kings prepare, exorcists gather, and divisions widen between the warring clans of Ireland, Aisling and Jordan must come to terms with powers given and withheld, while a world that can still foster magic hangs in the balance. Loyalties are tested, betrayals sown, and the coming war will have repercussions that ripple centuries later, in today’s world—and in particular for a young graduate student named Sara Hill. The Last Days of Magic introduces us to unforgettable characters who grapple with quests for power, human frailty, and the longing for knowledge that has been made taboo. Mark Tompkins has crafted a remarkable tale—a feat of world-building that poses astonishing and resonant answers to epic questions.
The Fairy Tale World is a definitive volume on this ever-evolving field. The book draws on recent critical attention, contesting romantic ideas about timeless tales of good and evil, and arguing that fairy tales are culturally astute narratives that reflect the historical and material circumstances of the societies in which they are produced. The Fairy Tale World takes a uniquely global perspective and broadens the international, cultural, and critical scope of fairy-tale studies. Throughout the five parts, the volume challenges the previously Eurocentric focus of fairy-tale studies, with contributors looking at: • the contrast between traditional, canonical fairy tales and more modern reinterpretations; • responses to the fairy tale around the world, including works from every continent; • applications of the fairy tale in diverse media, from oral tradition to the commercialized films of Hollywood and Bollywood; • debates concerning the global and local ownership of fairy tales, and the impact the digital age and an exponentially globalized world have on traditional narratives; • the fairy tale as told through art, dance, theatre, fan fiction, and film. This volume brings together a selection of the most respected voices in the field, offering ground-breaking analysis of the fairy tale in relation to ethnicity, colonialism, feminism, disability, sexuality, the environment, and class. An indispensable resource for students and scholars alike, The Fairy Tale World seeks to discover how such a traditional area of literature has remained so enduringly relevant in the modern world.
Dr. Lily Davenport is the poster child for burnout—physically and emotionally. All she wants is a few months of nondemanding work at a summer camp, of all places, so she can figure out what to do with the rest of her life. The last thing she expects is to run into a woman who awakens a passion she hadn’t even realized had died along with all those she’d failed to save. Forest ranger Chase Fielder is not in the market for a relationship. Counting on people never leaving is for fools. A fling with Lily promises to be exactly what Chase is looking for—short-term, hot as a forest fire, and one Chase can extinguish whenever she wants. Now all she has to do is convince Lily they’re a perfect match. After all, it’s only one summer.
The last time Brody Clark left the Rivers, she walked away from her life—her foolish dreams, her few friends, and the secrets she'd kept from everyone. For ten years she'd told herself there was nothing in her past she cared about—not the family who'd given her a home or the one girl she never stopped thinking about. But now she’s back as part of the new medevac flight crew, for at least as long as it takes to finally bury her ghosts. Val Valentine, DVM, planned on a big city boutique vet practice with high profile clients, easy hours, and lucrative profits. All until the man who was more father to her than her own asks for her help, and she ends up back in the backwater where all she has are bad memories. Brody figures cutting her ties to the past would be a hell of a lot easier if she could only avoid the woman she’s never been able to forget. Since Val never even knew she was alive back in high school, that shouldn’t be too hard now. When their lives collide, both women discover what might have been is closer than they think.
A blind musician and her lover take a romantic journey where love is the melody that plays for only them. Previously published in In Deep Waters: Cruising the Seas, by Karin Kallmaker and Radclyffe (Bella Books, 2007); republished in Best Lesbian Romance 2009, edited by Radclyffe (Cleis Press).
Secret Service Agent Oakes Weaver is in the midst of the biggest assignment of her career—leading the advance team for President Andrew Powell’s impending trip to Philadelphia where everyone expects he will be nominated to run for a second term. The last thing she needs is a tragedy among the president's inner circle that might not be an accident, or the sudden recruitment of Ari Rostof, a woman who might be a lot more than she seems. But Oakes doesn't get a say in policy. She only has to secure the president’s safety—at all costs. First Daughter Blair Powell and her spouse, Cameron Roberts, are among the reelection campaign members accompanying President Andrew Powell to Philadelphia. While the president may be protected by his Secret Service agents, those close to him are literally in the kill zone, and his adversaries will stop at nothing to further their cause—even mass murder.
Melissa Bashardoust’s acclaimed debut novel Girls Made of Snow and Glass is “Snow White as it’s never been told before...a feminist fantasy fairy tale not to be missed” (BookPage)! “Utterly superb.” —ALA Booklist, starred review “Dark, fantastical, hauntingly evocative.” —Kirkus Reviews, starred review “An empowering and progressive original retelling.” —SLJ, starred review Sixteen-year-old Mina is motherless, her magician father is vicious, and her silent heart has never beat with love for anyone—has never beat at all, in fact, but she’d always thought that fact normal. She never guessed that her father cut out her heart and replaced it with one of glass. When she moves to Whitespring Castle and sees its king for the first time, Mina forms a plan: win the king’s heart with her beauty, become queen, and finally know love. The only catch is that she’ll have to become a stepmother. Fifteen-year-old Lynet looks just like her late mother, and one day she discovers why: a magician created her out of snow in the dead queen’s image, at her father’s order. But despite being the dead queen made flesh, Lynet would rather be like her fierce and regal stepmother, Mina. She gets her wish when her father makes Lynet queen of the southern territories, displacing Mina. Now Mina is starting to look at Lynet with something like hatred, and Lynet must decide what to do—and who to be—to win back the only mother she’s ever known...or else defeat her once and for all. Entwining the stories of both Lynet and Mina in the past and present, Girls Made of Snow and Glass traces the relationship of two young women doomed to be rivals from the start. Only one can win all, while the other must lose everything—unless both can find a way to reshape themselves and their story.