Download Free Mysticism Madness Myth And Mania Book in PDF and EPUB Free Download. You can read online Mysticism Madness Myth And Mania and write the review.

What happens when a person has a Clear, Vivid, ecstatic, transcendent religious or spiritual experience where they sense that they are being 'caught up' to God, or Spirit? Do they really encounter an unseen, intangible 'spiritual realm' that is Ultimate Reality and the Ground of existence? Why do some people who are diagnosed as 'mentally ill' claim to have such experiences? If a person persists in these kinds of beliefs, are they deluded, or even mad? Are they actually suffering from 'religious mania'? Are atheists correct in dismissing these experiences as merely 'psychological'? Or is it the atheists who are blind and deaf when it comes to Ultimate Reality? Drawing from personal experience and from over forty years of practical and theoretical engagement with spirituality and religion, as well as from approaches within psychology, author Robert Laynton explores these questions, not as a defense of religion or spirituality but as an exploration of experience on the edge of reason.
Jesus is coming again - as King. But what will the Return of the King be like? The bible speaks of a thousand-year reign of Jesus - a Millennium Reign - but what is the Millennium Reign? Author Robert Laynton takes a fresh look at these themes to present a more grounded and sober look at what the Bible has to say concerning the Return of the King and the Millennium Reign. His takes the reader right back to the beginning, to trace the development of these themes within the narrative of God's grand plan of creation and of salvation and restoration in the light of humanity's fall into disobedience and condemnation. It is a plan that has been enacted in history and is being enacted right now; a plan intimately connected with the Jews and with the nation of Israel; with events that will affect the whole world in an unprecedented way. This book should engage students and believers from both Christian and Judaic traditions, as well as anyone who is seriously concerned about these themes.
Studies of opera, film, television, and literature have demonstrated how constructions of madness may be referenced in order to stigmatise but also liberate protagonists in ways that reinforce or challenge contemporaneous notions of normality. But to date very little research has been conducted on how madness is represented in popular music. In an effort to redress this imbalance, Nicola Spelman identifies links between the anti-psychiatry movement and representations of madness in popular music of the 1960s and 1970s, analysing the various ways in which ideas critical of institutional psychiatry are embodied both verbally and musically in specific songs by David Bowie, Lou Reed, Pink Floyd, Alice Cooper, The Beatles, and Elton John. She concentrates on meanings that may be made at the point of reception as a consequence of ideas about madness that were circulating at the time. These ideas are then linked to contemporary conventions of musical expression in order to illustrate certain interpretative possibilities. Supporting evidence comes from popular musicological analysis - incorporating discourse analysis and social semiotics - and investigation of socio-historical context. The uniqueness of the period in question is demonstrated by means of a more generalised overview of songs drawn from a variety of styles and eras that engage with the topic of madness in diverse and often conflicting ways. The conclusions drawn reveal the extent to which anti-psychiatric ideas filtered through into popular culture, offering insights into popular music's ability to question general suppositions about madness alongside its potential to bring issues of men's madness into the public arena as an often neglected topic for discussion.
It has often been thought that participation in fertility rituals was women's most important religious activity in classical Greece. Matthew Dillon's wide-ranging study makes it clear that women engaged in numerous other rites and cults, and that their role in Greek religion was actually more important than that of men. Women invoked the gods' help in becoming pregnant, venerated the god of wine, worshipped new and exotic deities, used magic for both erotic and pain-relieving purposes, and far more besides. Clear and comprehensive, this volume challenges many stereotypes of Greek women and offers unexpected insights into their experience of religion. With more than fifty illustrations, and translated extracts from contemporary texts, this is an essential resource for the study of women and religion in classical Greece.
‘Our greatest blessings come to us by way of mania, provided it is given us by divine gift,’ – says Socrates in Plato’s Phaedrus. Certain forms of alteration of consciousness, considered to be inspired by supernatural forces, were actively sought in ancient Greece. Divine mania comprises a fascinating array of diverse experiences: numerous initiates underwent some kind of alteration of consciousness during mystery rites; sacred officials and inquirers attained revelations in major oracular centres; possession states were actively sought; finally, some thinkers, such as Pythagoras and Socrates, probably practiced manipulation of consciousness. These experiences, which could be voluntary or involuntary, intense or mild, were interpreted as an invasive divine power within one’s mind, or illumination granted by a super-human being. Greece was unique in its attitude to alteration of consciousness. From the perspective of individual and public freedom, the prominent position of the divine mania in Greek society reflects its acceptance of the inborn human proclivity to experience alteration of consciousness, interpreted in positive terms as god-sent. These mental states were treated with cautious respect, and in contrast to the majority of complex societies, ancient and modern, were never suppressed or pushed to the cultural and social periphery.
The links between madness, creative genius, and spiritual experiences have tantalized philosophers and scientists for centuries. In Healing the Split, John Nelson brings the lofty ideas of transpersonal psychology down to earth so they can be applied in a practical way to explain the bizarre effects of insanity on the human mind. Drawing on a vast knowledge of Eastern philosophy and mainstream neuropsychiatry, he heals the split between orthodox and alternative views with a comprehensive approach that goes beyond both. Starting where R. D. Laing and Thomas Szasz left off, Nelson revises and expands their radical views in light of modern brain science. He then turns to ancient tantric yoga for a synthesis that weaves brain, psyche, and spirit into a compelling new conception of mental illness. For professionals who seek to meet the needs of their patients more creatively, this book offers a unique synthesis. For people in emotional crisis, it clarifies the distinctions among intractable psychosis, temporary breakdowns in the service of healing (spiritual emergencies), and psychic breakthroughs (spiritual emergence). And for anyone interested in the seemingly inexplicable workings of the human mind gone mad, this fascinating exploration of psychotic states of consciousness will be exciting reading.
The stylistic and cultural discourse concerning the narratives of mental disorder is the main focus of Symptoms of Disorder: Reading Madness in British Literature 1744-1845. This collection offers new insights into the representation of madness in British literature between two landmark dates for the social, philosophical and medical history of mental deviance: 1744 and 1845. In 1744, the Vagrancy Act first mentions 'lunatics' as a specific category, which is itself a social 'symptom' of an emerging need for isolation and confinement of the insane. A more sophisticated and attentive care of the 'fool' is testified only by the 1845 Lunatic Asylums Act, which established specific processes safeguarding against the wrongful detention of patients in public and private facilities. In stressing for the first time the momentous change the notion of madness underwent between these years, this book provides a fresh and absolutely unique perspective on some of the major works connected with mental disorder. The chronological boundaries also provide the collection with a definite and unifying frame, which comprises social, cultural, legal and medical aspects of madness as an historical phenomenon. It is within this frame that the eight essays composing the body of the book discuss how madness is recounted, or even experienced, by authors such as Christopher Smart and William Cowper, William Blake, Samuel Taylor Coleridge, John Thomas Perceval, Samuel Richardson, Charlotte Lennox, Eliza Haywood, and Alfred Tennyson. Symptoms of Disorder draws a wide-ranging map of different representations of madness and their historic functioning between the 18th and 19th centuries. The organizational principle of this collection is a double perspective, which allows to suitably articulate the characterizations of insanity into themes and genres. Reflecting the two main ways in which literary madness can be employed as a critical device in literature, the chapters are grouped into theme-oriented and writer-oriented analyses. Other collections dealing with literature and madness have already coped, to a certain degree, with works that represent insane characters and authors who adopt 'deviant' voices as a fictional or rhetoric expedient. Fewer studies of the same kind, instead, have offered a more comprehensive picture by also looking at the alleged insanity of the writer, and at those linguistic, stylistic and semantic elements which at some stage were commonly believed to be an expression of insanity. This is one of the first studies which addresses the representation of madness from both these intertwined perspectives. See www.cambriapress.com/books/9781604979251.cfm for more information.
'Do you see your son, standing over there, in the antechamber? Well, I am going to shoot him.' The story of the great and mad Cambyses, King of Persia, told by part-historian, part-mythmaker Herodotus of Halicarnassus. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Herodotus (c.484-425 BCE). Herodotus's The Histories is also available in Penguin Classics.