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A lucid study that contextualizes the thinking of a pivotal personality in late medieval European Judaism relative to earlier and later mystical traditions.
A study on the scientific dimension of Jewish intellectual history in the early modern world
One of the worl'ds leading scholars of Jewish thought examines the long tradition of Jewish messianism and mystical experience.
An unprecedented annotated anthology of the most important Jewish mystical works, A Kabbalah and Jewish Mysticism Reader is designed to facilitate teaching these works to all levels of learners in adult education and college classroom settings. Daniel M. Horwitz’s insightful introductions and commentary accompany readings in the Talmud and Zohar and writings by Ba'al Shem Tov, Rav Kook, Abraham Joshua Heschel, and others. Horwitz’s introduction describes five major types of Jewish mysticism and includes a brief chronology of their development, with a timeline. He begins with biblical prophecy and proceeds through the early mystical movements up through current beliefs. Chapters on key subjects characterize mystical expression through the ages, such as Creation and deveikut (“cleaving to God”); the role of Torah; the erotic; inclinations toward good and evil; magic; prayer and ritual; and more. Later chapters deal with Hasidism, the great mystical revival, and twentieth-century mystics, including Abraham Isaac Kook, Kalonymous Kalman Shapira, and Abraham Joshua Heschel. A final chapter addresses today’s controversies concerning mysticism’s place within Judaism and its potential for enriching the Jewish religion.
An intriguing portrait of Holy Roman Emperor Rudolf II, heir to the Habsburg empire, focuses on the thirty-six-year reign and the extraordinary mathematicians, alchemists, artists, astronomers, and philosophers who made up his court--including Johannes Kepler, Tycho Brahe, Francis Bacon, and others--and made Prague the artistic and scientific center of Europe. 25,000 first printing.
A captivating portrait of the crucible of magic, science, and religion at the court of the doomed dreamer Rudolf II in Renaissance Prague. At the end of the sixteenth century, the greatest philosophers, alchemists, astronomers, and mathematicians of the day flocked to Prague to work under the patronage of the Holy Roman Emperor Rudolf II. The Theatre of the World is the enchanting story of Rudolf II, an emperor more interested in the great talents and minds of his times than in the exercise of his power. Rarely leaving Prague Castle, he gathered around him a galaxy of famous figures: the Italian painter Giuseppe Arcimboldo, the Danish astronomer Tycho Brahe, the German mathematician Johannes Kepler, and the English magus John Dee. Entranced, like Hamlet, by the new Renaissance learning, Rudolf found it nearly impossible to make decisions. He faced the threats of religious discord and the Ottoman Empire, along with deepening melancholy and an ambitious younger brother. As a result, he lost his empire and nearly his sanity, but he enabled Prague to enjoy a golden age of peace and creativity before Europe was engulfed in the Thirty Years War. "The Theatre of the World" is a beguiling and dramatic human story filled with angels and devils, high art and low cunning, talismans and stars. It offers a captivating perspective on a pivotal moment in the history of Western Civilization. "From the Hardcover edition."
The Bloomsbury Companion to Jewish Studies is a comprehensive reference guide, providing an overview of Jewish Studies as it has developed as an academic sub-discipline. This volume surveys the development and current state of research in the broad field of Jewish Studies - focusing on central themes, methodologies, and varieties of source materials available. It includes 11 core essays from internationally-renowned scholars and teachers that provide an important and useful overview of Jewish history and the development of Judaism, while exploring central issues in Jewish Studies that cut across historical periods and offer important opportunities to track significant themes throughout the diversity of Jewish experiences. In addition to a bibliography to help orient students and researchers, the volume includes a series of indispensable research tools, including a chronology, maps, and a glossary of key terms and concepts. This is the essential reference guide for anyone working in or exploring the rich and dynamic field of Jewish Studies.
Byron Sherwin demonstrates that Jewish theological thinking can be understood as a response to visceral existential issues and argues that human meaning and fulfillment can be discovered in the application of an authentic Jewish way of thinking and living.
This book examines the thought and legacy of Rabbi Loew (the Maharal), one of the most important Jewish thinkers. Taking a multi-disciplinary approach, the book encompasses organized perspectives that range from East European cultural and intellectual history, to Medieval Jewish intellectual history and its legacies, to Rabbinic theology, to Italian Jewish history, to Early Modern Jewish intellectual history, to Maharal Studies, to Postmodernism and Judaism, to Jewish political theory, Comparative Religion, and Cinematic Studies.
Transforming the Center, Eroding the Marginsis a collection ofcritical articles about recent and contemporary German literaturedesigned to stimulate discussion about German-speaking culture from thepoint of view of diversity. The combination of broad historicalapproaches and detailed textual analyses made it possible to present inthis volume a spectrum of identities and positions within theGerman-speaking sphere, and sometimes even within the work of a singleauthor. Examining the works of German-speaking authors of differentbackgrounds and countries of residence from many different points ofview shows that the very concept of a unified "German Culture" is aconstruct.Because of the increasing visibility of various ethnic,religious, cultural, and economic groups -- including migrant workers,exiles, and immigrants -- multiculturalism and cultural diversity inCentral Europe have received considerable attention in public debatesince the disintegration of the Eastern bloc and the fall of the BerlinWall. Yet neither cultural diversity nor the gender issues examinedthroughout the volume are recent phenomena. Upon closer scrutiny thenotions of center and margin are shown to have origins in the nineteenthcentury and before.The articles in this volume, distinct in theirapproaches and each one concerned with specific situations, reveal anongoing decline of mainstream discourse: the erosion of the cultural"center," and a strengthening of what continues to be referred to as"marginal." The literary and intellectual production of groups that areseen as marginal is becoming ever more compelling and visible, as isdocumented in Transforming the Center, Eroding the Margins.