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This study offers a novel perspective of the poetry of acclaimed Spanish poet Ana Rossetti. This book informs on Posthumanism and the mystical in late 20th and early 21st Century Iberian poetics, and about how Rossetti's more recent poetry expresses a search for an essential meaning in a context criticized for its ontological emptiness.
Ana Rossetti is a unique phenomenon in Spanish culture, a performer and a writer who resists categorization within any single genre, gender, period, or medium. One of the most exciting Spanish writers of the last twenty-five years, Rossetti can be both transgressive and playful, employing erotic signs (fetishes, taboos) derived from fashion, literature, design, pornography, psychology, theater, drag, and Catholicism to destabilize critical, analytic, political, social, and gender categories. Critics, however, have faced a dilemma that this book seeks to overcome: how to define her work - which bridges high and low cultures and includes poetry, fiction, essay, fashion, drama, children's literature, and opera - without resorting back to the very categories that her own artistic practice questions.
Dante Gabriel Rossetti is amongst the most famous figures of the Victorian era. An eminent artist and a founder member of the Pre-Raphaelite Brotherhood, his art and life have fascinated scholars for decades. However, despite an existing acknowledgement of Rossetti's use of symbolism, specialists have neglected to analyse its nature and its sources, as well as its content. In The Stream's Secret, Rodger Drew highlights a facet of the artist's work that has hitherto gone largely unexplored. By offering a comprehensive analysis of Rossetti's paintings and poetry, Drew shows that the artist widely employed themes and motifs drawn from the Hermetic magical system which later developed into Rosicrucianism and Freemasonry. The author connects this symbolism toa comprehensive European tradition dating from Plato and Pythagoras, through the Middle Ages and into the Renaissance and later periods. This deep insight into Rossetti's works allows the reader to gain a better understanding of the existing bond betweenRossetti's paintings and his poetry, as well as to appreciate the importance of symbolism as a language in the artistis ouvre. More generally, Drew gives his reader an overall view of the use of symbolism in the art of the Aesthetic Movement. Drew's workis a fully original study of Rossetti's Symbolism, and an essential resource for teachers, researchers, and Art History students, and for anyone interested in the Pre-Raphaelite Movement. This is a fundamental guide to a proper understanding of late 19thcentury art.
Before W.B. Yeats wrote of the mystical in his poetry, Christina Rossetti wrote Goblin Market, also the title poem within the collection Goblin Market, The Prince's Progress and Other Poems. The title poem is about two sisters, and the lesson learned when one does not heed the warning to mingle with those at the Goblin Market. Rossetti's collection blurred the lines between reality and imagination. Within this collection, Rossetti also has devotional poems, influenced by Rossetti's religious background. The poem Sweet Death focuses on the church and the beauty between life and death. Christina Rossetti's poetry reflects the Pre-Raphaelite Period in the arts, which was started by her brother Dante Gabriel Rossetti and a handful of poets and artists, a style and movement that featured romantic poetry, ekphrastic pieces, and intense imagery. Within Goblin Market, The Prince's Progress and Other Poems includes a group of pastoral poems that capture and focus on the beauty of nature. For example The Lambs of Grasmere, 1860 feature the hardships of being a shepherd in 1860 and overcoming the potential loss of his herd. With beautiful imagery, Rossetti creates a sense of empathy with the reader and also gives a glimpse of her life and view of the world. This collection brings to life the mystical world with themes of religion, love, and mystical wonder which tie together the message and beauty of Christina Rossetti's poetry. This edition contains a foreword by award-winning author Fran Wilde.
The Prince's Progress, and other poems By Christina Rossetti 47 Classic Rossetti Poems Christina Georgina Rossetti (5 December 1830 - 29 December 1894) was an English poet who wrote a variety of romantic, devotional, and children's poems. She is famous for writing Goblin Market and Remember, and the words of the Christmas carol In the Bleak Midwinter. lthough Rossetti's popularity during her lifetime did not approach that of Elizabeth Barrett Browning, her standing remained strong after her death. In the early 20th century Rossetti's popularity faded in the wake of Modernism. Scholars began to explore Freudian themes in her work, such as religious and sexual repression, reaching for personal, biographical interpretations of her poetry. In the 1970s academics began to critique her work again, looking beyond the lyrical Romantic sweetness to her mastery of prosody and versification. Feminists held her as symbol of constrained female genius, placed as a leader of 19th-century poets. Her work strongly influenced the work of such writers as Ford Madox Ford, Virginia Woolf, Gerard Manley Hopkins, Elizabeth Jennings, and Philip Larkin. Critic Basil de Selincourt stated that she was "all but our greatest woman poet ... incomparably our greatest craftswoman ... probably in the first twelve of the masters of English verse." Till all sweet gums and juices flow, Till the blossom of blossoms blow, The long hours go and come and go, The bride she sleepeth, waketh, sleepeth, Waiting for one whose coming is slow: - Hark! the bride weepeth. 'How long shall I wait, come heat come rime?' - 'Till the strong Prince comes, who must come in time' (Her women say), 'there's a mountain to climb, A river to ford. Sleep, dream and sleep; Sleep' (they say): 'we've muffled the chime, Better dream than weep.'
This study argues that esoteric ideas of Friedrich Nietzsche and James Frazer provide answers to ontological questions about the origin and substance of poets looking beyond the established rationalist codes of the industrial society. The ideas also give comprehensive critical insight into creative bases on which the poets' various mystical or occult ideas work to produce their distinct creative characters.
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