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It is August 1939, and free-spirited ten-year-old Melvina Clarke is happy on the family ranch north of Fort Worth. Because of a family crisis, a reluctant Mel must go to the West Texas oil patch for a four-month stay. She has to live in an oil company camp with her aunt Margie, uncle Ray, cousin Polly, and Polly’s dog, Snatcher. While adapting to these new surroundings, Mel deals with homesickness, her meddlesome little cousin, three hecklers at school, and her disinterest in reading. She faces challenges to her independence is challenged when her new friends want her to help organize a club, and then her teacher proposes a class play as a fundraiser to buy books for the town’s new public library. In addition to mishaps at home, church, and school, Mel sees unsettling, ominous lights flashing in an abandoned warehouse near the oil company camp. She must decide whether to trust her new friends with her suspicions or try to solve the mystery by herself. In pursuit of a reason for the lights and other unexplained happenings in the oilfields, Mel faces many obstacles, and one harrowing event forces her to acknowledge her own shortcomings. Full of humor, suspense, and unexpected twists and turns, this novel follows four friends who work together to solve a mystery in the 1930s West Texas oilfields.
A vast number of studies have documented the economic and geological effects of oil production, but the impact of boom-and-bust cycles on individuals and communities has received less attention. Boom or Bust remedies this gap by highlighting the personal experiences of those directly affected in an economy dominated by oil and natural gas production. The Permian Basin is one of the largest oil-producing regions in the United States. People who live there have benefited from explosive growth, only to see opportunities vanish with sudden industry downturns. In 2016, the National Endowment for the Humanities funded a grant for the study and collection of energy narratives in this economically volatile region. Boom or Bust derives from that community initiative and offers a unique contribution to the developing field of energy humanities. The oil-field industry may seem to be all about numbers, but as Boom or Bust demonstrates, residents of oil-and-gas country, whether they work in the oil field or not, are at the mercy of an ever-shifting economy. When the price of oil rises, companies move in and newcomers flood the area, expanding the employment force. And as the population booms, so does the infrastructure of cities. When prices drop, though, families must make difficult choices: whether to stay put or follow the oil to another location. With the ensuing declines in population, small businesses close their doors and unemployment levels rise. Despite the inevitable declines and despite the increase in alternative energy resources, many West Texans feel a sense of pride that borders on patriotism. Boom or Bust reveals the full complexity of boomtown culture.
"In its heyday, the oil sands represented an industrial triumph and the culmination of a century of innovation, experiment, engineering, policy, and finance. Fort McMurray was a boomtown, the centre of a new gold rush, and the oil sands were reshaping the global energy, political, and financial landscapes. The future seemed limitless for the city and those who drew their wealth from the bitumen-rich wilderness. But in 2008, a new narrative for the oil sands emerged. As financial markets collapsed and the scientific reality of the Patch's effect on the environment became clear, the region turned into a boogeyman and a lightning rod for the global movement combatting climate change. Suddenly, the streets of Fort McMurray were the front line of a high-stakes collision between two conflicting worldviews--one of industrial triumph and another of environmental stewardship--each backed by major players on the world stage. The Patch is the seminal account of this ongoing conflict, showing just how far the oil sands reaches into all of our lives. From Fort Mac to the Bakken shale country of North Dakota, from Houston to London, from Saudi Arabia to the shores of Brazil, the whole world is connected in this enterprise. And it requires us to ask the question: In order to both fuel the world and to save it, what do we do about the Patch?"--
Fifty years ago, no one could explain mountains. Arguments about their origin were spirited, to say the least. Progressive scientists were ridiculed for their ideas. Most geologists thought the Earth was shrinking. Contracting like a hot ball of iron, shrinking and exposing ridges that became mountains. Others were quite sure the planet was expanding. Growth widened sea basins and raised mountains. There was yet another idea, the theory that the world's crust was broken into big plates that jostled around, drifting until they collided and jarred mountains into existence. That idea was invariably dismissed as pseudo-science. Or "utter damned rot" as one prominent scientist said. But the doubtful theory of plate tectonics prevailed. Mountains, earthquakes, ancient ice ages, even veins of gold and fields of oil are now seen as the offspring of moving tectonic plates. Just half a century ago, most geologists sternly rejected the idea of drifting continents. But a few intrepid champions of plate tectonics dared to differ. The Mountain Mystery tells their story.
The decline of the oil industry and its economic, social, and political consequences are thoroughly probed in a study of the profound changes in this industry.
Oil on the Brain is a smart, surprisingly funny account of the oil industry—the people, economies, and pipelines that bring us petroleum, brilliantly illuminating a world we encounter every day. Americans buy ten thousand gallons of gasoline a second, without giving it much of a thought. Where does all this gas come from? Lisa Margonelli’s desire to learn took her on a one-hundred thousand mile journey from her local gas station to oil fields half a world away. In search of the truth behind the myths, she wriggled her way into some of the most off-limits places on earth: the Strategic Petroleum Reserve, the New York Mercantile Exchange’s crude oil market, oil fields from Venezuela, to Texas, to Chad, and even an Iranian oil platform where the United States fought a forgotten one-day battle. In a story by turns surreal and alarming, Margonelli meets lonely workers on a Texas drilling rig, an oil analyst who almost gave birth on the NYMEX trading floor, Chadian villagers who are said to wander the oil fields in the guise of lions, a Nigerian warlord who changed the world price of oil with a single cell phone call, and Shanghai bureaucrats who dream of creating a new Detroit. Deftly piecing together the mammoth economy of oil, Margonelli finds a series of stark warning signs for American drivers.
A groundbreaking new history of the United States, showing how Christian faith and the pursuit of petroleum fueled America's rise to global power and shaped today's political clashes Anointed with Oil places religion and oil at the center of American history. As prize-winning historian Darren Dochuk reveals, from the earliest discovery of oil in America during the Civil War, citizens saw oil as the nation's special blessing and its peculiar burden, the source of its prophetic mission in the world. Over the century that followed and down to the present day, the oil industry's leaders and its ordinary workers together fundamentally transformed American religion, business, and politics -- boosting America's ascent as the preeminent global power, giving shape to modern evangelical Christianity, fueling the rise of the Republican Right, and setting the terms for today's political and environmental debates. Ranging from the Civil War to the present, from West Texas to Saudi Arabia to the Alberta Tar Sands, and from oil-patch boomtowns to the White House, this is a sweeping, magisterial book that transforms how we understand our nation's history.
A New York Times Editors' Choice Book From the critically-acclaimed author of Shelter, an unflinching portrayal of a woman trying to come to terms with the ghosts of her past and the tortured realities of a deeply divided America. Elinor Hanson, a forty-something former model, is struggling to reinvent herself as a freelance writer when she receives an unexpected assignment. Her mentor from grad school offers her a chance to write for a prestigious magazine about the Bakken oil boom in North Dakota. Elinor grew up near the Bakken, raised by an overbearing father and a distant Korean mother who met and married when he was stationed overseas. After decades away from home, Elinor returns to a landscape she hardly recognizes, overrun by tens of thousands of newcomers. Surrounded by roughnecks seeking their fortunes in oil and long-time residents worried about their changing community, Elinor experiences a profound sense of alienation and grief. She rages at the unrelenting male gaze, the locals who still see her as a foreigner, and the memories of her family’s estrangement after her mother decided to escape her unhappy marriage, leaving Elinor and her sister behind. The longer she pursues this potentially career-altering assignment, the more her past intertwines with the story she’s trying to tell, revealing disturbing new realities that will forever change her and the way she looks at the world. With spare and graceful prose, Jung Yun's O Beautiful presents an immersive portrait of a community rife with tensions and competing interests, and one woman’s attempts to reconcile her anger with her love of a beautiful, but troubled land.
This book chronicles the adventures of a cast of colourful, ambitious people: statesmen, scoundrels, visionaries, and developers, all participants in the growing oil patch!
The northern Great Plains have given this poet a first canvas for his imaginative art as found in his first published poetry collection. In recent years he has began to struggle with the difficult topics of his home region, primarily the difficulty of life out on the northern Great Plains in what he has termed the "patches." In these poems are references to the sugar beet patch, the dry land farming patch, the irrigated farm land patch, the ranching patch, the strip mining patch, and the oil patch. The agrarian culture of his home region is a place of core values and spiritual strengths which encourage him to live simply inspite of the new "badlands" left in the wake of the cultural genocide and environmental degradation of the empire builders of the European ascendancy over North America. Here are poems spoken by personae which can be said to each be the masks of the poet Rick Hilber who in creating his poems would have us, poet and reader or listener, step into the shoes of another. This is a poet that trusts that his individual experience is also a disclosure of the demands on each of us in accepting life on whatever terms it is offered us. ...