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Abby's latest gig is the perfect marriage of her talents. Not only does her bride-to-be-cousin, Jillian, want Abby to be a bridesmaid - she also wants her to sign on as floral designer and sleuth... ​ Though nearly once a year Jillian has agreed to marry a different man, she has yet to make it to the alter. But this time, it's cold dead feet that may stop the wedding. Before the couple says "I do," one of the groomsmen disappears and another member of the wedding party is found dead. Luckily for Abby, she has plenty of help - including her brassy been-there-done-that assistant, a hunky bar owner with a penchant for love and justice, and her own family. Together they aim to unveil the truth...and make sure the bride still gets her day to shine.
Ted Hammond learns that in a very small town, there's no such thing as an isolated event. And the solution of one mystery is often the beginning of another. Ted Hammond loves a good mystery, and in the spring of his fifth-grade year, he's working on a big one. How can his school in the little town of Plattsford stay open next year if there are going to be only five students? Out here on the Great Plains in western Nebraska, everyone understands that if you lose the school, you lose the town. But the mystery that has Ted's full attention at the moment is about that face, the face he sees in the upper window of the Andersons' house as he rides past on his paper route. The Andersons moved away two years ago, and their old farmhouse is empty, boarded up tight. At least it's supposed to be. A shrinking school in a dying town. A face in the window of an empty house. At first these facts don't seem to be related. But...
How can a dead man appear in a movie? What has happened to the million dollars he's stolen? Why are so many dangerous people fighting to protect their sinister secret? It begins with a night at the movies. Suddenly, Alvin Soh and his team of young investigators are swept up in an unsolved murder. And an unseen enemy is watching every move they make. Can Alvin's team unlock the baffling riddle? Can they outwit a shadowy criminal? Or will they become his next victim? Only Mr Mystery knows!
The adventure that began in Siobhan Dowd's popular and acclaimed novel The London Eye Mystery at long last continues with Ted, Kat, and their cousin Salim investigating a theft at the Guggenheim Museum that's been pinned on Salim's mother! When Ted and his big sister, Kat, take a trip to New York to visit their cousin Salim and their aunt Gloria, they think they're prepared for big-city adventures. But when a famous painting is stolen from the Guggenheim Museum, where Aunt Gloria works, the surprises begin to mount faster than they could have anticipated. With the police looking at Aunt Gloria as the prime suspect, Ted, Kat, and Salim become sleuthing partners, following a trail of clues across NYC to prove her innocence--and to pinpoint the real thief. Ultimately, it comes down to Ted, whose brain works in its own very unique way, to find the key to the mystery. "Fast-paced, suspenseful, but never scary, a middle-grade mystery with a singular voice and a welcome continuation of the Sparks' adventures." -- Kirkus Reviews "Swift pacing and smartly integrated clues allow readers to make connections along with the characters. Stevens's portrayal of Ted, who is on the autism spectrum, is positive and empowering" -- School Library Journal "A welcome return for this dynamic trio." -- Booklist
One of Cathy Duffy's 100 Top Picks for Homeschool Curriculum! The Mystery of History provides a historically accurate, Bible-centered approach to learning ancient history. The completely chronological lessons shed new light on who walked the earth when, as well as on where important Bible figures fit into secular history. Volume 1 covers Creation to Resurrection, and Volume 2 covers the Early Church to the Middle Ages. This unique history curriculum was written for 4th-8th graders, but it is adaptable for both older and younger students.
"For over two centuries, consequentialism has been among the most influential approaches to ethics and public policy in the Anglophone world. It is often seen as the paradigmatic rational and secular ethic. In The Best Effect, Ryan Darr reveals that a consequentialist approach to ethics is not, as is often assumed, self-evidently rational once religious morality is stripped away. Rather, consequentialist morality itself had to be invented. In this new account of the origins of consequentialism, Darr traces the development of this new consequentialist morality, revealing its decidedly theological history. The Best Effect portrays the emergence in the mid-seventeenth century of the consequentialist moral cosmology, a richly theological vision of a world created by a consequentialist Creator, through to its eventual breakdown in the early eighteenth century in the face of a new version of the theological problem of evil. The book concludes with an intervention in contemporary debates about consequentialism in both religious ethics and moral philosophy, arguing for an alternative approach to teleological ethics"--
A local dispute leads to suspicion of murder for a small-town California bookshop owner in this cozy mystery by the New York Times bestselling author. The small town of South Cove, California, has all kinds of attractions, from resorts and beaches to Jill Gardner’s charming bookshop café. But now Jill may have discovered yet another hidden treasure. The old stone wall on her property might be the remnant of a centuries-old mission worthy of being declared a historical landmark. There’s just one problem—and his name is Craig Morgan. The obnoxious owner of South Cove's most popular tourist spot, The Castle, Craig makes it his business to contest Jill’s claim. When Craig is found murdered at The Castle shortly after a heated argument with Jill, even her detective boyfriend Greg has to ask her for an alibi. Jill decides she must find the real murderer to clear her name. But when the killer comes for her, she'll need to switch from historic preservation to self-preservation.