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A devotee of the great visionary William Blake, Samuel Palmer became the lynchpin of the first British art movement. Leading a band of fellow artists - the brotherhood of Ancients - out of London to the village of Shoreham in Kent, he set out to create a new rural ideal. His paintings of slumbering shepherds and tumbling blossoms, of mystical cornfields and bright sickle moons, capture a world in which landscape and politics, religion and culture all meet. They reflect the concerns of the nineteenth century which his life spanned. In his day, like his mentor Blake, Samuel Palmer was much neglected. He did not attempt the grand dramas of J.M.W. Turner or follow John Constable's profoundly naturalistic path. But he belongs in their pantheon of great British Romantics as much for the numinous visions that are embodied in his loveliest paintings as for the vagaries of a life story in which he so often failed. If English tradition had ever encompassed the making of icons they would not have been so different from Palmer's enchanted landscapes. Mysterious Wisdom offers for the first time in more than thirty-five years a vivid and intimate portrait of Palmer who, over the course of the past century, has become increasingly treasured as one of the most extraordinarily talented and quirkily eccentric figures of the British art world, or - as the art historian Kenneth Clark believed - an English Van Gogh.
This monograph studies the parable as a literary construct. It addresses the question why the ancients understood parables as mysterious speech. The study disputes the binary opposition of (clear) parables and (obscure) allegories. Defining allegory as an extended metaphor in narratory form, it argues that many parables are allegories. The parable is defined as narrative in form; tropical in mode of meaning; religious or ethical in genre; and rhetorical in purpose, intended to persuade. Requiring (sometimes challenging) interpretation, the parable can rightly be considered "mysterious." The monograph then discusses the parable in the context of Mark's theme of mystery.
Scholars largely agree that the NT term “mysterion” is a terminus technicus, originating from Daniel. This project traces the word in the Dead Sea Scrolls and other sectors of Judaism. Like Daniel, the term consistently retains eschatological connotations. The monograph then examines how mystery functions within 1 Corinthians and seeks to explain why the term is often employed. The apocalyptic term concerns the Messiah reigning in the midst of defeat, eschatological revelations and tongues, charismatic exegesis, and the transformation of believers into the image of the last Adam.
This Catholic commentary on First Corinthians interprets Scripture from within the living tradition of the Church for pastoral ministers and lay readers alike.
Outside of the city and suburbs, the natural world has a power to inspire the best and soothe the worst within each of us. It has much to teach us about the wilderness within, and about the "greater power" manifest in the sublimity of nature. In this his last work, beloved author Gerald May offers a memoir and spiritual guide which reveals the great lessons available to us when we retreat from our busy lives to the serenity of the natural wilderness
"Dr. James Moffatt's New Translation of the New Testament was first published in one volume in 1913. This was followed in 1922 by the Parallel Edition of the New Translation and the Authorised Version. The New Translation of the Old Testament in two volumes was first published in 1924. The Complete Moffatt Bible in one volume was first published in 1926"--
Paul's first letter to the Corinthians is one of the most important epistles in the New Testament. David Garland's thoughtful new commentary draws on extensive research and engages the best of contemporary scholarship while providing a readable study that will be accessible to thoughtful readers as well as students, pastors, and scholars. After considering the context of the letter and the social and cultural setting of Corinth, Garland turns to his exegetical work. An introduction to each major unit of thought is followed by the author's own translation of the Greek text. In the course of his verse-by-verse commentary, he incorporates references to other ancient writings that help explain particular aspects of Paul's meaning or provide information on the social and cultural context. He also refers to the work of other commentators and provides extensive notes for further reading and research.