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A biography of the Irish poet, dramatist, and essayist generally considered the most important poet in English of his time.
In the critically acclaimed memoir Girl Meets God, Lauren F. Winner chronicled her sojourn from Judaism to Christianity. Now, in Still: Notes on a Mid-Faith Crisis, Winner describes how experiences of loss and failure unexpectedly slam her into a wall of doubt and spiritual despair: “My belief has faltered, my sense of God’s closeness has grown strained, my efforts at living in accord with what I take to be the call of the gospel have come undone.” Witty, relatable, and fiercely honest, Winner lays bare her experience of what she calls the “middle” of the spiritual life. In elegant and spare prose, she explores why—in the midst of the overwhelming anxiety, loneliness, and boredom of her deepest questioning about where (or if) God is—the Christian story still explains who she is better than any other story she’s ever known. Still is an absorbing meditation combining literary grace with spiritual wisdom. It is sure to resonate with anyone looking to sustain a spiritual life in the midst of real life.
In Freedom Prime, young adults can choose their name, their trade, and their gender, but the one thing they cannot choose is to be part of a family, because the family unit has been eradicated.
From one of contemporary literature’s bestselling, critically acclaimed, and beloved authors: a “luminous” novel (Jennifer Egan, The New York Times Book Review) about a fiercely compelling young widow navigating grief, fear, and longing, and finding her own voice—“heartrendingly transcendant” (The New York Times, Janet Maslin). Set in Wexford, Ireland, Colm Tóibín’s magnificent seventh novel introduces the formidable, memorable, and deeply moving Nora Webster. Widowed at forty, with four children and not enough money, Nora has lost the love of her life, Maurice, the man who rescued her from the stifling world to which she was born. And now she fears she may be sucked back into it. Wounded, selfish, strong-willed, clinging to secrecy in a tiny community where everyone knows your business, Nora is drowning in her own sorrow and blind to the suffering of her young sons, who have lost their father. Yet she has moments of stunning insight and empathy, and when she begins to sing again, after decades, she finds solace, engagement, a haven—herself. Nora Webster “may actually be a perfect work of fiction” (Los Angeles Times), by a “beautiful and daring” writer (The New York Times Book Review) at the zenith of his career, able to “sneak up on readers and capture their imaginations” (USA TODAY). “Miraculous...Tóibín portrays Nora with tremendous sympathy and understanding” (Ron Charles, The Washington Post).
An edited collection on poetic creation in the Victorian period that studies nine major Victorian poets: Wordsworth, Tennyson, Robert and Elizabeth Barrett Browning, Clough, Christina Rossetti, Hopkins, Swinburne, and Yeats.
In her third collection, Indonesian American poet Cynthia Dewi Oka dives into the implications of being parents, children, workers, and unwanted human beings under the savage reign of global capitalism and resurgent nativism. With a voice bound and wrestled apart by multiple histories, Fire Is Not a Country claims the spaces between here and there, then and now, us and not us. As she builds a lyric portrait of her own family, Oka interrogates how migration, economic exploitation, patriarchal violence, and a legacy of political repression shape the beauties and limitations of familial love and obligation. Woven throughout are speculative experiments that intervene in the popular apocalyptic narratives of our time with the wit of an unassimilable other. Oka’s speakers mourn, labor, argue, digress, avenge, and fail, but they do not retreat. Born of conflicts public and private, this collection is for anyone interested in what it means to engage the multitudes within ourselves.
Modernist aesthetics have been identified with a sense of cultural crisis, defined by its distance from an ideal of unified consciousness. This original study examines the struggle toward that ideal of unitary subjective experience in modern British and Irish poetry from Hardy to Ted Hughes. Hugh Underhill argues that the poetry's emphasis on inner states underrepresents the extent to which the crisis is in fact socio-historically determined.
Gayatri Chakravorty Spivaks seminal contribution to contemporary thought defies disciplinary boundaries. From her early translations of Derrida to her subsequent engagement with Marxism, feminism and postcolonial studies and her recent work on human rights, the war on terror and globalization, she has proved to be one of the most vital of present-day thinkers. In this book Stephen Morton offers a wide-ranging introduction to and critique of Spivaks work. He examines her engagements with philosophers and other thinkers from Kant to Paul de Man, feminists from Cixous to Helie-Lucas and literary texts by Charlotte Bronte, J. M. Coetzee, Mahasweta Devi and Jean Rhys. Spivaks thought is also situated in relation to subaltern studies. Throughout the book, Morton interrogates the materialist basis of Spivaks thought and demonstrates the ethical and political commitment which lies at the heart of her work. Stephen Morton provides an ideal introduction to the work of this complex and increasingly important thinker.
Discusses life, time, beauty, experience, meaning, music, and art.