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"Stage to Stage captures Josh's perspective on the notable events that illuminated his extraordinary journey to Broadway. Starting with his Stages album, which featured Broadway classics, the book chronicles the past two + years. Also included are behind the scenes photos and key moments from the making of the Stages Live Television special and the On Stage world tour, culminating in his experiences surrounding his first-ever Broadway performances and his first Tony Nomination."--Publisher
Excerpt from My Years on the Stage How long ago is it, old schoolmate, since two "middlers" from Exeter rollicked down to New York for an Easter vacation, and on an imperishable evening glamoured their young memories permanently with Augustin Daly's company of players at Daly's Theatre and the Taming of the Shrew? What a good and merry town was brown-stone New York then, when one stood at the doors of the Fifth Avenue Hotel to see the pretty girls from all over the country parading by after the matinee; when the Avenue was given over to proud horses and graceful women; when there were no automobiles and only a few telephones; when Ada Rehan was playing Katherine at Daly's and when those two Exeter schoolboys got the impression that the whole place belonged, in a general way, to the Petruchio who tamed her, John Drew! The earth must have swung round the sun a few times since then, my schoolmate, for now comes that gay young Petruchio before us with his Memoirs! About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A respected journalist describes the abuse he suffered at the hands of a close family relative, the effect this had on his formative years and how he overcame the anger and self-doubt it left behind.
In 1971, Michael Blakemore joined the National Theatre as Associate Director under Laurence Olivier. The National, still based at the Old Vic, was at a moment of transition awaiting the move to its vast new home on the South Bank. Relying on generous subsidy, it would need an extensive network of supporters in high places. Olivier, a scrupulous and brilliant autocrat from a previous generation, was not the man to deal with these political ramifications. His tenure began to unravel and, behind his back, Peter Hall was appointed to replace him in 1973. As in other aspects of British life, the ethos of public service, which Olivier espoused, was in retreat. Having staged eight productions for the National, Blakemore found himself increasingly uncomfortable under Hall's regime. Stage Blood is the candid and at times painfully funny story of the events that led to his dramatic exit in 1976. He recalls the theatrical triumphs and flops, his volatile relationship with Olivier including directing him in Long Day's Journey into Night, the extravagant dinners in Hall's Barbican flat with Harold Pinter, Jonathan Miller and the other associates, the opening of the new building, and Blakemore's brave and misrepresented decision to speak out. He would not return to the National for fifteen years.
The book traces the rebirth of Minneapolis's Hennepin Theatre District, as told by the impresario who savedthe Orpheum, State and Pantages Theatres on Hennepin Avenue, spearheaded their restoration, and bookedthe Broadway and live shows which have sustained them for more than forty years.Share Fred Krohn's personal recollections on the amazing shows and legendary artists he has worked with,and which have led to the resurgence of downtown Minneapolis- shows like A CHORUS LINE, JOSEPH ANDTHE AMAZING TECHNICOLOR DREAMCOAT and the World Premiere of THE LION KING, and artists asdiverse as ELLA FITZGERALD, TONY BENNETT, DOLLY PARTON, WAYLON JENNINGS, TINA TURNER,ELTON JOHN, U2, BILLY JOEL, GORDON LIGHTFOOT, and many others.And discover the amazing tales of City intrigue detailing how each of the three theatres was saved from thewrecking ball, restored to its former glory, and brought to life with an impressive array of live shows.And finally, share the backstage tales of how St. Paul's Ordway Theatre attempted to steal the theatres fromKrohn, and how a unique group of investors worked together to craft a long-term financial plan for theirpreservation.
Mia and her ballet friends are back in another charming I Can Read story perfect for fans of Tallulah books and aspiring ballerinas everywhere. The big recital is just around the corner, and all of the students in Miss Bird's dance class are busy getting ready. The stage is designed, the costumes are picked, and the dancers must practice, practice, practice! But when Mia decides to practice on her way home from class, she falls and hurts her paw. Oh, no! Can Mia still be part of the big day? Miss Bird might have the perfect part for Mia after all. Mia Sets the Stage is a My First I Can Read book, perfect for shared reading with a child.
"Drawing on the recollections of renowned theater critic David Austin Latchaw and on newspaper archives of the era, Londre chronicles the "first golden age" of Kansas City theater, from the opening of the Coates Opera House in 1870 through the gradual decline of touring productions after World War I"--Provided by publisher.
What will your 100-year life look like? A new edition of the international bestseller, featuring a new preface 'Brilliant, timely, original, well written and utterly terrifying' Niall Ferguson Does the thought of working for 60 or 70 years fill you with dread? Or can you see the potential for a more stimulating future as a result of having so much extra time? Many of us have been raised on the traditional notion of a three-stage approach to our working lives: education, followed by work and then retirement. But this well-established pathway is already beginning to collapse – life expectancy is rising, final-salary pensions are vanishing, and increasing numbers of people are juggling multiple careers. Whether you are 18, 45 or 60, you will need to do things very differently from previous generations and learn to structure your life in completely new ways. The 100-Year Life is here to help. Drawing on the unique pairing of their experience in psychology and economics, Lynda Gratton and Andrew J. Scott offer a broad-ranging analysis as well as a raft of solutions, showing how to rethink your finances, your education, your career and your relationships and create a fulfilling 100-year life. · How can you fashion a career and life path that defines you and your values and creates a shifting balance between work and leisure? · What are the most effective ways of boosting your physical and mental health over a longer and more dynamic lifespan? · How can you make the most of your intangible assets – such as family and friends – as you build a productive, longer life? · In a multiple-stage life how can you learn to make the transitions that will be so crucial and experiment with new ways of living, working and learning? Shortlisted for the FT/McKinsey Business Book of the Year Award and featuring a new preface, The 100-Year Life is a wake-up call that describes what to expect and considers the choices and options that you will face. It is also fundamentally a call to action for individuals, politicians, firms and governments and offers the clearest demonstration that a 100-year life can be a wonderful and inspiring one.