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Italia ’90 was the best and worst of World Cups. It made a global star of England’s inspirational Paul Gascoigne and gave fresh confidence to English football but it was also the lowest- scoring of all World Cups, leading directly to the back-pass ban that transformed the sport. World In Motion travels from Africa to South America, via Europe and the Middle East, to hear from the protagonists of Italia ’90 and find out why it is still seen as a special and transformative moment, not just in English eyes but in other countries far and wide. It was a World Cup of firsts – from Cameroon’s quarter-final trail-blazers via the feats of newcomers like the Republic of Ireland and Costa Rica – but a tournament too which marked the last hurrah of the old footballing powers of the Eastern Bloc amid the collapse of the Iron Curtain. It began with the biggest shock of any opening game, as nine-man Cameroon beat Argentina, and it ended with the worst final of all, as West Germany beat nine-man Argentina with a much-disputed penalty. In between it gave us a big spectacle, a winning soundtrack and some unforgettable storylines. World In Motion speaks to players and coaches, referees and administrators, reporters and fans to gauge the full impact of football’s dramatic Italian summer – including meeting Roger Milla at his home in Cameroon and Totò Schillaci at his football school in Sicily. In the process it rediscovers a time when the game stood on the brink of change, with the Premier League and Champions League on the horizon, yet the World Cup remained a thrilling voyage of discovery – a land of novelties, from Fair Play flags to fan embassies to that first-ever penalty shoot-out heartbreak for England ...
Jo Whiley is someone millions of us recognise but very few of us know. Jo's a mother, sister, DJ, wife and music-industry insider who throughout her career - and in an age of fleeting celebrity - has earned the respect of her peers and fans by simply being herself and for her constant enthusiasm, be it for established rock 'n roll royalty or emerging talent. For Jo Whiley, it's all about the music. My World in Motion offers a unique opportunity to get to know the real Jo Whiley. From her musical epiphany (being carried over the crowd at a Clash concert) to when she became friends with John Peel at Glastonbury (over some very short shorts - his not hers) and interviewed Bono (surviving a power-cut on vodka). My World in Motion is an honest, funny, self-deprecating account of Jo's professional coming of age, and what it means to be a private person in a very public world.
The world of 1616 was a world of motion. Enormous galleons carrying silk and silver across the Pacific created the first true global economy, and the first international megacorporations were emerging as economic powers. In Europe, the deaths of Shakespeare and Cervantes marked the end of an era in literature, as the spirit of the Renaissance was giving way to new attitudes that would lead to the age of revolutions. Great changes were also taking place in East Asia, where the last native Chinese dynasty was entering its final years and Japan was beginning its long period of warrior rule. Artists there, as in many parts of the world, were rethinking their connections to ancient traditions and experimenting with new directions. Women everywhere were redefining their roles in family and society. Slave trading was relocating large numbers of people, while others were migrating in search of new opportunities. The first tourists, traveling not for trade or exploration but for personal fulfillment, were exploring this new globalized world. Thomas Christensen illuminates this extravagant age by focusing on a single riotous year. Woven with color images and artwork from the period, 1616 tells the surprising tales of the men and women who set the world on its tumultuous course toward modernity.
Profiles the life and career of the professional ballerina, covering from when she began dance classes at age thirteen in an after-school community center through becoming the only African American soloist dancing with the American Ballet Theatre.
An eminent psychologist offers a major new theory of human cognition: movement, not language, is the foundation of thought When we try to think about how we think, we can't help but think of words. Indeed, some have called language the stuff of thought. But pictures are remembered far better than words, and describing faces, scenes, and events defies words. Anytime you take a shortcut or play chess or basketball or rearrange your furniture in your mind, you've done something remarkable: abstract thinking without words. In Mind in Motion, psychologist Barbara Tversky shows that spatial cognition isn't just a peripheral aspect of thought, but its very foundation, enabling us to draw meaning from our bodies and their actions in the world. Our actions in real space get turned into mental actions on thought, often spouting spontaneously from our bodies as gestures. Spatial thinking underlies creating and using maps, assembling furniture, devising football strategies, designing airports, understanding the flow of people, traffic, water, and ideas. Spatial thinking even underlies the structure and meaning of language: why we say we push ideas forward or tear them apart, why we're feeling up or have grown far apart. Like Thinking, Fast and Slow before it, Mind in Motion gives us a new way to think about how--and where--thinking takes place.
Determination meets dance in this prizewinning and New York Times bestselling memoir by the history-making ballerina Misty Copeland, vividly recounting the story of her journey to become the first African American female principal ballerina at the prestigious American Ballet Theatre. When she first placed her hands on the barre at an after-school community center, no one expected thirteen-year-old Misty Copeland to become one of America’s most groundbreaking dancers. A true prodigy, she was attempting in months roles that take most dancers years to master. But when Misty became caught between the control and comfort she found in the world of ballet and the harsh realities of her own life, she had to choose to embrace both her identity and her dreams, and find the courage to be one of a kind. With an insider’s passion, Misty opens a window into the life of an artist who lives life center stage, from behind the scenes at her first classes to her triumphant roles in some of the world’s most iconic ballets. A sensational memoir as “sensitive” and “clear-eyed” (The Washington Post) as her dancing, Life in Motion is a story of passion, identity, and grace for anyone who has dared to dream of a different life.
Mind-body wellness and fitness expert combines mantra, self-reflection, and movement into an accessible 14-day routine for manifesting your best self. Holistic wellness and fitness expert Erin Stutland harnesses all the body's mental, physical, and spiritual energy in her tri-fold approach to creating change. When you move your body while repeating mantras--speaking your desires aloud--manifesting is no longer a purely intellectual exercise or an occasional craft project. Instead, you are expressing your passion through your voice and your body, putting every ounce of your energy in service of what you want. Each chapter breaks down one mantra to use to focus on a key step to achieving your best self, including unearthing your desires, releasing resistance, and taking inspired action. Alongside each mantra, Stutland provides stories from her own life and those of her clients, a meditation or visualization, a journaling exercise, and an easy movement to accompany the mantra to help enhance its resonant power. And to put it all together, you are provided with a 14-day plan so you can design the life you want, infusing the power of movement, mantra, and self-reflection.
The life of a poet with a mental illness.
Covers the seven days of the week of one of the Britain's most successful female radio DJ. This book discusses how she has reconciled her family and her private life with a stellar career in the cruellest and most relentless spotlight in the world.
On the premise that words have the power to make worlds, each essay in this book follows a word as it travels around the globe and across time. Scholars from five disciplines address thirteen societies to highlight the social and political life of words in Asia, Europe, and the Middle East, from the mid-nineteenth century to the present. The approach is consciously experimental, in that rigorously tracking specific words in specific settings frequently leads in unexpected directions and alters conventional depictions of global modernity. Such words as security in Brazil, responsibility in Japan, community in Thailand, and hijāb in France changed the societies in which they moved even as the words were changed by them. Some words threatened to launch wars, as injury did in imperial Britain’s relations with China in the nineteenth century. Others, such as secularism, worked in silence to agitate for political change in twentieth-century Morocco. Words imposed or imported from abroad could be transformed by those who wielded them to oppose the very powers that first introduced them, as happened in Turkey, Indonesia, and the Philippines. Taken together, this selection of fourteen essays reveals commonality as well as distinctiveness across modern societies, making the world look different from the interdisciplinary and transnational perspective of “words in motion.” Contributors. Mona Abaza, Itty Abraham, Partha Chatterjee, Carol Gluck, Huri Islamoglu, Claudia Koonz, Lydia H. Liu, Driss Maghraoui, Vicente L. Rafael, Craig J. Reynolds, Seteney Shami, Alan Tansman, Kasian Tejapira, Anna Lowenhaupt Tsing