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This book contains George Nathan's letters to Sean O'Casey and his important dramatic criticism. The contents reveal the private, as well as the public, Nathan. Of special interest are his reactions to O'Casey's manuscripts that he could not make public.
The first volume of a collection of short stories by Sean Dietrich, a writer, humorist, and novelist, known for his commentary on life in the American South. His humor and short fiction appear in various publications throughout the Southeast.
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
"In Sean O'Casey: Writer at Work Christopher Murray takes a fresh look at the life of the last of the great writers of the Irish literary revival. Re-exploring the Dublin of O'Casey's childhood and the political situation in the Ireland during his early life, Murray sets them against O'Casey's autobiographies in an attempt to establish 'O'Casey's Ireland'. The second half of O'Casey's life was spent mostly outside Ireland and much of his income came from the United States. Murray examines his rise as an international figure and contrasts his later, more socialist, work with his more nationalist early work." "Christopher Murray establishes O'Casey as a self-made man of letters, an irrepressible fighter, a man who combined political courage and innocence, torn between a humanist vision of life rooted in his Dublin childhood and a utopian but blinkered loyalty to the Soviet Union." "Sean O'Casey: Writer at Work reconstructs a life committed to writing as a moral endeavour. While acknowledging that much of O'Casey's work was uneven, flawed, and overambitious, Murray argues that at its best it was infused with a passion and generosity that place it among the best bodies of drama in the twentieth century."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
With her family florist business ailing, Merry agrees to a merger with a former rival and quickly learns to resent her new, gorgeous, partner Sean Westwood, who tramples over nearly all of her decisions, especially those concerning her irresponsible blind eye to her charming cousin Robert. When Robert vanishes along with their money, Merry's frantic search for him causes Sean to assume she's Robert's accomplice. Caught between half-truths and evasions, Merry struggles to ignore her growing attraction to Sean. Learning to trust a man she's refused to see as her savior since he bailed out her ruined company may be the key to unlocking the mystery of Robert's disappearance...and her own heart.
"Readers drawn to the "Roaring Twenties," gossip about the Great White Way, discussion of high, middle, and low-brow culture will seek out this book."--BOOK JACKET.
This book traces the often uncanny relationships between Irish- and Jewish-America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
A lovestory set in the early to mid-1800's in historic Sandwich, MA. The story evolves around the whaling industry of the time.