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ABOUT THE BOOK MY VENICE "An intimate look at the Myth, History and the magic of its Arts" "...I liked the way the city had attracted my attention. But, in order to discover it, I asked it to stop hiding behind its masks. I wanted it real. To allow me to discover its secrets, understand its problems and hold a direct conversation with it. And it was promised to me, and all disguises were thrown off as our conversation began..." A trip through time, myth, History, the magic of Art and life is what Barbara Athanassiadis manages to achieve with the discerning eye of an experienced traveller. It is the same eye that captured reflections of Italy in her earlier narratives, the books A Year in Tuscany and Feeling Rome. My Venice is the final book left to complete her unique literary trilogy that approaches time, place and people, both in the past and in the present. Without directing our steps, the author transports us through the canals, the narrow streets and the squares of Venice, and she focuses our attention on works of Nature and Art, drawing on legends and historical omissions. The “Winged Lion” leisurely embraces the shoulders of our romantic heroine, and the “Seagull’s Flight” even reaches the “Empress Sissy in Venice”. The “Tiny Murano Spheres” roll down and stop before “The Fork of the Byzantine Princess”, “Torcello” flirts with the “Venetian Women in the Harem”… The eBook is illustrated with colourful photos. Watch the YouTube book trailer video My VENICE: https://www.youtube.com/playlist?list=PLrbC-aJ-0WKv8tN0RuB2YvMtqV_lg7N9X BOOK REVIEWS "Barbara must have been very much in love with Venice, because I know that for many years she has desired to write this book. She visited the city many times in the fall and stayed for long periods in order to internalize all that she describes expertly afterwards, providing the reader with her interesting reflections on the streets, the innumerable bridges and the countless churches, but also a wonderful lesson in History and an eye-catching look at its mysterious and sensual Art. We all know what Venice is for “art lovers”. Reading her book, it is obvious that she had an exclusive dialogue with the Serenissima, in order for its magic to penetrate inside her and then to be able to narrate her intimate relationship within this dreamy city. I particularly liked the point when she asked Venice not to hide behind its masks, but to throw aside its touristic veils and be revealed to her without any secrets." Lydia Mastronikolis, President of the Friends of the Cultural Association "Hellenic World" "Attentive to the Venetian glances of Barbara Athanassiadis’ book, I realized an emotional escalation, as the author is quite literal with her title: MY VENICE. This is indeed her own Venice, with the meaning not so much of her subjective glance or the focus on what selectively charms her, but in the particular way she sees things, looking towards the view of many sights, and not really seeing them. She wanders amongst her favorite places and drags my gaze to colors and sensations without guiding it . Just as charmingly, she approximates aspects of everyday life in her extra-literary life, calmly, with a nonchalance and always with a smile. Just as spontaneously, and naturally, she unfolds the myth in which she dresses her wanderings. Motives, thoughts, quests, reactions of her heroes, occur nearly as obviously... By reading her book, we follow the confessional narration of a friend, where the intimacy of her voice is entrusted to our ears." Helen Kritika , Book Critic "Through the narration of Barbara Athanassiadis, I discovered in fact that Venice is inside her, hence the title: MY VENICE. While our friendship has bonded us for years, I was truly touched by her book. It's as if she has taken me by the hand and together we stroll this fairytale town; either when the fog envelops it , or when the pink color of its sunset embraces it. Barbara's spontaneous and mature descriptions have spurred my curiosity to such an extent that I feel a strong desire to actually go to Venice and see the places that have inspired her. I consider myself lucky when I fall upon such a book. The narrative makes me travel and look at places I have heard about countless times in a fresh and novel way ... all while I sit comfortably in my armchair." Zoe Kyriakou, Radio Producer, “Easy 97,2”. Athens, Greece
A collection of “entertaining . . . unapologetically opinionated” essays from the New York Times–bestselling author of the Commissario Guido Brunetti novels (The New York Times). Donna Leon has won legions of fans and waves of critical acclaim for her international bestselling mystery series featuring Venetian Commissario Guido Brunetti—not only for her intricate plots and gripping narratives, but for her insight into the culture, politics, family-life, and history of Venice. But outside of her mystery novels, Leon has also been writing essays on Venetian life and related topics for years. In My Venice and Other Essays, the best of these essays are collected: more than fifty charming and insightful works ranging in topic from battles over garbage in the canals to the troubles with rehabbing Venetian real estate. Leon shares episodes from her life, explores her love of opera, and recounts tales from in and around her country house in the mountains. With pointed observations and humor, she also explores her family history, her former life in New Jersey, and the idea of the “Italian man.” Sure to please longtime Leon fans as well as anyone who appreciates the wit and wisdom of a master wordsmith, this volume offers “an intriguing glimpse at the strong views of an exceptionally interesting and entertaining novelist” (The Seattle Times).
Learn how to cook traditional Italian dishes as well as reinvented favorites, and bring Venice to life in your kitchen with these 100 Northern Italian recipes. Traveling by gondola, enjoying creamy risi e bisi for lunch, splashing through streets that flood when the tide is high—this is everyday life for Skye McAlpine. She has lived in Venice for most of her life, moving there from London when she was six years old, and she’s learned from years of sharing meals with family and neighbors how to cook the Venetian way. Try your hand at Bigoli with Creamy Walnut Sauce, Scallops on the Shell with Pistachio Gratin, Grilled Radicchio with Pomegranate, and Chocolate and Amaretto Custard.
Harold Brodkey's haunting, lyrical portrait of his most beloved city. Venice is a separate country," Harold Brodkey wrote of the fabled city that became his literary muse. "It floats at anchor inside its own will, among its domes and campanili, independent and exotic at its heart."The author's love of Venice--its churches and vaporetti, its capacity to bewilder and seduce--brought him back time and again to the shores of the Adriatic in search of fresh inspiration. Brodkey's Venice is marked by powerful contrasts: pride beside humility, the sacred alongside the profane, solemn tradition coexisting with exuberant mercantile optimism. Illustrated with eleven stunning black-and-white portraits by the legary Italian photographer Giuseppe Bruno, My Venice combines passages from several of Brodkey's great works with previously unpublished notes and essays to create a text as rich, subtle, and beguiling as the city itself.
An armchair traveler’s companion to Donna Leon’s Brunetti mysteries: “a splendid present for mystery-fiction fans [or] travel-lit buffs” (Tom Nolan, The Wall Street Journal). Follow Commissario Guido Brunetti, star of Donna Leon’s international bestselling mystery series, on over a dozen walks that highlight Venice’s churches, markets, bars, cafes, and palazzos. In Brunetti’s Venice, tourists and armchair travelers follow in the footsteps of Brunetti as he traverses the city he knows and loves. With his acute eye, fascination with history, ear for language, passion for food, and familiarity with the dark realities of crime and corruption, Brunetti is the perfect companion for any walk across La Serenissima. Over a dozen walks, encompassing all six regions of Venice as well as the lagoon, lead readers down calli, over canali, and through campi. Important locations from the best-selling novels are highlighted and major themes and characters are explored, all accompanied by poignant excerpts from the novels. This is a must-have companion book for any lover of Donna Leon’s wonderful mysteries.
Cambridge Skills for Fluency is a learner-centred range of materials designed specifically to develop students' fluency and confidence in listening, speaking, reading and writing. The books are at four levels from pre-intermediate through to advanced and are suitable for use as supplementary texts or as core texts on skills development courses. Each book in the Cambridge Skills for Fluency series: promotes fluency by presenting a wide variety of both old and new topics in creative and imaginative ways * genuinely engages students' interest and encourages them to share personal reactions and opinions fluently * focuses on a particular skill but the other skills are integrated in a way that reflects real life use of language * contains twenty units designed to take about an hour of class time, a detailed contents map and brief teaching notes.
In her latest adventure, Olivia, everyone's favourite little pig, is off the Venice, the place of fine art, carnival and gondolas for a family holiday to remember. With her very own discerning eye for style, Olivia takes the beautiful city of Venice by storm. From dodging pigeons in the Piazza San Marco, to eating an abundance of the most delicious Italian gelato at Carneval, and barelystaying afloat in a gondola, Olivia uncovers the wonderful delights of Venice with that very special 'Olivia' style and flair!
Hidden in a theaters orchestra-level wall is the pass door. Step through it, and you will enter the backstage area, but beware, once you enter, you will encounter the realities dwelling in the kingdom of make-believe. In this seriocomical look at life, with a whos who in the theater during the 1960s and 70s, attend the final days of the Golden Age of Theater and the beginnings of its new sounds Hair and Company. You will read about Carol Channing prior to her acclaim in Hello, Dolly! Liza Minnellis stage debut and Judy Garlands final stage appearance. Be a spectator during Hairs first year. Reach for something other than a glass of Remy Martin as you watch cognac shatter a relationship with Maggie Smith. Observe a coterie of distinguished Broadwayites destroy a gift from the United States Government. Be a witness to Deborah Kerrs strength knowing that shes in a failed play, and Billy Dee Williams, the then hot-hunk with the chiseled body, take on the role of the Reverend Martin Luther King, Jr. Also appearing (in order of appearance) are Lucille Ball, Gene Kelly, Barbra Streisand, Barbara Cook, Stan Getz, Ethel Merman, Fred Astaire, Elaine Stritch, Paul Newman and Joanne Woodward, James Baldwin, Kim Stanley, Henry Fonda, Jimmy Stewart, Fidel Castro, Doris Day, and Mae West. Fly to 1960s Havana; drive through France; experience the London of 1974, and visit Venice Beach, CA before it became an in-place. Youll see reality warp into illusion, then comprehend how a young boy, whose own family turned to illusion during World War II, spiraled to drugs and alcohol at adulthood. Youll also view that young gay man, who ignored reality in favor of illusion, immerse himself into a dark hole whose force of gravity was so intense that escape seemed improbable.
Vihaan Sharma. A flourishing civil engineer living his best life. But is he really? Though, in the eyes of people, he has a stable job, rich parents, and all the resources he could ask for, there's something that isn't fitting well. A tumor that has taken home in his lungs. With an impending surgery and surmounting uncertainty clouding his life, what will he choose, and how will that affect him? Freya Gupta. A sweet and dynamic bookstore cafe owner. Her workplace is an ode to aromatic beverages and ideas penned down over the years. A place bustling with coffee, sugar and biblichor. But the onyx wallpapers of her bygone past are refusing to be pulled down from the walls of her heart. The same heart that is so poorly supplied by blood. Their first meeting is accidental, but after that, nothing is. Not the emotions, and certainly not the mutual pining under the layers of their hearts. But no story is sunshine and rainbows without a little bit of thunderstorm. A storm that lands them up in a flood of tears and makes Freya question everything she is. Will Vihaan be able to help her through this squall, or will it destroy her very essence?