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This pioneering work, based on many years of reading and research and ranging mainly from the seventeenth century to the present, breaks new ground in intelligence bibliography. It is the most comprehensive and thorough bibliography of English-language nonfiction books on intelligence and espionage to date. The in-depth analytical annotations deal
The spy business often results in a sudden exchange of the dark shadows of the clandestine back room for the bright lights of the open courtroom. The situations that judges and juries face in espionage cases are typically more unusual, complex, and diverse than one might possibly imagine. Cecil C. Kuhne III describes a number of historical, law changing judicial cases, well-publicized criminal trials of those accused of treason against the United States, as well as lawsuits concerning other unusual matters, such as the governmental restrictions on bugging and other surveillance devices that cannot be sold to the general public. The author successfullyexplores well known espionage cases, such as the Julius and Ethel Rosenberg and Morton Sobell trial of 1951, as well as more recent cases where the courts have dealt with the activities of the National Security Administration (NSA) as they monitor telephone communications in their efforts to apprehend terrorist organizations. Spies on Trial brings the reader fast-paced stories of foreign spies engaged in daring deeds of sleuthing that undoubtedly have more than their fair share of intriguing moments. But nowhere is this suspense more intense than inside the courtroom, where the drama of intense covert activities is fully unfurled, offering fascinating glimpses into this vast and nefarious underground world of international espionage.
Throughout its history, Philadelphia has been home to international intrigue and some of America’s most celebrated spies. This illustrated guidebook reveals the places and people of Philadelphia’s hidden history, inviting the reader to explore over 150 spy sites in Philadelphia and its neighboring towns and counties.
The Venona Secretspresents one of the last great, untold stories of World War II and the Cold War. In 1995, secret Soviet cable traffic from the 1940s that the United States intercepted and eventually decrypted finally became available to American historians. Now, after spending more than five years researching all the available evidence, espionage experts Herbert Romerstein and Eric Breindel reveal the full, shocking story of the days when Soviet spies ran their fingers through America's atomic-age secrets. Included in The Venona Secrets are the details of the spying activities that reached from Harry Hopkins in Franklin Roosevelt s White House to Alger Hiss in the State Department to Harry Dexter White in the Treasury. More than that, The Venona Secrets exposes: • Information that links Albert Einstein to Soviet intelligence and conclusive evidence showing that J. Robert Oppenheimer gave Moscow our atomic secrets. • How Soviet espionage reached its height when the United States and the Soviet Union were supposedly allies in World War II. • The previously unsuspected vast network of Soviet spies in America. • How the Venona documents confirm the controversial revelations made in the 1940s by former Soviet agents Whittaker Chambers and Elizabeth Bentley. • The role of the American Communist Party in supporting and directing Soviet agents. • How Stalin s paranoia had him target Jews (code-named Rats ) and Trotskyites even after Trotsky’s death. • How the Soviets penetrated America’s own intelligence services. The Venona Secrets is a masterful compendium of spy versus spy that puts the Venona transcripts in context with secret FBI reports, congressional investigations, and documents recently uncovered in the former Soviet archives. Romerstein and Breindel cast a spotlight on one of the most shadowy episodes in recent American history - a past when by our very own government officials, whether wittingly or unwittingly, shielded treason infected Washington and Soviet agents.
Based on FBI files released under the Freedom of Information and Privacy Acts, this riveting book reveals the disturbing details and surprising extent of U.S. government surveillance against German emigr writers, artists, and intellectuals who sought refuge in America after World War II. 26 illustrations.
**One of Literary Hub’s Five “Most Critically Acclaimed” Biographies of 2022** From acclaimed cultural and film historian James Curtis—a major biography, the first in more than two decades, of the legendary comedian and filmmaker who elevated physical comedy to the highest of arts and whose ingenious films remain as startling, innovative, modern—and irresistible—today as they were when they beguiled audiences almost a century ago. "It is brilliant—I was totally absorbed, couldn't stop reading it and was very sorry when it ended."—Kevin Brownlow It was James Agee who christened Buster Keaton “The Great Stone Face.” Keaton’s face, Agee wrote, "ranked almost with Lincoln’s as an early American archetype; it was haunting, handsome, almost beautiful, yet it was also irreducibly funny. Keaton was the only major comedian who kept sentiment almost entirely out of his work and . . . he brought pure physical comedy to its greatest heights.” Mel Brooks: “A lot of my daring came from Keaton.” Martin Scorsese, influenced by Keaton’s pictures in the making of Raging Bull: “The only person who had the right attitude about boxing in the movies for me,” Scorsese said, “was Buster Keaton.” Keaton’s deadpan stare in a porkpie hat was as recognizable as Charlie Chaplin’s tramp and Harold Lloyd’s straw boater and spectacles, and, with W. C. Fields, the four were each considered a comedy king--but Keaton was, and still is, considered to be the greatest of them all. His iconic look and acrobatic brilliance obscured the fact that behind the camera Keaton was one of our most gifted filmmakers. Through nineteen short comedies and twelve magnificent features, he distinguished himself with such seminal works as Sherlock Jr., The Navigator, Steamboat Bill, Jr., The Cameraman, and his masterpiece, The General. Now James Curtis, admired biographer of Preston Sturges (“definitive”—Variety), W. C. Fields (“by far the fullest, fairest and most touching account we have yet had. Or are likely to have”—Richard Schickel, front page of The New York Times Book Review), and Spencer Tracy (“monumental; definitive”—Kirkus Reviews), gives us the richest, most comprehensive life to date of the legendary actor, stunt artist, screenwriter, director—master.