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“Then I felt his body leaning over mine and his fingers holding my nostrils shut. I could not breathe. My teeth were clenched. His fingers remained sealing my nose, when suddenly my mouth and jaw opened up and I gasped for air. Startled, he released his grip on my nose and left the room, leaving me paralyzed, naked, and curled up on the floor.” A few years ago, Ana Christina was left for dead. Despite the horrific circumstances, it was a blessing in disguise - the Lord delivered her from the hands of her perpetrator. “Ana Christina shares in such a vulnerable way that she takes her readers on a journey. Her incredible path leaves one with the realization that the human soul is unconquerable. Her honest, open way of revealing herself literally gives her readers the permission and courage to get real with themselves, experiencing a journey of self discovery, self disclosure and eventually the uncovering of self immortality.” - Jeffery Olsen, Author of KNOWING and WHERE ARE YOU?
Shug Akins is a lonely, overweight thirteen-year-old boy. His mother, Glenda, is the one person who loves him -- she calls him Sweet Mister and attempts to boost his confidence and give him hope for his future. Shuggie's purported father, Red, is a brutal man with a short fuse who mocks and despises the boy. Into this small-town Ozarks mix comes Jimmy Vin Pearce, with his shiny green T-bird and his smart city clothes. When he and Glenda begin a torrid affair, a series of violent events is inevitably set in motion. The outcome will break your heart. "This is Daniel Woodrell's third book set in the Ozarks and, like the other two, Give Us a Kiss and Tomato Red, it peels back the layers from lives already made bare by poverty and petty crime."-Otto Penzler, Penzler Pick, 2001
WINNER OF THE ITW THRILLER AWARD FOR BEST FIRST NOVEL “My Sweet Girl pushes the boundaries of what a thriller can do.”—The Washington Post “Fiendish [and] full of twists…. Sri Lankan author Amanda Jayatissa keeps us guessing and worrying until the very end.” —The New York Times “A thriller centered on the meaning of identity and all the layers it can have.”—NPR Paloma thought her perfect life would begin once she was adopted and made it to America, but she’s about to find out that no matter how far you run, your past always catches up to you… Ever since she was adopted from a Sri Lankan orphanage, Paloma has had the best of everything—schools, money, and parents so perfect that she fears she'll never live up to them. Now at thirty years old and recently cut off from her parents’ funds, she decides to sublet the second bedroom of her overpriced San Francisco apartment to Arun, who recently moved from India. Paloma has to admit, it feels good helping someone find their way in America—that is until Arun discovers Paloma's darkest secret, one that could jeopardize her own fragile place in this country. Before Paloma can pay Arun off, she finds him face down in a pool of blood. She flees the apartment but by the time the police arrive, there's no body—and no evidence that Arun ever even existed in the first place. Paloma is terrified this is all somehow tangled up in the desperate actions she took to escape Sri Lanka so many years ago. Did Paloma’s secret die with Arun or is she now in greater danger than ever before?
Death is inevitable. But bad deaths-- accompanied by unnecessarily prolonged pain and suffering, often aggravated by immensely costly and frequently futile medical treatments-- can be avoided. This book offers clear and valuable examples of how, through frank communication with caregivers and loved ones and the use of Advance Medical Directives such as living wills, those who are facing the possibility of death in the foreseeable future, and those who help them cope, can greatly minimize or eliminate end-of-life turmoil, family dissension, and pain.
"Gilda, a twenty-something, atheist, animal-loving lesbian, cannot stop ruminating about death. Desperate for relief from her panicky mind and alienated from her repressive family, she responds to a flyer for free therapy at a local Catholic church, and finds herself being greeted by Father Jeff, who assumes she's there for a job interview. Too embarrassed to correct him, Gilda is abruptly hired to replace the recently deceased receptionist Grace. In between trying to memorize the lines to Catholic mass, hiding the fact that she has a new girlfriend, and erecting a dirty dish tower in her crumbling apartment, Gilda strikes up an email correspondence with Grace's old friend. She can't bear to ignore the kindly old woman, who has been trying to reach her friend through the church inbox, but she also can't bring herself to break the bad news. Desperate, she begins impersonating Grace via email. But when the police discover suspicious circumstances surrounding Grace's death, Gilda may have to finally reveal the truth of her mortifying existence."--Amazon.
"The fundamental inanity of existence has already pierced my heart, and I know now that only cakes have any savor." In a tiny room under the Parisian rooftops, a precocious student concocts a rather unusual plan for a simple task: suicide. A dizzying array of desserts--pastries, chocolates, cookies, custards and more--are the instruments of her demise. A Sweet Death is the macabre and humorous record of a young woman's eccentric progression. A rumination on life, literature, philosophy, fashion, love, and--most importantly--food. By turns sumptuous, horrific and hopeful, Claude Tardat's novel is an original and compelling exploration of what it means to be alive.
This volume examines emotions and emotional well-being from a rich variety of theological, philosophical and scientific and therapeutic perspectives. To experience emotion is a part of being human; but what are emotions? How can theology, philosophy and the natural sciences unpack the nature and content of emotions? This volume is based on contributions to the 15th European Conference on Science and Theology held in Assisi, Italy. It brings together contributions from scholars of various academic backgrounds from around the world, whose individual insights are made all the richer by their juxtaposition with those from experts in other fields, leading to a unique exchange of ideas.
For use in schools and libraries only. A child and her grandmother feel sad when Grandpa dies, but as time passes, funny memories of him make them laugh and feel better.
This volume explores the work and thought of Edith Stein (1891–1942). It discusses in detail, and from new perspectives, the traditional areas of her thinking, including her ideas about women/feminism, theology, and metaphysics. In addition, it introduces readers to new and/or understudied areas of her thought, including her views on history, and her social and political philosophy. The guiding thread that connects all the essays in this book is the emphasis on new approaches and novel applications of her philosophy. The contributions both extend the interdisciplinary implications of Stein’s thinking for our contemporary world and apply her insights to questions of theatre, public history and biographical representation, education, politics, autism, theological debates, feminism, sexuality studies and literature. The volume brings together for the first time leading scholars in five language-groups, including English, German, Italian, French and Spanish-speaking authors, thereby reflecting an international and cosmopolitan approach to Stein studies.
Death is the one eternal verity of life. One thing is certain— we shall cease to live on this earth one day. But what is death? What follows after? Is death the absolute end? These are all unanswered questions. This book will dispel your fears and doubts and cast a light over the darkness of death. Lucidly, with anecdotes, stories and real-life incidents, Dada J.P. Vaswani shows us that death is not to be feared, but it is an aspect of existence that we have to come to terms with. In his inimitable words, we have to “cultivate friendship with death”. Inspiring and comforting this book will give you a profound understanding of the mystery that is death.