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PREFACE MY SISTERS VEIL(a poem) Tonis Veil: A beautiful face is never enough To guarantee love, success, and trust. Torn and conflicted by what they see and say Maybe theyre right Its better their way. They always win, So of course we would choose To perpetrate a look That will never lose. Ill just take it to the twelfth degree So it appears self righteously To be me. So bury the mirror, And who you really see. And bury the hatred Of who you really be. Then its easy to forget the grief And promise yourself You can become A respectable Thief! Terris Veil: Restless and young With nothing to lose. Thrown into your world Unblemished, unbruised. Ready to grow, and trust and learn, But guns fill your hands before you discern The value of life, community and respect A simple way to mask your intellect. Apprentice of self-destruction, A king with no crown Frustrated and confused, By the systematic run around. Yet a gnarly lesson awaits to prove Its by your own hand You win or you lose! Tinas Veil: Abandoned and ashamed Afraid and unloved I hid my pain As innocently as a dove. The Lord answers prayers So invisible Ill be cause my blllack and nappy Embarrasses thee. If only but For a genuine veil, Id lose myself In self-medicated hell. But no need to worry, No need to fret Their yaki hair and blue contacts Are easy to get. Spare not a dime For value and worth Designer labels and gold To our pride gives birth. So strut on high, and lively, and proud As you die slowly With a legacy Broken and loud!
Reproduction of the original: The Sisters by Georg Ebers
The Sisters is a historical novel set in the 2nd century BC that features the story of the twin sisters Klea and Irene, growing up within the precincts of the temple of Serapis and serving as its wards. This carefully crafted ebook is formatted for your eReader with a functional and detailed table of contents. "In front of these early visitors to the temple walked a man with a long staff in his right hand speaking to the two gentlemen who followed, with the air of a professional guide, who is accustomed to talk as if he were reading to his audience out of an invisible book, and whom the hearers are unwilling to interrupt with questions, because they know that his knowledge scarcely extends beyond exactly what he says. Of his two remarkable-looking hearers one was wrapped in a long and splendid robe and wore a rich display of gold chains and rings, while the other wore nothing over his short chiton but a Roman toga thrown over his left shoulder."
Exploring the intersection between religion, gender and sexuality within the context of everyday life, this volume examines contested identities, experiences, bodies and desires on the individual and collective levels. With rich case studies from the UK, USA, Europe, and Asia, Religion, Gender and Sexuality in Everyday Life sheds light on the manner in which individuals appropriate, negotiate, transgress, invert and challenge the norms and models of various religions in relation to gender and sexuality, and vice versa. Drawing on fascinating research from around the world, this book charts central features of the complexities involved in everyday life, examining the messiness, limits, transformations and possibilities that occur when subjectivities, religious and cultural traditions, and politics meet within the local as well as transnational contexts. As such, it will be of interest to scholars of sociology, anthropology, geography and cultural studies examining questions of religion and spirituality, gender and sexuality, and individual and collective identities in contemporary society.
"This book should be read in every household around the UK. It is educational, insightful and most of all honest." – Nadiya Hussain "A funny, engaging and moving memoir. Rabina captures nuances and shatters stereotypes." – Fatima Manji, Channel 4 News "An inspiring, candid insight into the life of a hijab-wearing Muslim woman in Britain." – Bella *** "In 2015, when I ran to be mayor in Tower Hamlets, a smartly dressed middle-class man saw me wearing a headscarf and asked me what colour my hair was underneath it. I gave him a big smile. 'Pink,' I replied. Did I win his vote? I rather doubt it." Vivid, astute and full of humour, My Hair Is Pink Under This Veil offers a frank appraisal of life in modern Britain as seen through the eyes of a hijab-wearing Muslim woman. Rabina Khan writes with grace about her family's experiences building a new life in 1970s London before turning her attention to exploring the politics of the veil, white privilege and intersectional feminism. And in depicting her battle to build a successful political career against a backdrop of blame, bias and misogyny – including from her own community – Khan is clear-sighted about the struggles facing Muslim women today. Now fully updated with new material on the sexism facing women in politics, My Hair Is Pink Under This Veil is at its heart an inspiring story about the power of self-belief and determination to create a fairer world.
Ingrid Bergman's engaging screen performance as Sister Mary Benedict in The Bells of St. Mary's made the film nun a star and her character a shining standard of comparison. She represented the religious life as the happy and rewarding choice of a modern woman who had a "complete understanding" of both erotic and spiritual desire. How did this vibrant and mature nun figure come to be viewed as girlish and naive? Why have she and her cinematic sisters in postwar popular film so often been stereotyped or selectively analyzed, so seldom been seen as women and religious? In Veiled Desires--a unique full-length, in-depth study of nuns in film--Maureen Sabine explores these questions in a groundbreaking interdisciplinary study covering more than sixty years of cinema. She looks at an impressive breadth of films in which the nun features as an ardent lead character, including The Bells of St. Mary's (1945), Black Narcissus (1947), Heaven Knows, Mr. Allison (1957), Sea Wife (1957), The Nun's Story (1959), The Sound of Music (1965), Change of Habit (1969), In This House of Brede (1975), Agnes of God (1985), Dead Man Walking (1995), and Doubt (2008). Veiled Desires considers how the beautiful and charismatic stars who play chaste nuns, from Ingrid Bergman and Audrey Hepburn to Susan Sarandon and Meryl Streep, call attention to desires that the veil concealed and the habit was thought to stifle. In a theologically and psychoanalytically informed argument, Sabine responds to the critics who have pigeonholed the film nun as the obedient daughter and religious handmaiden of a patriarchal church, and the respectful audience who revered her as an icon of spiritual perfection. She provides a framework for a more complex and holistic picture of nuns on screen by showing how the films dramatize these women's Christian call to serve, sacrifice, and dedicate themselves to God, and their erotic desire for intimacy, agency, achievement, and fulfillment.
Muslim-American women, in all their diversity, are given the chance to tell their stories in their own voice by award-winning journalist Donna Gehrke-White. The only book of its kind, it tells in extraordinarily moving detail the lives of New Traditionalists, who wear the veil though their forebears did not; Blenders, who do not wear the veil but consider themselves spiritual; and Converts - women from other religious backgrounds who have converted to Islam. A rare, revealing look into the hearts, minds and lives of a misunderstood people.
The issue of Muslim women’s rights never seems outdated and has become trendy in the post-9/11 environment. That is, the mainstream media and Western politicians often view Muslim women as victims of male-patriarchy and frequently justify Western involvement in the Middle East and in other Muslim majority counties at least in part to "rescue" women. Within this realm, Nawal El Saadawi is a famous Egyptian writer whose writings focus on the struggle of Muslim women and are widely read in the Middle East and many Western societies as well. Because of her bold feminist views on politics, religions, and gender, she is described as the "Simone de Beauvoir of the Arab world." After the death of El Saadawi in 2021, a flurry of arguments and criticism in the Egyptian press and women's press around the world is created in which different social media platforms were filled with numerous comments and discussions of her writings and arguments. Whereas some mourned El Saadawi and her dedication to women’s issues, others celebrated her death, wishing her the worst punishment in the afterlife for what they described as her "destructive thoughts." This monograph genuinely analyzes her views on five controversial issues – marriage, polygamy, divorce, inheritance rights, and veiling – in light of Qur’anic exegeses offered by two classical scholars (i.e., Muhammad ibn Jarir Al Tabari and Ismail ibn Umar Ibn Kathir) and two contemporary Muslim feminists (i.e., Amina Wadud and Azizah Al Hibri). By taking a critical look at her views, the book contributes not only to this ongoing debate but adds value to assessing El Saadawi's work and helps readers gain a greater understanding of her writings as well. It also enables readers to comprehend the current tension between feminism and Islam by understanding the perspectives of both sides. Since El Saadawi’s writings are available in the Western countries, the book would appeal to academics, researchers on Islam and gender and Middle Eastern women, as well as to lay audiences interested in women and gender in Muslim societies.