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My Name is Moose is all about Moose. In fact, it’s written by him. And it's all about what it's like to be a dog in the recession. Captured through Martin’s photographs, Moose tells the story of a dog’s life in East London, introduces us to his friends, favourite smells and thoughts on the modern world. It's really a story about enjoying the simple things and about chasing balls… even if you have lost your own. Through Moose’s first-hand account of the highs and lows of being a photographer’s dog, we discover a wagging tale about not giving up and being a man’s best friend.
There's a moose in the backyard! Luke's mom and dad want it to go away, but the moose has other plans! Luke gets up early one Saturday morning and finds a moose in the backyard. He wakes up his dad, and then his mom, and each declares that "moose never come on the farm" -- only to be surprised by the moose itself! Mom tries to shoo it away with a broom -- but the moose eats it. Dad tries to scare it away with a hose -- but the moose takes a nice bath. Luke feeds the moose carrots and decides to keep it in his treehouse, until his sister comes along, with a surprising solution to this unusual problem! Moose! was inspired by a young boy from Cape Breton Island.
WINNER of the Irish Book Awards Children’s Book of the Year 2012 and the Honour Award for Illustration from Childrens' Books Ireland, 2013. An exquisite new book, featuring a boy and his moose, from internationally bestselling, multi-prize-winning picture book creator, Oliver Jeffers.
This classic story about a mixed-up moose is perfect for fans of Amelia Bedelia, Danny and the Dinosaur, and anyone who loves silly stories and fun word play. The cow, the deer, and the horse have four legs and a tail, just like Morris. But none of these animals is a moose! These different animals have one thing in common—their friendship. Morris the Moose is a Level One I Can Read, great for shared reading with a child, and especially wonderful for reluctant readers.
In 1787, Thomas Jefferson, then the American Minister to France, had the "complete skeleton, skin & horns" of an American moose shipped to him in Paris and mounted in the lobby of his residence as a symbol of the vast possibilities contained in the strange and largely unexplored New World. Taking a cue from Jefferson's efforts, David Post, one of the nation's leading Internet scholars, here presents a pithy, colorful exploration of the still mostly undiscovered territory of cyberspace--what it is, how it works, and how it should be governed. What law should the Internet have, and who should make it? What are we to do, and how are we to think, about online filesharing and copyright law, about Internet pornography and free speech, about controlling spam, and online gambling, and cyberterrorism, and the use of anonymous remailers, or the practice of telemedicine, or the online collection and dissemination of personal information? How can they be controlled? Should they be controlled? And by whom? Post presents the Jeffersonian ideal--small self-governing units, loosely linked together as peers in groups of larger and larger size--as a model for the Internet and for cyberspace community self-governance. Deftly drawing on Jefferson's writings on the New World in Notes on the State of Virginia, Post draws out the many similarities (and differences) between the two terrains, vividly describing how the Internet actually functions from a technological, legal, and social perspective as he uniquely applies Jefferson's views on natural history, law, and governance in the New World to illuminate the complexities of cyberspace. In Search of Jefferson's Moose is a lively, accessible, and remarkably original overview of the Internet and what it holds for the future.
Angry that everyone bungles her name, Neanderthal Wakawakaloch speaks with her parents and Elder Mooch, who remind her that she was named for a brave, heroic ancestor.
Robert B. Sherman has forged a phenomenal career as a songwriter, screenwriter and painter. Along with his brother, Richard, he is responsible for the iconic scores of Mary Poppins, Jungle Book, The Many Adventures of Winnie the Pooh, Chitty Chitty Bang Bang, Charlotte's Web and The Tigger Movie, to name just a few. But to fully appreciate the impact of his songs, one has to get to know the man behind them first. Finally, in his own words and inimitable writing style, comes his long awaited, definitive autobiography: Moose, the delightful and unconventional story of a creative giant, who changed the fabric of the Family Musical forever.
"When Martha gets an unusual pet, she's delighted by all of the fun things they do together. If one moose is this marvelous, then more moose must be even better! Pretty soon, Martha has more moose than she can handle"--
Two ten year old boys, Waino and Ivar, returned from hunting one cold winter's day and skied back to the livery stable where Ivar's father boarded horses and mules. As Waino pinged his air rifle at a fence he dreamed about the moose he could have shot. All at once there was a very sad sound. It went "Haawwnnk -- hawnk -- hawnk -- haawwnnkk!" The two boys dropped everything. "What do you think that is?" Ivar asked. "Maybe it was a moose," Waino replied softly. And it was a moose -- though it was a while before Ivar's father or Mr. Ryan, the policeman, or the Mayor or any of the townspeople believed it. But what do you do with a moose? What can you do with a moose? Honk was hungry. He ate about a ton of Ivar's father's expensive hay. Then he went to sleep. Something had to be done, but Honk was naturally such a sad moose, you couldn't help feeling sorry for him. With perfect humor and understanding -- of small boys and a problem moose -- the author and artist have created a favorite children's classic. Honk the Moose won distinction as a Newbery Honors Book in 1936, the Lewis Carol Shelf Award in 1970, and was listed in Cattermole's 100 Best Children's Books of the 20th Century.
What can you say about Moose? a lovable canine? A consummate professional? A bright star in the Hollywood universe? Yes, you could say all those things. Or you could just say that he was the little dog that could. The little dog that never took no for an answer. The little dog that never said, "I can't," but always, "why can't I?" The story of Moose is a classic rags-to-riches story of how an average pound-bound puppy barked, jumped, and mugged his way up the ladder of success to become a major superstar. Not since Lassie has America cared so much about one of its four-legged creatures. At least, that's what Moose would say. I would say that working with that dog has been a nightmare. I had to be at his beck and call, any time, day or night. You don't know what it's like to get a call at three o'clock in the morning because "someone" has something he wants to add to the Frasier chapter. Did he think I had no life of my own? Or that I slept by the telephone waiting for him to call? Yes, he did. Because, like most uber-stars, he thought the world revolved around him. From the moment I committed to working with him on this book, it's been nothing but Moose, Moose, Moose. But I have to admit he's had a fascinating life. To be plucked out of obscurity and thrust into the limelight may be the dream of every actor in the world, but in reality it's more of a challenge than most people realize. It's hard not toget caught up in all the glitter and hype of Hollywood and completelylose sight of what's really important--family and friends. As egomaniacal as Moose is, he has never forgotten where he came from or taken for granted the fans that got him where he is today. He's a complex guy--selfish and independent, demanding and feisty, impatient and intense, arrogant and stubborn, and strong-willed. But heis also loving, caring, thoughtful when he wants to be, charismatic, funny, charming, and above all loyal. In short, Moose is a Jack Russell terrier with an attitude. Is there any other kind?