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FROM THE INTRODUCTION BY JOHN LE CARRÉ "This novel comprises some of the best work of an extremely gifted and perhaps under-regarded British crime novelist....What gave John Bingham his magic was something we look for in every writer, too often in vain: an absolute command of the internal landscape of his characters, acutely observed by a humane but wonderfully corrosive eye." Michael Sibley and John Prosset shared a history that dated back to their first years at boarding school, and so the news of Prosset's murder came as a great shock to his old friend -- especially because Sibley had been staying only the day before at Prosset's country house, where the body was found. When the police arrive to question him in connection with the murder, Sibley finds himself lying about his recent visit, and thus begins to reveal the true nature of a longstanding but volatile friendship, fraught with mutual deception and distrust. As he tells his version of the truth to the police -- and to the reader -- Sibley makes the first of many fateful mistakes and finds himself not only under suspicion, but a primary suspect in the investigation. Seen through the eyes of Sibley himself, My Name Is Michael Sibley is a mesmerizing account of murder, as the narrator purposefully attempts to elude the police and prove his innocence to the reader in the same breath.
Investigator, interrogator, intellectual hero: the perfect inspiration for the perfect spy. This first full-length biography traces the life of the remarkable and engaging John Bingham, the man behind John le Carré's George Smiley. The heir to an Irish barony and a spirited young journalist, John Bingham joined MI5 in 1940; his quiet intellect, wry wit and knack for observation made him a natural. He took part in many of MI5's greatest wartime missions - from the tracking of Nazi agents in Britain to Operation double cross that ensured the success of D-Day - and later spent three decades running agents in Britain against the Communist target. Among his colleagues his skills were legendary and he soon became a mentor to many a novice spy - including one David Cornwell, the later le Carré. Bingham, too, was an innovative writer who perfected the psychological thriller, marrying cold objectivity with an explanation of the darkest reaches of human behaviour. His early novels were applauded but, for all his success, Bingham struggled to match the fame of the man he had inspired. Drawing on Bingham's published and unpublished writings, as well as interviews with his family, Michael Jago skilfully tells the riveting yet poignant tale of the man who was George Smiley.
FROM THE INTRODUCTION BY JOHN LE CARRÉ "This novel comprises some of the best work of an extremely gifted and perhaps under-regarded British crime novelist....What gave John Bingham his magic was something we look for in every writer, too often in vain: an absolute command of the internal landscape of his characters, acutely observed by a humane but wonderfully corrosive eye." Nineteen years is a long time. But when Peter Harding and Philip Bartels meet up again in the French countryside of their youth, the history and the dark secrets it holds are still there, tempered only slightly by time. The two men share more than a past friendship. Decades earlier, trapped in a disenchanted marriage with his wife, Beatrice, Philip meets and falls in love with the graceful, charming Lorna Dickson. Overcome by the prospect of a humiliating divorce, Philip makes the decision to poison Beatrice. But when he invites his best friend, Peter, to meet his mistress at lunch one day, he unwittingly sets off a shocking chain of events that will forever change the lives of everyone involved. Now available for the first time in over twenty years, Five Roundabouts to Heaven is one of master writer and storyteller John Bingham's greatest works. With a chilling, expertly calibrated plot and mesmerizing prose, it is the powerful study of how murder can so easily enter the minds of ordinary people.
A "savvy study" (Publishers Weekly) and a fascinating exploration of the roles many spy novelists played during World War II and the influence of intelligence work on their writing. World War II deception operations created elaborate fictions and subterfuges to prevent the enemy from apprehending the true targets and objectives of Allied forces. These operations shortened the war considerably and saved countless lives—and they were often invented, proposed, and sometimes executed by creative minds that would come to be known worldwide for their spy novels. In Counterfeit Spies: How World War II Intelligence Operations Shaped Cold War Spy Fiction, Oliver Buckton reveals the involvement of writers in wartime deceptions and shows how those operations would later impact their work. He also examines how the details, personnel, and methods of the GARBO network, Operation Mincemeat, Philby’s treason, Operation Bodyguard, and more were translated from real life into spy fiction by these authors, necessitated by the Official Secrets Act which prevented writers from revealing their experiences in memoirs or other nonfiction works. Featuring Ian Fleming, Dennis Wheatley, Graham Greene, Helen MacInnes, John Bingham, and John le Carré, Counterfeit Spies is a captivating examination of the brilliant novelists who took wartime espionage and deception to another level with their enduring works that continue to entertain and fascinate readers today.
FROM THE INTRODUCTION BY JOHN LE CARRÉ "This novel comprises some of the best work of an extremely gifted and perhaps under-regarded British crime novelist.... What gave John Bingham his magic was something we look for in every writer, too often in vain: an absolute command of the internal landscape of his characters, acutely observed by a humane but wonderfully corrosive eye." "On a recuperative trip in Italy after a car accident, reporter and novelist James Compton is witness to the discovery of a murder victim, a woman who had been vacationing at the same hotel. Lucy Dawson seemed like a gentle old lady, and so the motive for her death appeared to be unmeditated assault. But when he returns to England and makes a benign inquiry into her background, Compton receives a note warning him to leave the past alone -- a note clearly written on his own typewriter, though his apartment shows no sign of a break-in. Unable to resist pursuing the unfinished story, Compton's own investigation reveals a sinister side to Lucy Dawson and a cold-blooded conspiracy she may have helped to perpetrate while alive. Suddenly Compton finds a dangerous net closing in around him: threatening phone calls, terrifying invasions of privacy, and no way of proving to the police that anyone is responsible but himself. In the tradition of Agatha Christie and Patricia Highsmith, John Bingham's writing has earned him a place amongst the great suspense writers of the twentieth century. With taut, compelling prose, A Fragment of Fear is a captivating thriller by a master storyteller at the height of his powers.
This was the first bibliography and guide to the American mass market paperback book, and it remains one of the most definitive. The major index is by author, and lists: author, title, publisher, book number, year of publication, and cover price. The title index lists titles and authors only. The publisher index provides a history of that imprint, with addresses, number ranges, and general physical description of the books issued. This is the place that all study of the American paperback must begin.
For the first time in one place, Roger M. Sobin has compiled a list of nominees and award winners of virtually every mystery award ever presented. He has also included many of the “best of” lists by more than fifty of the most important contributors to the genre.; Mr. Sobin spent more than two decades gathering the data and lists in this volume, much of that time he used to recheck the accuracy of the material he had collected. Several of the “best of” lists appear here for the first time in book form. Several others have been unavailable for a number of years.; Of special note, are Anthony Boucher’s “Best Picks for the Year.” Boucher, one of the major mystery reviewers of all time, reviewed for The San Francisco Chronicle, Ellery Queen Mystery Magazine, and The New York Times. From these resources Mr. Sobin created “Boucher’s Best” and “Important Lists to Consider,” lists that provide insight into important writing in the field from 1942 through Boucher’s death in 1968.? This is a great resource for all mystery readers and collectors.; ; Winner of the 2008 Macavity Awards for Best Mystery Nonfiction.