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The latest from Ann Brashares, the New York Times bestselling author of The Sisterhood of the Traveling Pants, a magical story of reincarnation and a love that lasts more than a lifetime Daniel has spent centuries falling in love with the same girl. Life after life, crossing continents and dynasties, he and Sophia (despite her changing name and form) have been drawn together-and he remembers it all. For all the times that he and Sophia have been connected throughout history, they have also been torn painfully, fatally, apart. But just when Sophia (now "Lucy" in the present) finally awakens to the secret of their shared past, the mysterious force that has always separated them reappears. Ultimately, they must come to understand what stands in the way of their love if they are ever to spend a lifetime together.
A portrait of the author's family history in California, along with reflections on the history of Hispanics in America since the 18th century.
The complete lyrics from cultural icon and bestselling author Nick Cave, spanning his entire career to date, with a new foreword by Andrew O'Hagan From Nick Cave's writing for The Birthday Party, through highly acclaimed albums like Murder Ballads, Henry's Dream, DIG, LAZARUS, DIG!!! and Ghosteen, this is a must-have book for all fans of the dark, the beautiful and the defiant - for all fans of the songs of Nick Cave. 'The greatest living songwriter' NME 'A glowing wire, a mainline to meaning ad feeling and art' New Yorker 'Nick Cave is a true lyrical master. He can conjure empathy and hope out of thin air, light out of darkness' Cillian Murphy 'His lyrics - so rich in the toils of love, so committed to memory and everlasting presence - are the best-made of his generation' Andrew O'Hagan 'A poetic craftsman' Will Self 'Alternative rock legend' Billboard 'Cave's genius rings loud and clear' Evening Standard Cover art by Aleksandra Waliszewska
The Nobel Prize winning author Samuel Beckett is a literary treasure, and this work represents the only comprehensive reference to the concepts, characters, and biographical details mentioned by, or related to, Beckett. Painstakingly and lovingly compiled by acclaimed Beckett scholars C.J. Ackerley and S.E. Gontarski, it is alphabetical, cross-referenced, and laid out in a very user-friendly format. The Grove Companion to Samuel Beckett provides an organized trove of information for students and scholars alike, and is a must for any serious reader of Beckett. As most Beckettians know, “reading [him] for the first time is an experience like no other in modern literature.” (Paul Auster)
DIVDiscusses Ulysses arguing that through the operation of memory, it mimics the working of the human mind and achieves its status as one of the most intellectual achievements of the 20th century./div
An enthralling historical novel about a young woman's struggle to become a doctor during the Civil War In this stunning first novel, Mary Sutter is a brilliant, head­strong midwife from Albany, New York, who dreams of becoming a surgeon. Determined to overcome the prejudices against women in medicine-and eager to run away from her recent heartbreak- Mary leaves home and travels to Washington, D.C. to help tend the legions of Civil War wounded. Under the guidance of William Stipp and James Blevens-two surgeons who fall unwittingly in love with Mary's courage, will, and stubbornness in the face of suffering-and resisting her mother's pleas to return home to help with the birth of her twin sister's baby, Mary pursues her medical career in the desperately overwhelmed hospitals of the capital. Like Charles Frazier's Cold Mountain and Robert Hicks's The Widow of the South, My Name Is Mary Sutter powerfully evokes the atmosphere of the period. Rich with historical detail (including marvelous depictions of Lincoln, Dorothea Dix, General McClellan, and John Hay among others), and full of the tragedies and challenges of wartime, My Name Is Mary Sutter is an exceptional novel. And in Mary herself, Robin Oliveira has created a truly unforgettable heroine whose unwavering determination and vulnerability will resonate with readers everywhere.
In Memory of the Good Old Days presents the inspiring memoir of Robert Lot King. After his birth in southern Indiana, he grew up mostly in rural areas and small towns. He was educated in a one-room schoolhouse with different grades in different rows. He completed his course of study to become a minister at Kentucky Mountain Bible Institute and was ordained in the Church of the Nazarene. He spent most of his life as a pastor preaching the gospel. His memoir, presented in five parts, begins with his childhood years in the early forties, during World War II. From his near death experience at two from pin worm to the memories of his childhood in Indiana, he captures the essence of times gone but not forgotten. Part two explores the trials and victories of his journey as a preacher in the mountains of eastern Kentucky. In part three, he recalls leaving the mountains and returning to Indiana with his wife and partner in ministry. Finally, in parts four and five, he explores creation and offers proof of a living God and inspirational messages about the Christian faith. In Memory of the Good Old Days offers inspiring messages on faith and hope interspersed with tales of a life well lived.
Memories of violence, suffering and atrocities in Cambodia are today being pulled in different directions. A range of transitional justice practices have been put to work in the name of redressing, restoring and renewing memory. At the centre of this stage is the Extraordinary Chambers in the Courts of Cambodia (ECCC), a hybrid tribunal established to prosecute the leaders of the Khmer Rouge regime, under which 1.6 million Cambodians died of hunger or disease or were executed. This book unpicks the way memory is reconstructed through appeals to a national memory, the legal reframing and coding of memories as crimes, and bids to locate personal memories within collective biographies. Analysing the techniques and interventions of the ECCC, as well as exploring the role of non-governmental organisations (NGOs), the book explores the relationships in which Cambodian communities navigate memories of political violence. This book is essential for understanding transitional justice in Cambodia in, and beyond, the courtroom. Transitional Justice and Memory in Cambodia shows that the governing logic of transitional justice interventions – that societies are unable to 'deal with' memories of atrocity and violence without some form of transitional justice mechanism – neglects the complexity of memory and remembering in post-atrocity contexts and the agency of the subjects to which such mechanisms are addressed. Drawing on documentary sources, legal transcripts, interviews and participant observation data, the book situates transitional justice processes in Cambodia within a wider context of social and cultural memory politics, examining (old and new) conflicts of memory that have emerged between the varied accounts and uses of the past that exist in Cambodia now. As such, it will appeal to students and scholars in sociology, human rights, law and criminology.
This book is a study of the plays, performances and writings of Christina Reid. It explores Reid’s work through her own words, both in interviews and writings; through theoretical engagements in other disciplines, such as psychology and geography; and through responses to her plays in production. It is a compilation of sorts, gathering together interviews, critical material, unpublished works and theatrical reviews to reflect the breadth and depth of Reid’s contribution to the theatrical culture of Northern Ireland, during the Troubles and beyond.
When Morgan's divine duties erase his memories until he can hardly remember anything beyond his name, he dreams of one thing: escape. And he finally gets his chance when the very familiar Fin falls into his life and whisks him away from everything he knows. Escape quickly turns into a road trip with Fin to replace the memories he's lost, but Morgan has to confront what it means if he never returns. Without him to send souls, they die completely, leaving a void in the world where nothing will live or grow. Returning, however, means he will lose himself. And so, Morgan must decide if never returning and living his life as himself—not the Divine—is worth more than the souls he's leaving behind.