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My Name is Kayla is the first book of the KaylaKay series. Written for younger children it tells how a baby discovers her name. As Kayla grows, the series will explore several other topics including air travel, going to church, nicknames, parents' occupations, grandparents and holidays.
Prayers to guide your journey of raising kids in a complicated world. In an age of distraction and overwhelm, finding the words to meaningfully pray for our children--and for our journey as parents--can feel impossible. Written with warmth and welcome, To Light Their Way gives voice to your prayers when words won't come. Filled with more than 100 modern liturgies, this book guides you into an intentional conversation with God for your children and the world they live in. From everyday struggles like helping your child find friends or thrive in school to larger issues like praying for a brighter world rooted in peace and truth, these pleas and petitions act as a gentle guide, reminding us that while our words may fail, God never does. At the core of To Light Their Way is the deepest of prayers: that our children will experience the love of God so deeply that their lives will be an outpouring of love that lights up the world.
Second book in the KaylaKay series chronicling Kayla's summers visiting her grandmother
For 21st-century young adults struggling for personal autonomy in a society that often demands compliance, the bestselling trilogy, The Hunger Games remains palpably relevant despite its futuristic setting. For Suzanne Collins' characters, personal agency involves not only the physical battle of controlling one's body but also one's response to such influences as morality, trauma, power and hope. The author explores personal agency through in-depth examinations of the lives of Katniss, Peeta, Gale, Haymitch, Cinna, Primrose, and others, and through an analysis of themes like the overabundance of bodily imagery, social expectations in the Capitol, and problem parental figures. Readers will discover their own "dandelion of hope" through the examples set out by Collins' characters, who prove over and over that human agency is always attainable.
"When a school variety show leaves Olive stranded without an act to join, she wonders why all of her friends have already formed their own groups without her."--Publisher's description.
Kaylas orderly life is turned into chaos by a precocious child who insists that Kayla is her mother. In her search for the childs mother, she is caught up in kidnapping, extortion, murder, and intrigue.
Individuality vs. conformity. Identity vs. access. Freedom vs. control.The bar code tattoo.The bar code tattoo. Everybody's getting it. It will make your life easier, they say. It will hook you in. It will become your identity. But what if you say no? What if you don't want to become a code? For Kayla, this one choice changes everything. She becomes an outcast in her high school. Dangerous things happen to her family. There's no option but to run . . . for her life.Indivuality vs. conformity.. Identity vs. access. Freedom vs. control.The bar code tattoo.
Before the war, Eden’s life was easy. Then the revolution happened, and everything changed. Now a powerful group called the Wolfpack controls the earth and its resources. And even though Eden has lost everything to them, she refuses to die by their hands. She knows the coordinates to the only neutral ground left in the world, a place called Sanctuary Island, and she is desperate to escape to its shores. Eden finally reaches the island and meets others resistant to the Wolves. But the solace is short-lived when one of Eden’s new friends goes missing. Braving the jungle in search of their lost ally, they quickly discover Sanctuary is filled with lethal traps and an enemy they never expected. This island might be deadlier than the world Eden left behind, but surviving it is the only thing that stands between her and freedom.
In Portland, Orgeon, three high school friends—Leon, Chris and Kayla—spend their time skateboarding studying foreign languages and classical music, and plotting a shared future that will avoid the superficiality they witness in the adult world around them. There is only one adult they admire, whom they suspect might hold secrets worth knowing. Natalie lives alone in a decrepit trailer, yet seems happy, and to have few concerns. As they befriend her she persuades them to harvest copper wire from the high tension electrical lines in the countryside around the city, until one day when there is an accident in which Leon is electrocuted. He appears to shake it off, yet soon—despite his denials of anything being wrong—his behavior comes to resemble Natalie's in many ways. The mystery of what has happened to Leon (and to Natalie) leads Kayla and Chris on an adventure that takes them into the world of a remarkable group of people. These people live among us and are almost impossible to recognize, yet they possess different needs, and different powers. What they do not possess is insight into their condition, or any awareness that they are different. Others are left to wonder at—and attempt to profit from—the possibilities these people contain. Chris and Kayla are not alone in attempting to study, to use, and perhaps even to join their ranks.
Breadth of Bodies seeks to investigate and dismantle the language and stereotypes often used to describe professional dancers with disabilities. Spearheaded by dancer/writer Emmaly Wiederholt and dance educator Silva Laukkanen with illustrations by visual artist Liz Brent-Maldonado, the team collected interviews with 35 professional dance artists with disabilities from 15 countries, asking about training, access, and press, as well as looking at the state of the field.