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Poetry. Asian & Asian American Studies. Women's Studies. Translated by Fiona Sze-Lorrain. In this remarkable English debut, award-winning Chinese contemporary poet Ye Lijun offers readers a lyrical diorama of nature and the inner world. By turns intimate and profound, Ye's poems in Fiona Sze-Lorrain's masterful translations make music of everyday silences, and illuminate the invisible openings in our lives. In this vital collection by one of China's essential literary voices, each encounter is an invitation, wherein a village, a nest, a telescope, or a book proves to be a transient guide to the unknown. "Fiona Sze-Lorrain brings her sense of immediacy, and her lucid control of tone, to these inspired translations of Ye Lijun which capture, with unerring musicality, the rhythms of the original Chinese."--Martha Kapos "Ye Lijun's quiet, powerful poems accrete from places, memories, affect, and ideas unique to the poet. The distinctiveness of Ye's diction, metaphors, and associations make her imagination and intelligence anchor in ours. We come away from Ye's mountain, her house, her books, her loves, and return to those of our own with our senses made more acute. Translator Fiona Sze-Lorrain, a gifted poet herself, creates an English-language voice for Ye Lijun that has all the grace and surprise of the original."--Thomas Moran "[T]he joys revealed in MY MOUNTAIN COUNTRY, which bring together a selection of poems from her three books, elegantly translated by Fiona Sze-Lorrain, suggest that for an acute observer of the natural world every hour, secret or not, may become an occasion for opening, 'in clarity,' to the beloved, to nature, to the invisible--leaves and roses and flowering trees that at a moment's notice may awaken in her soul, alerting her once again to the mysterious bounty of life on earth."--Christopher Merrill
In this inspirational romance, a single father gets a second chance to make things right in more ways than one. When he’s offered a job at Hunter’s Hideaway, single dad Cash Herrera immediately accepts. It means the former bad boy can start over and gain custody of his son, Joey. Still, small-town folk have long memories—especially Cash’s pretty childhood nemesis. Rio Hunter is now a lovely, courageous woman . . . and Cash’s new boss. Past betrayal makes them both wary, and Rio’s secret promise will soon take her away from Hunter Ridge. Yet working with Cash and teaching Joey about her beloved horses draw her closer to both. Can she create a loving family with the man who’s claiming her future?
His Hometown Romance After being jilted at the altar, the last place Denny Hunter wants to be is in his hometown. Yet he’s back in Hunter Ridge renovating a run-down old inn with the lovely Lillian Keene. He doesn’t know she’s a runaway bride—or that her niece has serious matchmaking plans. But in this Hearts of Hunter Ridge book, Denny and Lillian discover that the most important restoration starts with the heart.
Collection of essays written by Paul Schaefer between 1921 and 1932, reflecting his growing awareness of the mountain culture.
This controversial, eye-opening book by Elizabeth McGreevy suggests a different perception of Mountain Cedars (also called Ashe Junipers). It digs into the politics, history, economics, culture, and ecology surrounding these trees in the Hill Country of Texas from the 1700s to the present. Since the 1920s, reporters, writers, scientists, landowners, politicians, and cedar fever victims have characterized the trees as a non-native, water-hogging, grass-killing, toxic, useless species to justify its removal. The result has been a glut of Mountain Cedar tall tales. Yet before the 1890s, people highly respected Mountain Cedars. The Mountain Cedars they reported were large timber trees with strong, decay-resistant heartwood. Most were cut down and sold to boost the young Hill Country economy. The clearcutting of old-growth forests and dense woodlands and the continuous overgrazing of prairies that followed led to mass soil degradation and erosion. Acting as nature's bandage, Mountain Cedars morphed into pioneering bushes and spread across degraded soils. This book tracks down the origins of the tall tales to determine what is true, what is false, and what is somewhere in between. Through a series of revelations, the author replaces anti-cedar sentiments with a more constructive, less emotional approach to Hill Country land management.
Pastor Blackstone is once again on a spiritual journey to the subcontinent of India. His primary purpose for going is a three-week teaching ministry at Kerala Baptist Bible College, but his real reason for going is a secret missionary trip into northern India. As with his other books about India, experience the insight and inspiration Pastor Blackstone gets from a monsoon storm, a bed and breakfast in a cardamom forest, a woman beggar, a little girl named Nana, a prophet's chamber, a hike up Kerala's highest mountain, a chance to pick a pineapple, a lady riding a scooter sideways, a mountain goat, a flower that only blooms once every fourteen years, several elephant sightings, a new house church, an opportunity to teach five young students a Gospel song, American meals in India, a book about Israel bought from an Indian traveling bookseller, and a train ride into a remote mountain region filled with hidden dangers. Travel once again with Pastor Blackstone through the congested highways, smelly railways, narrow byways, and rural roadways of India to a far off and distant place the Bible calls "the uttermost part of the world."
The dramatic desert landscapes of the Big Bend country along the Texas-Mexico border reminded historian Walter Prescott Webb of "an earth-wreck in which a great section of country was shaken down, turned over, blown up, and set on fire." By contrast, naturalist Aldo Leopold considered the region a mountainous paradise in which even the wild Mexican parrots had no greater concern than "whether this new day which creeps slowly over the canyons is bluer or golder than its predecessors, or less so." Whether it impresses people as God's country or as the devil's playground, the Big Bend typically evokes strong responses from almost everyone who lives or visits there. In this anthology of nature writing, Barney Nelson gathers nearly sixty literary perspectives on the landscape and life of the Big Bend region, broadly defined as Trans-Pecos Texas and northern Chihuahua, Mexico. In addition to Leopold and Webb, the collection includes such well-known writers as Edward Abbey, Mary Austin, Roy Bedichek, and Frederick Olmsted, as well as a wide range of voices that includes explorers, trappers, cowboys, ranch wives, curanderos, college presidents, scientists, locals, tourists, historians, avisadores, and waitresses. Following a personal introduction by Barney Nelson, the pieces are grouped thematically to highlight the distinctive ways in which writers have responded to the Big Bend.