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White Like Her: My Family’s Story of Race and Racial Passing is the story of Gail Lukasik’s mother’s “passing,” Gail’s struggle with the shame of her mother’s choice, and her subsequent journey of self-discovery and redemption. In the historical context of the Jim Crow South, Gail explores her mother’s decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother’s fear and shame, Gail embarks on a quest to uncover her mother’s racial lineage, tracing her family back to eighteenth-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage. With a foreword written by Kenyatta Berry, host of PBS's Genealogy Roadshow, this unique and fascinating story of coming to terms with oneself breaks down barriers.
Set in the bucolic, yet brutal South of his youth, My Mother’s House is a memoir by novelist David Armand. It recounts the young author’s early memories of being born to a schizophrenic mother, then given up for adoption, only to be raised in a home with an alcoholic and abusive step-father. In this sharply-remembered portrait of the people and places that shaped him, Armand paints his seemingly negative experiences with a sympathetic and understanding brush. As the reader follows Armand through his childhood and later into adult life—when he is reunited with his mother after she makes a failed suicide attempt—a surprisingly new world of hope and possibility is rendered, despite the overwhelming challenges of this reunion. [Armand's] writing is reminiscent of Hemingway: straightforward descriptions of manly action punctuated by laconic dialogue."--New York Journal of Books "Armand writes in a comfortingly familiar literary voice that blends Ernest Hemingway’s laconic but rhythmically complicated explorations of the mysteries of masculinity with William Faulkner’s more fabulist, Southern Gothic twang. It’s a heady, seductively intoxicating combination."--Richmond Times-Dispatch
The award-winning New York Times bestseller about the American women who secretly served as codebreakers during World War II--a "prodigiously researched and engrossing" (New York Times) book that "shines a light on a hidden chapter of American history" (Denver Post). Recruited by the U.S. Army and Navy from small towns and elite colleges, more than ten thousand women served as codebreakers during World War II. While their brothers and boyfriends took up arms, these women moved to Washington and learned the meticulous work of code-breaking. Their efforts shortened the war, saved countless lives, and gave them access to careers previously denied to them. A strict vow of secrecy nearly erased their efforts from history; now, through dazzling research and interviews with surviving code girls, bestselling author Liza Mundy brings to life this riveting and vital story of American courage, service, and scientific accomplishment.
PUBLISHERS WEEKLY BESTSELLER 2022 NATIONAL INDIE EXCELLENCE AWARDS FINALIST — MEMOIR "Shot through with hope, purpose and an unflinching love, it's a story that must be read." —Newsweek "Essential, poignant, and insightful reading." —Kirkus Reviews, starred review Award-winning columnist and author David Magee addresses his poignant story to all those who will benefit from better understanding substance misuse so that his hard-earned wisdom can save others from the fate of his late son, William. The last time David Magee saw his son alive, William told him to write their family’s story in the hopes of helping others. Days later, David found William dead from an accidental drug overdose. Now, in a memoir suggestive of Augusten Burroughs meets Glennon Doyle, award-winning columnist and author David Magee answers his son's wish with a compelling, heartbreaking, and impossible to put down book that speaks to every individual and family. With honesty and heart, Magee shares his family’s intergenerational struggle with substance abuse and mental health issues, as well as his own reckoning with family secrets—confronting the dark truth about the adoptive parents who raised him and a decades-long search for identity. He wrestles with personal substance misuse that began at a young age and, as a father, he sees destructive patterns repeat and develop within his own children. While striving to find a truly authentic voice as a writer despite authoring nearly a dozen previous books, Magee ultimately understands that William had been right and their own family’s history is the story he needs to tell. A poignant and uplifting message of hope translates unimaginable tragedy into an inspirational commitment to saving others, as David founded the William Magee Institute for Student Wellbeing at the University of Mississippi. His mission to share solutions to self-medication and addiction, particularly as it touches America’s high school and college students, emphasizes that William’s story is about much more than a tragic addiction—it’s an American story of a family broken by loss and remade with love. Dear William inspires readers to find purpose, build resilience, and break the cycles that damage too many individuals and the people who love them. It’s a life-changing book revealing how voids can be filled, and peace—even profound, lasting happiness—is possible.
Set in the bucolic, yet brutal South of his youth, My Mother’s House is a memoir by novelist David Armand. It recounts the young author’s early memories of being born to a schizophrenic mother, then given up for adoption, only to be raised in a home with an alcoholic and abusive step-father. In this sharply-remembered portrait of the people and places that shaped him, Armand paints his seemingly negative experiences with a sympathetic and understanding brush. As the reader follows Armand through his childhood and later into adult life—when he is reunited with his mother after she makes a failed suicide attempt—a surprisingly new world of hope and possibility is rendered, despite the overwhelming challenges of this reunion. [Armand's] writing is reminiscent of Hemingway: straightforward descriptions of manly action punctuated by laconic dialogue."--New York Journal of Books "Armand writes in a comfortingly familiar literary voice that blends Ernest Hemingway’s laconic but rhythmically complicated explorations of the mysteries of masculinity with William Faulkner’s more fabulist, Southern Gothic twang. It’s a heady, seductively intoxicating combination."--Richmond Times-Dispatch
"Our lives will always be in the hands of our mothers, whether we like it or not." Nazia doesn't mind when her friends tease and call her a good beti, a dutiful daughter. Growing up in a working-class family in Karachi, Pakistan, Nazia knows that obedience is the least she can give to her mother, who has spent years saving and preparing for her dowry. But every daughter must grow up, and for fourteen-year-old Nazia that day arrives suddenly when her father gets into an accident at work, and her family finds themselves without money for rent or food. Being the beti that she is, Nazia drops out of school to help her mother clean houses, all the while wondering when she managed to lose control of her life that had been full of friends and school. Working as a maid is a shameful obligation that could be detrimental to her future -- after all, no one wants a housekeeper for a daughter-in-law. As Nazia finds herself growing up much too quickly, the lessons of hardship that seem unbearable turn out to be a lot more liberating than she ever imagined.
A thirty year veteran clinical psychologist describes in intimate detail how being the favorite child can confer both great advantages and significant emotional handicaps. Also illuminating for young parents seeking the best way to rear their children.
Documents the author's efforts to learn about his mother's life in the years after her death, a personal quest during which he rediscovered the Jewish immigrant Bronx of the 1930s and 1940s and his grandparent's impact on his mother's dreams to flee her home and acquire an education. By the author of Jew vs. Jew. Reprint. 20,000 first printing.
Tiger Ann Parker wants nothing more than to get out of the rural town of Saitter, Louisiana--far away from her mentally disabled mother, her "slow" father who can't read an electric bill, and her classmates who taunt her. So when Aunt Dorie Kay asks Tiger to sp the summer with her in Baton Rouge, Tiger can't wait to go. But before she leaves, the sudden revelation of a dark family secret prompts Tiger to make a decision that will ultimately change her life. Set in the South in the late 1950s, this coming-of-age novel explores a twelve-year-old girl's struggle to accept her grandmother's death, her mentally deficient parents, and the changing world around her. It is a novel filled with beautiful language and unforgettable characters, and the importance of family and home. My Louisiana Sky is a 1998 Boston Globe - Horn Book Award Honor Book for Fiction.
The Language of Mothers is a hybrid memoir grounded in the power of prose and poetry. It is an imaginative tapestry of women' s storytelling that punctures narrative craft to illuminate the inheritance of domestic trauma and the voicing of familial stories that are healing spaces that carry through time. The Language of Mothers is about two mothers caught in abusive relationships, impoverished with children, with few avenues of escape. These stories shed light on the culture of American motherhood as a failure for women, perpetuating a system of patriarchal ideals that only values the nuclear family as whole spaces of abundance, love, and worth. At nineteen, Rain Wright' s mother left Dronfield, England, traveling through Europe before landing in New York in the turbulent 1960s. Swept up in the changing societal wave, Elizabeth, her mother travels to California, where she meets her future abuser, Rain' s father. This memoir is the story of Elizabeth' s courageous escape with three young children, and it is the story of Rain' s escape decades later. The Language of Mothers navigates the inheritance of trauma, finding that storytelling and art, for both women, become the impetus for healing. Elizabeth packs her children' s belongings in black plastic bags and hides them in the brush along Elk Ridge Road, in California, making her daring escape with the help of friends and an ex-lover. She flies with her children across an ocean to the safety of Hawai?i, where she finds art, lomi lomi, music, and security. After Elizabeth' s passing from breast cancer in 1996, her stories, inherited from years of car rides around Hawai?i Island, are the language of mythmaking. The Language of Mothers is an intimate look at why women stay too long in abusive relationships and an act of defiance and regenerative love. Rain' s story is a tapestry of early childhood trauma as witness to her mother' s abuse, domestic terror at the hands of her children' s father, and her own escape narrative. The Language of Mothers deeply sees the aftereffects of domestic abuse, including her eldest daughter' s suicide attempts, her middle daughter' s strive for perfection, and her youngest daughter' s need for control through anorexia. Women' s stories can heal. Rain interweaves traumatic parts of her past but recounts acts of love, telling her daughters stories and becoming their storyteller.