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A smart comedy of manners, a satire on celebrity and a warning on the dangers of getting naked in Williamsburg. Jane Shore, flippant and world-weary heroine, lives in New York City, works in PR and is officially Ugly On The Inside. An unpromising encounter with a bitter stranger, who shouts at her, 'Did anyone ever tell you that you're ugly? Ugly on the inside,' sets the scene for the next few months of her life. As if Ugly On The Inside wasn't bad enough, Jane's being sidelined at work by the ambitious fashion-victim Lee Munroe; her West Village apartment's being sold; her cousin Frances is going out with her megalomaniac boss; and she's still single – the gorgeous Guy Weaver being taken already. Is it time for Jane to acknowledge that the Holy Trinity of job, house and man might not pan out quite how she expected? Is it time for her to accept Mr Not-quite-right, a Brooklyn postcode, and that she's reached the less-than-lofty ceiling of her PR career? Jane's search for love and success takes the reader on a madcap ride through the PR scene of hip-hopera and porn entrepreneurs, and the bars and clubs of Manhattan.
This collection is divided into three sections. The first opens with the speaker's reflections on her childhood loss of her father and subsequent move to a new house and a new life, a life in which she is always alert to the absences and danger but also a life in which she begins to see language as a kind of salvation. This section also develops the speaker's first knowledge of sex, primarily in the poems, "The Goose Girl" and "A Woman Was Raped Here." The second section follows the speaker into adolescence and young adulthood, and these poems further explore the sexual violence in the world in which the speaker lives, and how this violence affects her own feelings toward sex and romantic love. In the third section, the book finds love, work, and family, and the poems in this section about motherhood echo back to the first section as the speaker's own parenting is influenced by how difficult it is to love when you know people die.
My MotherÕs Funeral circles around the death of the authorÕs mother, but what also emerges is a landscape of personal loss and pain, of innocence, humor, violence and beauty. Drawing heavily upon her childhood experiences and Colombian heritage, P‡ramo describes the volatile bond linking mothers and daughters in a culture largely unknown to Americans. The book moves between past (Colombia in the 1940s) and present lives, and maps scenes both geographical (Bogot‡, Medell’n, Anchorage) as well as psychological--ultimately revealing the indomitable spirit of the women in her family. Especially from P‡ramoÕs mother the reader learns what it means to be a Colombian woman.
A deliciously idiosyncratic coming-of-age story that reads like "Auntie Mame"--Murray's winsome, affectionate memoir of being raised by his mother and her longtime lover, famed "New Yorker" journalist Janet Flanner. of photos.
Kate Spencer lost her mom to cancer when she was 27. In The Dead Moms Club, she walks readers through her experience of stumbling through grief and loss, and helps them to get through it, too. This isn't a weepy, sentimental story, but rather a frank, up-front look at what it means to go through gruesome grief and come out on the other side. An empathetic read, The Dead Moms Club covers how losing her mother changed nearly everything in her life: both men and women readers who have lost parents or experienced grief of this magnitude will be comforted and consoled. Spencer even concludes each chapter with a cheeky but useful tip for readers (like the "It's None of Your Business Card" to copy and hand out to nosy strangers asking about your passed loved one).
Through case studies and discussion, the author exposes that women's sense ofself-worth and entitlement to speak their needs, especially in relationships, is an area that feminism has ignored to its peril. (Women's Issues)
This book contains a collection of stories written by a group of friends who met during school and university days. Rarely celebrated, these short stories are about their mothers. While these women were from different backgrounds and some were born, or lived their early lives, in different countries, they shared some things in common. They were British by either birth or ancestry. They were middle class and they were young mothers during the latter part of World War 2, or shortly thereafter. They lived in Canberra during the ’50s, ’60s and ’70s – longer in some cases – and contributed to the social life of the growing city in a variety of ways.
209—the place that was full of good food, laughter, and lots of people. I wish I had listened better and asked more questions, but now they’re gone. My story is about my mothers. All four of them are strong, giving, and tenacious women. Can you imagine knowing you’re dying and asking your best friend to take your child without giving financial support? I was that child, and I thank God I was given to the right mothers.