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Every loss mama deserves to be reminded she is the mother of all mothers.
Lyric Stokes lives, by most standards, a charmed life. Married to Michael Stokes, a prominent heart surgeon, she has financial security and lives in the lap of luxury. All is not perfect, though. Lyric feels inadequate because she gave birth to a daughter, rather than the son that her husband so desperately wanted. After an unexpected turn of events, Lyric discovers that she's pregnant again, but now she has to decide whether she even wants to keep the child she has longed for. She seeks solace in her church, where her daughter also feels at home;but they can't get Michael to join them. Disagreeing with organized religion, he has put his job before all else, including God. The distance between the couple grows further every day. Nigel Fredericks has a history of stalking women. He's been accused, but never convicted. Now he's set his sights on Lyric. She's at a low point in her life, and Nigel knows just how to take advantage of that vulnerability. Lyric's life is turned upside down. Nigel is like a cancer eating away at her mental stability, her marriage, and ultimately, her life. Will Michael reevaluate his priorities and his faith in time to save his family?
Stanley traces women's inventions in five vital areas of technology worldwide--agriculture, medicine, reproduction, machines, and computers.
Anna Ornstein is a Holocaust survivor. After emigrating to the U.S., she seldom spoke of the experiences she suffered while a young girl. Twenty-five years ago, at the family Seder gathering, her family asked for a story from her past. In an evocative, understated passage, she shared a bit of the tragedy she saw through the eyes of a child. Every year she has added to this tradition by sharing another chapter of the tragedies she witnessed and the small moments of grace in her survival. Through her family's support, Orenstein gained enough strength to share her experiences in My Mother's Eyes, in hopes of keeping the nightmare from ever happening again.
A humorous debut crossover young adult novel about what happens when entering the "real world" means moving back in with your mother, inspired by actress and celebrity Autumn Chiklis' real life. Eloise “Lou” Hansen is graduating from Columbia University summa cum laude, and she's ready to conquer the world. Just a few minor problems: she has no job, no prospects, and she’s moving back into her childhood bedroom. Lou is grimly determined to stick to a rigorous schedule to get a job and get out of her parents’ house. Shelly “Mama Shell” Hansen, on the other hand, is ecstatic, and just as determined to keep her at home. Who else will help her hide her latest binge-shopping purchases from her husband, go to SoulCycle with her, and hold her hand during Botox shots? Smothered is a hilarious roman à clef told via journal entries, text messages, emails, bills, receipts, tweets, doctor’s prescriptions, job applications and rejections, parking tickets, and pug pictures, chronicling the year that Lou moves back home after college. Told from Lou’s point-of-view, Smothered tells the story of two young(ish) women, just trying to get it right, and learning that just because we all grow up doesn’t mean we necessarily have to grow old. (After all, what is Juvaderm for?)
"This book draws on extensive original fieldwork, anthropology, history and original Islamic sources to challenge the simplistic assumption that veiling is largely about modesty and seclusion, honor and shame."--BOOK JACKET.
If he had been with me everything would have been different... I wasn't with Finn on that August night. But I should've been. It was raining, of course. And he and Sylvie were arguing as he drove down the slick road. No one ever says what they were arguing about. Other people think it's not important. They do not know there is another story. The story that lurks between the facts. What they do not know—the cause of the argument—is crucial. So let me tell you...
Collection Thinking is a volume of essays that thinks across and beyond critical frameworks from library, archival, and museum studies to understand the meaning of "collection" as an entity and as an act. It offers new models for understanding how collections have been imagined and defined, assembled, created, and used as cultural phenomena. Featuring over 70 illustrations and 21 original chapters that explore cases from a wide range of fields, including library and archival studies, literary studies, art history, media studies, sound studies, folklore studies, game studies, and education, Collection Thinking builds on the important scholarly works produced on the topic of the archive over the past two decades and contributes to ongoing debates on the historical status of memory institutions. The volume illustrates how the concept of "collection" bridges these institutional and structural categories, and generates discussions of cultural activities involving artifactual arrangement, preservation, curation, and circulation in both the private and the public spheres. Edited and introduced collaboratively by three senior scholars with expertise in the fields of literature, art history, archives, and museums, Collection Thinking is designed to stimulate interdisciplinary reflection and conversation. This book will be of interest to scholars and practitioners interested in how we organize materials for research across disciplines of the humanities and social sciences. With case studies that range from collecting Barbie dolls to medieval embroideries, and with contributions from practitioners on record collecting, the creation of sub-culture archives, and collection as artistic practice, this volume will appeal to anyone who has ever wondered about why and how collections are made.