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Simple, yet informative text combines with extraordinary photographys, maps, animal facts and classification charts.
Biological science is explored by leading scientists and apologists through awe-inspiring illustrations
Whether she is writing about bats, bees, procupines, or wolves, contemplating the mysteries of caves, or delving into the traditions, beliefs, and myths of Native American cultures, Linda Hogan expresses a deep reverence for the dwelling we all share--the Earth. 16 line drawings.
The Oldest Living Things in the World is an epic journey through time and space. Over the past decade, artist Rachel Sussman has researched, worked with biologists, and traveled the world to photograph continuously living organisms that are 2,000 years old and older. Spanning from Antarctica to Greenland, the Mojave Desert to the Australian Outback, the result is a stunning and unique visual collection of ancient organisms unlike anything that has been created in the arts or sciences before, insightfully and accessibly narrated by Sussman along the way. Her work is both timeless and timely, and spans disciplines, continents, and millennia. It is underscored by an innate environmentalism and driven by Sussman’s relentless curiosity. She begins at “year zero,” and looks back from there, photographing the past in the present. These ancient individuals live on every continent and range from Greenlandic lichens that grow only one centimeter a century, to unique desert shrubs in Africa and South America, a predatory fungus in Oregon, Caribbean brain coral, to an 80,000-year-old colony of aspen in Utah. Sussman journeyed to Antarctica to photograph 5,500-year-old moss; Australia for stromatolites, primeval organisms tied to the oxygenation of the planet and the beginnings of life on Earth; and to Tasmania to capture a 43,600-year-old self-propagating shrub that’s the last individual of its kind. Her portraits reveal the living history of our planet—and what we stand to lose in the future. These ancient survivors have weathered millennia in some of the world’s most extreme environments, yet climate change and human encroachment have put many of them in danger. Two of her subjects have already met with untimely deaths by human hands. Alongside the photographs, Sussman relays fascinating – and sometimes harrowing – tales of her global adventures tracking down her subjects and shares insights from the scientists who research them. The oldest living things in the world are a record and celebration of the past, a call to action in the present, and a barometer of our future.
Ten prominent designers create objects using only sustainably grown and harvested materials Design for a Living World was developed by The Nature Conservancy, one of the world's leading conservation organizations, in order to raise global awareness about the impact and promise of sustainable sourcing. Ten prominent designers, including Kate Spade, Issac Mizrahi, Yves Béhar, Hella Jongerius and Ted Muehling were invited to create objects using only sustainably grown and harvested materials from some of the world's most beautiful and ecologically precarious places. Each of these landscapes supports its own distinct ecosystem and provides crucial livelihoods to local communities; each one is threatened by the effects of climate change and global economics--deforestation, overdevelopment and other destructive forces. Design for a Living World illuminates the complexity and vitality of raw materials at their source, including the people and cultures that actually produce them. The above designers were selected for their willingness to experiment and for their record of active engagement with issues of sustainability and social justice. In addition to presenting the designers' sketches, models and finished objects, Design for a Living World features original photographs by award-winning photojournalist Ami Vitale, who traveled around the world to document the many landscapes explored in this volume.
"Centers on what a number of British Victorian and Edwardian women said and did in the name of nature -- what part they played in the cultural reconstruction of nature that transpired in the years just proceeding the publication of Darwin's major work and in the wake of the Darwinian revolution"--Introduction.
Provides a simple explanation of the differences between things that are living and nonliving, and includes examples of each.
A biophysicist reveals the hidden unity behind nature’s breathtaking complexity The form and function of a sprinting cheetah are quite unlike those of a rooted tree. A human being is very different from a bacterium or a zebra. The living world is a realm of dazzling variety, yet a shared set of physical principles shapes the forms and behaviors of every creature in it. So Simple a Beginning shows how the emerging new science of biophysics is transforming our understanding of life on Earth and enabling potentially lifesaving but controversial technologies such as gene editing, artificial organ growth, and ecosystem engineering. Raghuveer Parthasarathy explains how four basic principles—self-assembly, regulatory circuits, predictable randomness, and scaling—shape the machinery of life on scales ranging from microscopic molecules to gigantic elephants. He describes how biophysics is helping to unlock the secrets of a host of natural phenomena, such as how your limbs know to form at the proper places, and why humans need lungs but ants do not. Parthasarathy explores how the cutting-edge biotechnologies of tomorrow could enable us to alter living things in ways both subtle and profound. Featuring dozens of original watercolors and drawings by the author, this sweeping tour of biophysics offers astonishing new perspectives on how the wonders of life can arise from so simple a beginning.
Jacob Klapwijk considers the stark choice many believers and non-believers face between religious notions concerning the origins of life and the contemporary findings of evolutionary science. He offers an alternative to both and an attempt to bridge the gap between them, via the idea of 'emergent evolution'.