Download Free My Life In Vaudeville Book in PDF and EPUB Free Download. You can read online My Life In Vaudeville and write the review.

An entertaining record of a life and a time Ed Lowry joined the vaudeville circuit in 1910 at the age of fourteen. He never achieved stardom equal to the likes of Fred Allen, Jack Benny, George Burns, Buster Keaton, or Eddie Cantor, and he never considered himself an “artiste.” Instead, he saw himself as a hoofer and comic simply trying to make a living on the vaude scene. My Life in Vaudeville recounts Lowry’s long career in entertainment from the viewpoint of a foot soldier with a big dream. Lowry’s story begins in the heyday of vaudeville in the early twentieth century and follows its gradual decline. Unlike many of his associates, he recognized that movies and other forms of entertainment were the future, and thus branched out into other venues. He took gigs in radio in Philadelphia, Newark, New York, and Los Angeles; explored revues, cabarets, burlesque, and film; and organized USO road shows. With wit and perception, he reveals his stage roots as an entertainer playing to his audience, and editor Paul M. Levitt’s introduction beautifully sets the stage for Lowry’s gags-to-riches tale, providing much-needed historical perspective. My Life in Vaudeville is an unpretentious record of a time when thousands of young people went into show business to escape the boredom of daily life, and Lowry’s story is a view of vaudeville not often encountered. Lowry does much more than recall the daily life of a working actor, musician, and comedian. His story brings vaudeville to life and places it within the larger narratives of popular culture and popular entertainment of the twentieth century.
In her day, Eva Tanguay (1879–1947) was one of the most famous women in America. Widely known as the "I Don't Care Girl"—named after a song she popularized and her independent, even brazen persona—Tanguay established herself as a vaudeville and musical comedy star in 1901 with the New York City premiere of the show My Lady—and never looked back. Tanguay was, at the height of a long career that stretched until the early 1930s, a trend-setting performer who embodied the emerging ideal of the bold and sexual female entertainer. Whether suggestively singing songs with titles like "It's All Been Done Before But Not the Way I Do It" and "Go As Far As You Like" or wearing a daring dress made of pennies, she was a precursor to subsequent generations of performers, from Mae West to Madonna and Lady Gaga, who have been both idolized and condemned for simultaneously displaying and playing with blatant displays of female sexuality. In Queen of Vaudeville, Andrew L. Erdman tells Eva Tanguay's remarkable life story with verve. Born into the family of a country doctor in rural Quebec and raised in a New England mill town, Tanguay found a home on the vaudeville stage. Erdman follows the course of her life as she amasses fame and wealth, marries (and divorces) twice, engages in affairs closely followed in the press, declares herself a Christian Scientist, becomes one of the first celebrities to get plastic surgery, loses her fortune following the Wall Street Crash of 1929, and receives her last notice, an obituary in Variety. The arc of Tanguay's career follows the history of American popular culture in the first half of the twentieth century. Tanguay's appeal, so dependent on her physical presence and personal charisma, did not come across in the new media of radio and motion pictures. With nineteen rare or previously unpublished images, Queen of Vaudeville is a dynamic portrait of a dazzling and unjustly forgotten show business star.
From 1881 to 1932, vaudeville was at the heart of show business in the UnitedStates. This volume explores the many ways in which vaudeville's story is thestory of show business in America.
Chronicles the life of vaudeville actor Henry Wood, and details his early life and experiences while performing in traveling medicine and tent shows in the early twentieth century. Includes black-and-white photographs.
Today, vaudeville is imagined as a parade of slapstick comedians, blackface shouters, coyly revealed knees, and second-rate acrobats. But vaudeville was also America's most popular commercial amusement from the mid-1890s to the First World War; at its peak, 5 million Americans attended vaudeville shows every week. Telling the story of this pioneering art form's rise and decline, David Monod looks through the apparent carnival of vaudeville performance and asks: what made the theater so popular and transformative? Although he acknowledges its quirkiness, Monod makes the case that vaudeville became so popular because it offered audiences a guide to a modern urban lifestyle. Vaudeville acts celebrated sharp city styles and denigrated old-fashioned habits, showcased new music and dance moves, and promulgated a deeply influential vernacular modernism. The variety show's off-the-rack trendiness perfectly suited an era when goods and services were becoming more affordable and the mass market promised to democratize style, offering a clear vision of how the quintessential twentieth-century citizen should look, talk, move, feel, and act.
"This book tells the stories of 80 women who were among the top vaudeville acts in the late 19th and early 20th century. The author summarizes the history of women in the performance industry and traces the lifespan of vaudeville. Biographies of the performers appear in order of the date they entered vaudeville"--Provided by publisher.
Take a journey back in time to an era when movie theatres were movie houses, jazz was king, and vaudeville was one of the premiere forms of entertainment. Lollipop is the late Reva Howitt Clar's memoirs of her colorful career with the legendary brother and sister producing team of Fanchon and Marco and the first inside account to give detailed insight into the workings of this famous pair. A first-hand chronicle of the weekly shows, rehearsals, costumes, publicity stunts, and backstage intrigues that typified any vaudeville performer, Lollipop sweeps the reader into the jazz age, when live stage show entertainment served as the West Coast's main link to the current music and dance trends in New York, detailing Clar's ten-year association with Fanchon and Marco from 1923-1933, first as a dancer, then as co-director of their dance school. The text also highlights the eventual fade of vaudeville from the entertainment circuit, caused by the Great Depression. Supplemented with historical tidbits and anecdotes from her daughter, Clar's memoir offers an intimate portrait of vaudeville life from the viewpoint of a non-headliner. This diverting and entertaining glimpse of a lost era in American culture is an enjoyable read for students of American popular culture, vaudeville, and theatre history.
"He ached to fly, She trained tirelessly for the stage. Part One of River of January examines the dizzying development of the twentieth century through the lives of Virginia farm boy, Montogmery "Chum" Chumbley in his quest to fly, and Helen Thompson, a glittering New York dancer who aspired to fame."