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This book reveals that daily German life under the Third Reich involved a complex mixture of bribery and terror; of fear and concessions; of barbarism and appeals to conventional moral values employed by the Nazis to maintain their grip on society. Eight leading historians present essays that shed fresh light on topics as familiar as the role of political violence in Nazi seizure of power and the German view of Hitler himself. It also focuses on lesser-known aspects of life in the Third Reich, such as village life, the treatment of "social outcasts," and the Germans' own retrospective view of this period of their history.
When advertising legend Jim Riswold is stricken with leukemia and prostate cancer, he quits the business that made him famous to become a “fake artist,” creating a controversial body of work with a controversial cast of characters, from Hitler to Mao to Kim Jong-Il. It was a decision that would save his life. Advertising legend Jim Riswold is a Big F****** Deal. Ask him, he’ll tell you. But when Riswold is stricken with leukemia and prostate cancer (a two-fer!), the freewheeling adman quits making commercials, and starts making art. But not just any art—Hitler art. Mussolini art. Stalin-in-a-bathtub art. This is not a sad cancer story. This is a molotov cocktail of raunch and heart and 18-gauge biopsy guns. This is a taboo-busting laugh riot, a raspberry blown straight at dying-guy preciousness and monsters of all kinds—cancer and world-historical bad guys included. Be warned—contents of this book include: One profanity-spiked TEDx talk. Several very public, full-frontal dick picks. Two adorable children. Something called “Interferon Family Fun Night.” Jim Riswold leading a crowd of people in a rousing rendition of “Happy Birthday” to his oncologist. Relentlessly funny, and scorchingly subversive, this is a bruised and bruising memoir—it is also tubed, scarred, stapled, and irradiated. But here’s the secret: Jim Riswold, enfant terrible, the man Charles Barkley once called “a role model for morons,” is kind of a sweetheart. The wise-guy posturing is just a cover for his pulpy heart. Another secret: This book isn’t about Hitler. It’s about the beautiful, stupid, gross, foolish, and fantastic things we’re willing to do for love and family and not-dying. It’s about a guy who, with due respect to Lou Gehrig, considers himself the luckiest man on the face of the earth. Really, Jim Riswold owes cancer a thank-you. Thanks to cancer, his tombstone will no longer read: Here Lies That Guy Who Did That “Bo Knows” Commercial. Now, it will say Here Lies the Guy Who Put Cancer in Its Place—and Mussolini on a Tricycle.
On January 30, 1933, hearing about the celebrations for Hitler’s assumption of power, Erich Ebermayer remarked bitterly in his diary, “We are the losers, definitely the losers.” Learning of the Nuremberg Laws in 1935, which made Jews non-citizens, he raged, “hate is sown a million-fold.” Yet in March 1938, he wept for joy at the Anschluss with Austria: “Not to want it just because it has been achieved by Hitler would be folly.” In a masterful work, Peter Fritzsche deciphers the puzzle of Nazism’s ideological grip. Its basic appeal lay in the Volksgemeinschaft—a “people’s community” that appealed to Germans to be part of a great project to redress the wrongs of the Versailles treaty, make the country strong and vital, and rid the body politic of unhealthy elements. The goal was to create a new national and racial self-consciousness among Germans. For Germany to live, others—especially Jews—had to die. Diaries and letters reveal Germans’ fears, desires, and reservations, while showing how Nazi concepts saturated everyday life. Fritzsche examines the efforts of Germans to adjust to new racial identities, to believe in the necessity of war, to accept the dynamic of unconditional destruction—in short, to become Nazis. Powerful and provocative, Life and Death in the Third Reich is a chilling portrait of how ideology takes hold.
'INSIDE THE THIRD REICH is not only the most significant personal German account to come out of the war but the most revealing document on the Hitler phenomenon yet written. It takes the reader inside Nazi Germany on four different levels: Hitler's inner circle, National Socialism as a whole, the area of wartime production and the inner struggle of Albert Speer. The author does not try to make excuses, even by implication, and is unrelenting toward himself and his associates... Speer's full-length portrait of Hitler has unnerving reality. The Fuhrer emerges as neither an incompetent nor a carpet-gnawing madman but as an evil genius of warped conceits endowed with an ineffable personal magic' NEW YORK TIMES
For Germans in the late 1920s and early 1930s, the allure of Adolf Hitler and the Nazi Party's promises for a better, brighter future promised so much. The reality was vastly different... Germany was a deeply divided nation when Adolf Hitler and the Nazi Party came to power in 1933. As the shadow of the swastika lengthened, its citizens quickly came to realize that the Nazis' brutal programme was not optional. Everyone was expected to play their part in "national revival", especially those chosen as sacrificial victims. Much has been written about daily life during World War II from the perspective of the Allied nations, but little about life in Germany during the Third Reich. With the benefit of hindsight, questions have been raised as to why a civilized, cultured nation stood by and let the Nazi Party impose their rule in such inhumane fashion, and why so few individuals made any attempt to rebel. Life in the Third Reich draws on the recollections of those who actually experienced the rise and fall of this brutal and vicious regime: from the indoctrination of children to the disappearance of family, friends and neighbours and the effect of Kinder, Küche und Kirche [Children, Kitchen and Church] on the female population, to the defiance of the 'swing kids' and the resulting deprivation of the Nazi policy of 'Guns, not butter'. These are the stories of ordinary Germans caught up in an extraordinary time.
“A dense and scholarly book about . . . the relationship between the Nazi party and the occult . . . reveals stranger-than-fiction truths on every page.”—Daily Telegraph The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler’s personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich’s relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire. “[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media.”—The Washington Post “Deeply researched, convincingly authenticated, this extraordinary study of the magical and supernatural at the highest levels of Nazi Germany will astonish.”—The Spectator “A trustworthy [book] on an extraordinary subject.”—The Times “A fascinating look at a little-understood aspect of fascism.”—Kirkus Reviews “Kurlander provides a careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits.”—National Review
“Riveting…An elegantly composed study, important and even timely” (Kirkus Reviews, starred review) history of the Third Reich—how Adolf Hitler and a core group of Nazis rose from obscurity to power and plunged the world into World War II. In “the new definitive volume on the subject” (Houston Press), Thomas Childers shows how the young Hitler became passionately political and anti-Semitic as he lived on the margins of society. Fueled by outrage at the punitive terms imposed on Germany by the Versailles Treaty, he found his voice and drew a loyal following. As his views developed, Hitler attracted like-minded colleagues who formed the nucleus of the nascent Nazi party. Between 1924 and 1929, Hitler and his party languished in obscurity on the radical fringes of German politics, but the onset of the Great Depression gave them the opportunity to move into the mainstream. Hitler blamed Germany’s misery on the victorious allies, the Marxists, the Jews, and big business—and the political parties that represented them. By 1932 the Nazis had become the largest political party in Germany, and within six months they transformed a dysfunctional democracy into a totalitarian state and began the inexorable march to World War II and the Holocaust. It is these fraught times that Childers brings to life: the Nazis’ unlikely rise and how they consolidated their power once they achieved it. Based in part on German documents seldom used by previous historians, The Third Reich is a “powerful…reminder of what happens when power goes unchecked” (San Francisco Book Review). This is the most comprehensive and readable one-volume history of Nazi Germany since the classic The Rise and Fall of the Third Reich.
A collection of 126 items from source materials (documents, excerpts from books, etc.), dealing with various aspects of the history of Nazi Germany, with essays and comments by the editors. Pp. 185-188 survey Nazi racist ideology. In reference to the Jews, see especially ch. 13 (pp. 397-425), "The Solutions to the 'Jewish Problem', 1933-1941" (items 94-102) and ch. 14 (pp. 427-455), "The Death Camps, 1941-1945" (items 103-106).
Seventy years after its demise, historian Richard J. Evans charts the ways our understanding of the Third Reich has changed.
Travelers in the Third Reich is an extraordinary history of the rise of the Nazis based on fascinating first-hand accounts, drawing together a multitude of voices and stories, including politicians, musicians, diplomats, schoolchildren, communists, scholars, athletes, poets, fascists, artists, tourists, and even celebrities like Charles Lindbergh and Samuel Beckett. Their experiences create a remarkable three-dimensional picture of Germany under Hitler—one so palpable that the reader will feel, hear, even breathe the atmosphere.These are the accidental eyewitnesses to history. Disturbing, absurd, moving, and ranging from the deeply trivial to the deeply tragic, their tales give a fresh insight into the complexities of the Third Reich, its paradoxes, and its ultimate destruction.