Download Free My Last Writes Book in PDF and EPUB Free Download. You can read online My Last Writes and write the review.

Wisecracking pen-for-hire Jaine Austen is back--and she's about to discover that working on the set of a Hollywood sitcom is no laughing matter. . . Jaine still hasn't found a good man--or a way to keep all those sugary snacks from going straight to her hips. But--with a little help from her best friend Kandi--she's finally landed a gig as a sitcom writer! True, Muffy 'n Me (aka "Bewitched with Tits") isn't going to win any Emmys. And her office at Miracle Studios needs a little sprucing up, and a few dozen rat traps. But it sure beats writing boring brochures and bad resumes, so Jaine's not complaining. Until the plot thickens--with murder. . . Jaine figures the trouble all started when Muffy 'n Me's hottest star, gorgeous Quinn Kirkland, seduced the head writer--whose husband also works on the show. But when Quinn's caught in bed with the barely-legal actress who plays his niece, things really heat up--and his many jealous girlfriends start to figure things out. . . So when the no-good heartthrob drops dead after nibbling a poisoned doughnut, Jaine isn't terribly surprised. But who could have done it? A competitive co-star and a couple of scorned lovers top Jaine's list of suspects, but the police have zeroed in on her man-crazy pal Kandi. She fell hard for Quinn--and nearly fell apart when she learned of all his other women. Now Jaine has to figure out who finally stopped Quinn's cheatin' heart--before her best friend ends up behind bars. . .
Betty Frankel Kirschner succumbed to emphysema one day in June. She had been a long-term professor at Kent State University, founding member of the feminist caucus in sociology, a political activist, a chain smoker. Close friend Laurel Richardson, a key figure in literary turn in ethnographic writing, kept a daybook, relating their conversations and interactions over Betty’s last few months. Rich in memory, emotion, dreams, and life-and-death decisions, the daybook chronicles the ups and down of a terminally ill woman and the impact that illness has on friends, colleagues, and family alike. Richardson also grapples with the ethics of writing deeply personal narratives. Part memoir, part sociological analysis, part eulogy to a departed friend, Richardson opens a poignant window into living an academic life, and ending it.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Claudia's friend Kelly learns that she's an aunt when her estranged half-sister Erin shows up in desperate need of help. Erin and her husband have been living as member of The Temple of Brighter Light in an isolated compound. Now Erin's husband and child have disappeared, leaving behind a cryptic note. Using her skills as a forensic handwriting expert, Claudia gains entry to the compound. She has only days to uncover the truth about Kelly's missing niece before a child's life is written off for good...
The author, a computer science professor diagnosed with terminal cancer, explores his life, the lessons that he has learned, how he has worked to achieve his childhood dreams, and the effect of his diagnosis on him and his family.
We wrote this outline so you can write your story. It is difficult for many people to discuss the logistics associated with dying. It is sometimes challenging for people to articulate thoughts and memories which have defined their life. The sheer overwhelming nature of grief can make it hard for those left behind to navigate the aftermath of a loved one passing on. This book has been designed to facilitate people being able to clearly set out what should happen after they die. And what they think about life. And anything else they happen to want to say.The sections include: The immediate aftermath; My life and legacy; Treasured memories, Thanks and Things; Nuts and bolts; Notes, quotes and thoughts.The purpose of the book is to prompt people to leave a blueprint for their relatives. But it does more than that. It invites each writer to share with people who will have access to the book, additional insights into their life. Those who were loved, reflections on achievements and challenges, and observations on issues of consequence and importance. The book can be as detailed or as broad as the writer dictates. It can be as intimate or general as suits its author. It can be as serious or funny according to the personality of the individual in control of this intimate literary journey.This book is not a legal document and doesn't take the place of a will.
A New York Times bestseller! A New York Times Book Review Notable Book of 2017 A dual biography of Winston Churchill and George Orwell, who preserved democracy from the threats of authoritarianism, from the left and right alike. Both George Orwell and Winston Churchill came close to death in the mid-1930's—Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and in deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then they acted on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West's compass set toward freedom as its due north. It's not easy to recall now how lonely a position both men once occupied. By the late 1930's, democracy was discredited in many circles, and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini "men we could do business with," if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign, but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom—that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted. In the end, Churchill and Orwell proved their age's necessary men. The glorious climax of Churchill and Orwell is the work they both did in the decade of the 1940's to triumph over freedom's enemies. And though Churchill played the larger role in the defeat of Hitler and the Axis, Orwell's reckoning with the menace of authoritarian rule in Animal Farm and 1984 would define the stakes of the Cold War for its 50-year course, and continues to give inspiration to fighters for freedom to this day. Taken together, in Thomas E. Ricks's masterful hands, their lives are a beautiful testament to the power of moral conviction, and to the courage it can take to stay true to it, through thick and thin. Churchill and Orwell is a perfect gift for the holidays!
The first novel-writing guide from the best-selling Save the Cat! story-structure series, which reveals the 15 essential plot points needed to make any novel a success. Novelist Jessica Brody presents a comprehensive story-structure guide for novelists that applies the famed Save the Cat! screenwriting methodology to the world of novel writing. Revealing the 15 "beats" (plot points) that comprise a successful story--from the opening image to the finale--this book lays out the Ten Story Genres (Monster in the House; Whydunit; Dude with a Problem) alongside quirky, original insights (Save the Cat; Shard of Glass) to help novelists craft a plot that will captivate--and a novel that will sell.
This ultimate insider's guide reveals the secrets that none dare admit, told by a show biz veteran who's proven that you can sell your script if you can save the cat!
John Steinbeck wrote The Grapes of Wrath during an astonishing burst of activity between June and October of 1938. Throughout the time he was creating his greatest work, Steinbeck faithfully kept a journal revealing his arduous journey toward its completion. The journal, like the novel it chronicles, tells a tale of dramatic proportions—of dogged determination and inspiration, yet also of paranoia, self-doubt, and obstacles. It records in intimate detail the conception and genesis of The Grapes of Wrath and its huge though controversial success. It is a unique and penetrating portrait of an emblematic American writer creating an essential American masterpiece.