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When the author created this fantasy world, he had no idea that fairy magic could make it real... or that he'd no longer be in control. Author Lewis Liddell had run into problems with his Demonrayne fantasy series with each new volume selling worse than its predecessor. His editor was on his case to rewrite volume four when, in a redux of what had triggered him to write that original series, he had another dream, this time about a fantasy world that was radically different from anything other authors were doing. His editor was negative on starting something new before he'd finished volume four, but he felt a powerful muse to continue down this path. The last thing he expected was for a fairy named Fae Rae to disappear from his story and appear in his study right as he was concluding a chapter. And for her to take charge. He'd never confused his fictional life with the real one. Now they were both the same. Set in the same universe as Fairy Tale, Bad Fairy, Spelter Skelter, Powers That Be, and She-Male, this story continues to build worlds of magical wonder.
The future. The past. It's all relevant. At least, when you can remember it. Elemental Mythicals book 1 I, unfortunately, can't remember anything about my life before three years ago. Especially not these big men, like this guy Richard, who seems to know me very well. (And ho-boy does he make my motor run). I might have stayed away and avoided him. At least, until me and my sister needed help. Now the past I can't remember may be the only way I have to save her. Because if what they're saying is true, then I'm a time traveler, and I may have to figure it out if I'm going to save my sister. While a standalone, it does take place in the Mythical Knights/Vampire Mythicals world.
Trans-Allegheny Pioneers is, without a doubt, one of the most celebrated accounts of life on the Virginia frontier ever written. The author's focal point is the region of the New River-Kanawha in present-day Montgomery and Pulaski counties, Virginia. This is essential reading for anyone interested in frontier history or the genealogies of mid-18th century families who resided in the Valley of Virginia.
When your stories flow from the brackish waters of the Gulf South, where the land and water merge, your narratives cannot be contained or constrained by the Eurocentric conventions of autobiography. When your story is rooted in the histories of your West African, Creek, and Creole ancestors, as well as your Black, feminist, and queer communities, you must create a biomythography that transcends linear time and extends beyond the pages of a book. Biomythography Bayou is more than just a book of memoir; it is a ritual for conjuring queer embodied knowledges and decolonial perspectives. Blending a rich gumbo of genres—from ingredients such as praise songs, folk tales, recipes, incantations, and invocations—it also includes a multimedia component, with “bayou tableau” images and audio recording links. Inspired by such writers as Audre Lorde, Zora Neale Hurston, and Octavia Butler, Mel Michelle Lewis draws from the well of her ancestors in order to chart a course toward healing Afrofutures. Showcasing the nature, folklore, dialect, foodways, music, and art of the Gulf’s coastal communities, Lewis finds poetic ways to celebrate their power and wisdom.
My name is Addie and I am the daughter of Queen Elizabeth Henderson, and my mother have ten (10) children that she raise under a very racial white conditions in Memphis Tennessee. So I ran away from the South to the North as a young girl because I wanted my freedom and rights to make my own choices. But when I return back to Memphis Tennessee I brought back with me a ferocity that is unmatched in my family. See my story is a true story about my Negro family in the South. Because I have grow past this slavery and racial white conditions that I was born under in Mississippi at my time of birth, and now I have produce life myself as a Creator on earth, and some of the white peoples have change in the South a lot by initial conditions.
"The Cable Game" by Stanley Washburn. Published by Good Press. Good Press publishes a wide range of titles that encompasses every genre. From well-known classics & literary fiction and non-fiction to forgotten−or yet undiscovered gems−of world literature, we issue the books that need to be read. Each Good Press edition has been meticulously edited and formatted to boost readability for all e-readers and devices. Our goal is to produce eBooks that are user-friendly and accessible to everyone in a high-quality digital format.
In this provocative new novel, the author of Root, Petal, Thorn offers a powerful story of resilience, hope, and the secrets that, no matter how deeply hidden, can shape and ultimately unite a family. What connects us to one another? Is it shared history? Is it ancestry? Is it blood? Or is it love? People respond to tragedy in different ways. Some try to move on. Some don’t move at all. A year after her young son’s death due to a rare genetic disease, Emma Hazelton is still frozen by grief, unable and unwilling to consider her husband Noah’s suggestion that they try to have another child. As the future Emma once imagined crumbles, her family’s past comes into sharp relief. Searching for the roots of her son’s disease, Emma tries to fit together the pieces in her genealogical puzzle. Hidden within an old wedding photograph of her great-grandparents is an unusual truth Emma never guessed at—a window into all the ways that love can be surprising, generous, and fiercely brave . . . and a discovery that may help her find her own way forward at last. Praise for Root, Petal, Thorn “Root, Petal, Thorn mixes history and genealogy into a believable novel.” —RT Book Reviews, 4.5 Stars Top Pick “Olsen’s ambitious debut is full of heart and hope.” —Lynda Cohen Loigman, author of The Two-Family Home “Five women. Five complicated lives. One house where they all live over a period of one hundred years. In this story, the walls talk. Wonderful, compelling saga!” —Cathy Lamb, author of My Very Best Friend and The Language of Sisters