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A young European, chancing to ride on one of Prince Majid's horses by the estate of Amer, one afternoon, casually obtained a glance at the sweet face of Amina, which made such an impression on his mind that he continually dwelt upon it as on a happy dream. Some of this young European's phrases deserve to be repeated in justice to the Arab lady whom he so admired. "She was the most beautiful woman my eyes ever rested upon. I felt a shock of admiration as I caught that one short view of her face. I felt a keen regret that I could see no more of the exquisite features of her extraordinary face.
A reprint of the novel by Henry Stanley regarding an African prince pressed into slavery. Based on observations made during his historic search for Livingstone.
My Kalulu, Prince, King and Slave: A Story of Central Africa, a classical book, has been considered important throughout the human history, and so that this work is never forgotten we at Alpha Editions have made efforts in its preservation by republishing this book in a modern format for present and future generations. This whole book has been reformatted, retyped and designed. These books are not made of scanned copies of their original work and hence the text is clear and readable.
Excerpt from My Kalulu, Prince, King, and Slave: A Story of Central Africa I had in view, when I wrote this book, the idea that I might be able to describe more vividly in such a book as this than in any other way the evils of the slave trade in Africa - how it begins, how it is conducted, and how it sometimes ends. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.