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George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Wayne Koestenbaum returns with a zesty and hyper-literate collection of personal and critical essays on the 1980s, including essays on major cultural figures such as Andy Warhol and Brigitte Bardot. Wayne Koestenbaum has been described as "an impossible lovechild from a late-night, drunken three-way between Joan Didion, Roland Barthes, and Susan Sontag" (Bidoun). In My 1980s and Other Essays, a collection of extravagant range and style, he rises to the challenge of that improbable description. My 1980s and Other Essays opens with a series of manifestos—or, perhaps more appropriately, a series of impassioned disclosures, intellectual and personal. It then proceeds to wrestle with a series of major cultural figures, the author's own lodestars and lodestones: literary (John Ashbery, Roberto Bolaño, James Schuyler), artistic (Diane Arbus, Cindy Sherman, Andy Warhol), and simply iconic (Brigitte Bardot, Cary Grant, Lana Turner). And then there is the personal—the voice, the style, the flair—that is unquestionably Koestenbaum. It amounts to a kind of intellectual autobiography that culminates in a string of passionate calls to creativity; arguments in favor of detail and nuance, and attention; a defense of pleasure, hunger, and desire in culture and experience. Koestenbaum is perched on the cusp of being a true public intellectual—his venues are more mainstream than academic, his style is eye-catching, his prose unfailingly witty and passionate, his interests profoundly wide-ranging and popular. My 1980s should be the book that pushes Koestenbaum off that cusp and truly into the public eye.
There are; however; some facts in explanation of the appearance of this volume at this time which require to be set down. And a number of circumstances in relation to the material here collected may be told; I think; to general interest. With these matters I am probably as familiar as anyone; and so have the great privilege of undertaking to record them. The ten highly humorous and altogether charming essays which form the first part of this volume have led a rather queer life so far—though I think their existence will be a very happy one from now on. First; they were not "essays" at the time of their birth. They came into the world as "articles." So they were spoken of by the young journalist who at various times and with very little to do about the matter wrote them in the course of a bewildering variety of other activities. Or; to be still more frank; he was perhaps more apt to refer to them; when he did refer to them at all; as "Sunday stories;" done as a part of his job with the New York Times Sunday Magazine. What they were called; however; is neither here nor there. The thing is that they are here. —from this book The Circus, and Other Essays and Fugitive Pieces by Joyce Kilmer: Delve into a collection of enchanting essays and fugitive pieces in "The Circus." Joyce Kilmer's essays provide readers with glimpses of everyday life, reflecting on nature, art, and the beauty of the world around us. The book celebrates Kilmer's poetic sensibility and contemplative observations, inviting readers to find moments of wonder and inspiration in the ordinary and extraordinary aspects of existence. Key Aspects of the Book "The Circus, and Other Essays and Fugitive Pieces": Appreciation of Nature: Kilmer's essays celebrate the beauty of nature, encouraging readers to cherish the natural world and its wonders. Poetic Reflections: The book exhibits Kilmer's poetic prose, imbuing the essays with a lyrical quality that enriches the reading experience. Observations on Life: "The Circus" offers insightful observations on various aspects of life, inviting readers to contemplate the profound in the ordinary. Joyce Kilmer was an American writer and poet known for his verse and essays that celebrated the beauty of nature and the joys of life. In "The Circus, and Other Essays and Fugitive Pieces," Kilmer's literary talents shine, leaving readers with a sense of wonder and appreciation for the world around them.
In these nine intensely compelling essays, with a new preface, bestselling author Tom McGuane shares remarkable stories of the exceptional horses and horsemen he has known as he learned roping, cutting, dallying, and ultimately trust. He addresses the special and profound relationship between humans and horses: what horses reveal about us, what we can learn from them, what they learn from us, and the symbiosis that results from a perfect match. The relationship between rider and horse runs deeper than any show or job, and McGuane’s work with both animals and humans over the years provides a rich and nuanced depth of understanding about every level of the bond that he explores in his elegant, award-winning prose.
GaWaNi Pony Boy's unique approach to horses is captured in these five books from BowTie Press. GaWaNi Pony Boy is the founder and president of lyuptala University (lyuptala means "one-with" in Lakota), and online college that allows horse lovers to expand their knowledge of these magnificent animals. He regularly writes for equine publications throughout the United States and Europe.
Christians willing to look with honest eyes at challenges we face as believers in corporate church life today will find an advocate here. We are faithful people attending Bible-believing churches, yet there is a disconnect between wanting to please the Lord and achieving full stature in the body of Christ through the church. Excellent intentions fail to materialize into spiritual development. Our efforts sputter into lackluster Christian experiences, a far cry from the abundant life we were promised. Doing more or trying harder to reach goals is not the answer. Goals must be re-examined in light of scripture. Confounding bigger with better, casting a blind eye to the schism between Evangelicals and Pentecostals, settling for less, tolerating toxic doctrines that misrepresent the heart of God to the people, subsisting on spiritual junk food -- whatever erosion and error we permit will define the ultimate quality of our lives in Christ. Carol Demong (as Carol Nelson) has published a young adult Christian novel through David C. Cook, and has published numerous articles when she worked as a staff writer for Bridge Magazine, an Oregon-based Christian periodical. She has an M.A. in English literature and curriculum, and has taught writing and literary analysis in a variety of contexts. Since her recent retirement from the University of California at San Diego, she has begun writing full-time. In addition to the essays presented here and the articles and novel mentioned above, she has written Bible curriculum for women's studies, as well as short stories, poetry and other essays. She is a member of the San Diego Christian Writer's Guild. She lives with her husband and grandson in the vicinity of her extended family in Southern California. Other interests include playing the piano, research, and cooking.