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Butcher is a book about love & loss -- about being unapologetic and transparent in grief. Natasha finds an unexpected solace in the kitchen after losing her best friend and brother, Marcus. Here, using the cuts of the cow as a metaphor Miller, explores addiction, family & tragedy. Butcher takes the body of a cow and cleaves it into 5 parts: envisioning the cuts as relationship with family members and social forces. Her Mother the rib, her Brother the brisket, her queerness as the tongue and cheek.. Butcher is raw and tender. It’s a book that tells the story of a woman who redefined success after losing the most valuable thing to her.
Toni At thirty-three, I was hopelessly in love with my best friend and roommate, Aisling Butcher. She was everything I wanted but could never have because I wouldn’t break that barrier. My fear of losing her was too much to transcend. That didn’t mean I didn’t live for every adoring expression when she looked at me. Yet how much longer could I remain strong before I revealed my secret? Butcher My baby sister’s best friend, Toni, was flawless. She was everything I’d always wanted but knew I couldn’t possess. She was always my Babygirl. Her happiness and safety my only concern in life. That’s why I wouldn’t make my feelings known. I wasn’t good enough. I wouldn’t let my demons touch her perfection. But when teasing kisses turn to more, am I brave enough to claim what’s mine?
The Russian Revolution is in full swing when ten year old Mikhail loses his family and has to take to the road to get away from the guns. He feels that the death-marchers he walks with are doomed so breaks away from their line to look for shelter. Farmers Ivan and Anna find him and let him live with them to work their farm. He grows into manhood and falls in love with Anna. He suffers through years of brutality from Ivan and knows they must one day come to blows. There is a fight and Mikhail kills the old man and runs for his life again. There is an old fable about a butcher whose dog is killed because the villagers thought he was keeping food from them. Ivan is left lying in a clearing in the woods just like the butcher's dog. Mikhail finally arrives in Canada with another young boy, Andy, and learns the ropes in Fort William as a docker. He and Andy get to Victoria and fall in love with the sea. Mikhail marries into money and buys a boat to start running liquor into the states because of prohibition and the temptation of larger profits. He's wealthy but not truly happy. He never stops trying to find Anna, his first and only love.
London, summer 1763.At nineteen, Anne Jacob is awakened to the possibility of joy when she meets Fub, the butcher's apprentice, and begins to imagine a life of passion with him. The only daughter of well-to-do parents, Anne lives a sheltered life. Her home is a miserable place. Though her family want for nothing, her father in uncaring, her mother is ailing, and the baby brother who taught her to love is dead.Unfortunately her parents have already chosen a more suitable husband for her than Fub. But Anne is a determined young woman, with an idiosyncratic moral compass. In the matter of pursuing her own happiness, she shows no fear or hesitation. Even if it means getting a little blood on her hands.A vivid and surprising tale, The Butcher's Hook brims with the color and atmosphere of Georgian London, as seen through the eyes of a strange and memorable young woman.
Summer, sweltering, 1996. A book warehouse in western Massachusetts. A man at the beginning of his adult life -- and the end of his career rope -- becomes involved with a woman, a language, and a great lie that will define his future. Most auspiciously of all, he runs across Itsik Malpesh, a ninetysomething Russian immigrant who claims to be the last Yiddish poet in America. When a set of accounting ledgers in which Malpesh has written his memoirs surfaces -- twenty-two volumes brimming with adventure, drama, deception, passion, and wit -- the young man is compelled to translate them, telling Malpesh's story as his own life unfolds, and bringing together two paths that coincide in shocking and unexpected ways. Moving from revolutionary Russia to New York's Depression-era Lower East Side to millennium's-end Baltimore with drama, adventure, and boisterous, feisty charm to spare, the unpeeling of this friendship is a story of the entire twentieth century. For fans of Nicole Krauss, Nathan Englander, Richard Powers, Amy Bloom, and Lore Segal, this book will amaze at every turn: narrated by two poets (one who doesn't know he is and one who doesn't know he isn't), it is a wise and warm look at the constant surprises and ineluctable ravages of time. It's a book about religion, love, and typesetting -- how one passion can be used to goad and thwart the other -- and most of all, about how faith in the power of words can survive even the death of a language. A novel of faith lost and hope found in translation, Songs for the Butcher's Daughter is at once an immigrant's epic saga, a love story for the ages, a Yiddish-inflected laughing-through-tears tour of world history for Jews and Gentiles alike, and a testament to Manseau's ambitious genius.
In a Welsh seaside town known as Suicide Bay, a young woman just released from an asylum is unsure if she can trust anyone—including herself . . . When Natalie Powers returns home for the first time in thirteen years, she must convince everyone she has fully recovered from the mental illness that’s seen her institutionalized for most of her young life. But instead of being welcomed back, Natalie enters a baffling world of deception. She must fight her way through the lies in order to discover the truth about her mother’s sudden disappearance sixteen years earlier. To do this, Natalie must also try to make sense of the hazy memories from the past that continue to haunt her. In the village of Little Downey, where a series of cliff-top suicides have caused a decline in tourism, everybody appears to harbor a secret—including her father, the village butcher, who refuses to discuss the subject. But who can Natalie trust if not her own father? Especially when it becomes clear her protector and confidant, Dr. Moses, is not all he appears? Natalie only hopes she can uncover the truth before her own frailty and self-doubt catapults her back into the institution—in this atmospheric psychological thriller from the author of The Crying Boy and The Long Weekend.
A woman in Tudor England fends for herself after Henry VIII closes her abbey in this historical novel perfect for fans of Wolf Hall and Philippa Gregory. In 1535, England is hardly a wellspring of gender equality; it is a grim and oppressive age where women―even the privileged few who can read and write―have little independence. In The Butcher’s Daughter, it is this milieu that mandates Agnes Peppin, daughter of a simple country butcher, to leave her family home in disgrace and live out her days cloistered behind the walls of the Shaftesbury Abbey. But with her great intellect, she becomes the assistant to the Abbess and as a result integrates herself into the unstable royal landscape of King Henry VIII. As Agnes grapples with the complex rules and hierarchies of her new life, King Henry VIII has proclaimed himself the new head of the Church. Religious houses are being formally subjugated, monasteries dissolved, and the great Abbey is no exception to the purge. The cosseted world in which Agnes has carved out for herself a sliver of liberty is shattered. Now, free at last to be the master of her own fate, she descends into a world she knows little about, using her wits and testing her moral convictions against her need to survive by any means necessary . . . The Butcher’s Daughter is the riveting story of a young woman facing head-on the obstacles carefully constructed against her sex. This dark and affecting novel by award-winning author Victoria Glendinning intricately depicts the lives of women in the sixteenth century in a world dominated by men. “A fresh perspective [of the Tudor Era]. . . . Glendinning’s research convincingly depicts the bustling and frequently ruthless world of Henry VIII’s England.” —Library Journal “Psychologically astute . . . and evincing deep knowledge of Tudor-era society. Glendinning thoughtfully explores womanhood’s many facets.” —Booklist “Unabashedly feminist . . . elegant, intelligent, compulsively entertaining. . . . [The Butcher’s Daughter] demonstrates the power of individuals with inner strength and determination to work for change when able to choose a life of their own design.” —Foreword Reviews (starred review)
In the fantastic tradition of Borges, Bruno Schulz, Angela Carter, and H. P. Lovecraft, here are nearly sixty unforgettable stories that ignore the confines of space and time to offer, among other times and places: a cabinet of curiosities in contemporary Cairo, an alvhemical ceiling in 18th-century Naples, the hallucinatory inner worlds of psychotics, anthropomorphic planets, and an Old West ruled by necromancy.This expanded, revised edition collects the complete short stories of one of the most immaginative writers of our time.
In an age ruled by iron men, in a world of new discovery and Spanish gold, a young Irishwoman named Mary rises from the ashes of her broken childhood with ships and men-at-arms under her command. She and her loyal crew prowl the Caribbean and prosper in the New World for a time until the ugly past Mary has fled from in the old one finds her. Across the great ocean to the east, war is coming. The King of Spain is assembling the most powerful armada the world has ever seen - an enormous beast - to invade England and depose the “heretic” Protestant queen. To have any chance against the wealth and might of Spain, England will need every warship, she will need every able captain. To this purpose, Queen Elizabeth spares Mary from the headman’s axe for past sins in exchange for her loyalty, her ships and fighting men. Based on true historical events, this is an epic story about war, adventure, love and betrayal. This is a timeless story about vengeance. This is a tale of heartbreak…