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Reviewing her novel, The Line of the Sun, the New York Times Book Review hailed Judith Ortiz Cofer as "a writer of authentic gifts, with a genuine and important story to tell." Those gifts are on abundant display in The Latin Deli, an evocative collection of poetry, personal essays, and short fiction in which the dominant subject—the lives of Puerto Ricans in a New Jersey barrio—is drawn from the author's own childhood. Following the directive of Emily Dickinson to "tell all the Truth but tell it slant," Cofer approaches her material from a variety of angles. An acute yearning for a distant homeland is the poignant theme of the title poem, which opens the collection. Cofer's lines introduce us "to a woman of no-age" presiding over a small store whose wares—Bustelo coffee, jamon y queso, "green plantains hanging in stalks like votive offerings"—must satisfy, however imperfectly, the needs and hungers of those who have left the islands for the urban Northeast. Similarly affecting is the short story "Nada," in which a mother's grief over a son killed in Vietnam gradually consumes her. Refusing the medals and flag proferred by the government ("Tell the Mr. President of the United States what I say: No, gracias."), as well as the consolations of her neighbors in El Building, the woman begins to give away all her possessions The narrator, upon hearing the woman say "nada," reflects, "I tell you, that word is like a drain that sucks everything down." As rooted as they are in a particular immigrant experience, Cofer's writings are also rich in universal themes, especially those involving the pains, confusions, and wonders of growing up. While set in the barrio, the essays "American History," "Not for Sale," and "The Paterson Public Library" deal with concerns that could be those of any sensitive young woman coming of age in America: romantic attachments, relations with parents and peers, the search for knowledge. And in poems such as "The Life of an Echo" and "The Purpose of Nuns," Cofer offers eloquent ruminations on the mystery of desire and the conflict between the flesh and the spirit. Cofer's ambitions as a writer are perhaps stated most explicitly in the essay "The Myth of the Latin Woman: I Just Met a Girl Named Maria." Recalling one of her early poems, she notes how its message is still her mission: to transcend the limitations of language, to connect "through the human-to-human channel of art."
A boy recalls his special relationship with his grandfather by playing with his grandfather's old hat.
These myths and texts were collected at Sitka and Wrangell, Alaska, in early 1904, at the same time as the material contained in the writer's paper on the Social Condition, Beliefs, and Linguistic Relationship of the Tlingit Indians published in the twenty-sixth Annual Report of the Bureau.
A prim and proper governess... Locked in with a duke! Believing her grandmother is gravely ill, governess Miranda Manwaring takes leave to care for her, but instead finds herself captive in a rundown cottage with a powerful stranger. Shock number one—the man is the eligible Duke of Chalgrove. Shock number two—their captor is Miranda’s eccentric grandmother, looking to guide Miranda to a titled husband! Miranda refuses to trick him into marriage, but her grandmother’s meddling can’t possibly work…can it? “What I love about Ms Tyner’s work [is that] she takes what is a very basic trope and storyline and gives it a twist and it ends up being fresh and new… A lovely and original romance … Imaginative and complex.” —Chicks, Rogues and Scandals on To Win a Wallflower “This is a wonderfully, entertaining and original story… This is definitely a page-turner.” —Chicks, Rogues and Scandals on Saying I Do to the Scoundrel
From a professional magician and New York Times bestselling author, 116 tricks, stunts, and brainteasers that will engage the grandchildren and provide giggles, jaw-dropping awe , and wonderful memories. Guaranteed to make grandparenting even more fun, Grandpa Magic is sure to entertain—and crack up— the grandkids. From the old pull-a-quarter-from-behind-a-kid’'s-ear trick and “removing your thumb” to card tricks, stunts for the dinner table, and verbal puzzles that surprise and delight, there’s something for everyone. Step-by-step illustrations make them easy to learn.
In this comprehensive collection, renowned ethnologist John R. Swanton presents a fascinating array of traditional stories and oral literature from the Tlingit people of the Pacific Northwest. Gathered during his fieldwork in the early 20th century, these myths and texts offer valuable insights into Tlingit culture, beliefs, and customs. From creation stories to tales of legendary figures, this book provides a rich tapestry of indigenous narratives that showcase the depth and complexity of Tlingit oral traditions.