Download Free My Gone Austin Retrospective 1965 2015 Book in PDF and EPUB Free Download. You can read online My Gone Austin Retrospective 1965 2015 and write the review.

Memoir, 1965-2015, with no names, but with abundant thoughtful reflections on navigating the changing cultures of the Sixties. A young man's journey through landscapes of his yearnings, mistakes, self-assessments, triumphs and failures, and points of satisfaction. Jones moves our thinking to new perceptions of realities that have been right in front of us--clear authenticity without fictions. His artistic and scholarly visions combine for a unique sociocultural history of the Austin scene in the Sixties & Seventies. It is a good adventure with good analysis, a good biographical presentation. Poignant and hillarious.
The first comparative history of African American and Black British artists, artworks, and art movements, Stick to the Skin traces the lives and works of over fifty painters, photographers, sculptors, and mixed-media, assemblage, installation, video, and performance artists working in the United States and Britain from 1965 to 2015. The artists featured in this book cut to the heart of hidden histories, untold narratives, and missing memories to tell stories that "stick to the skin" and arrive at a new "Black lexicon of liberation." Informed by extensive research and invaluable oral testimonies, Celeste-Marie Bernier’s remarkable text forcibly asserts the originality and importance of Black artists’ work and emphasizes the need to understand Black art as a distinctive category of cultural production. She launches an important intervention into European histories of modern and contemporary art and visual culture as well as into debates within African American studies, African diasporic studies, and Black British studies. Among the artists included are Benny Andrews, Bessie Harvey, Lubaina Himid, Claudette Johnson, Noah Purifoy, Faith Ringgold, Betye Saar, Joyce J. Scott, Maud Sulter, and Barbara Walker.
Learn why NASA astronaut Mike Collins calls this extraordinary space race story "the best book on Apollo": this inspiring and intimate ode to ingenuity celebrates one of the most daring feats in human history. When the alarm went off forty thousand feet above the moon's surface, both astronauts looked down at the computer to see 1202 flashing on the readout. Neither of them knew what it meant, and time was running out . . . On July 20, 1969, Neil Armstrong and Buzz Aldrin became the first humans to walk on the moon. One of the world's greatest technological achievements -- and a triumph of the American spirit -- the Apollo 11 mission was a mammoth undertaking involving more than 410,000 men and women dedicated to winning the space race against the Soviets. Set amid the tensions and upheaval of the sixties and the Cold War, Shoot for the Moon is a gripping account of the dangers, the challenges, and the sheer determination that defined not only Apollo 11, but also the Mercury and Gemini missions that came before it. From the shock of Sputnik and the heart-stopping final minutes of John Glenn's Mercury flight to the deadly whirligig of Gemini 8, the doomed Apollo 1 mission, and that perilous landing on the Sea of Tranquility -- when the entire world held its breath while Armstrong and Aldrin battled computer alarms, low fuel, and other problems -- James Donovan tells the whole story. Both sweeping and intimate, Shoot for the Moon is "a powerfully written and irresistible celebration" of one of humankind's most extraordinary accomplishments (Booklist, starred review).
Rooms of Nancy Vernon Kelly's childhood home in Hollywood, California, provide scaffolding for Souls at Risk, a memoir about the roots and consequences of her writer-producer father's sudden turn to right-wing extremism. Radicalization didn't occur in a vacuum. Its grip had clear public and personal roots and consequences. The narrative pivots around a 1960 concert the author's father produced in San Diego for blacklisted folksinger Pete Seeger. When Seeger refused to sign a loyalty oath to use a public high school auditorium, the American Legion accused him of being a communist and protested to the San Diego School Board. Although the concert went on (and Kelly sang along!), the fallout continued for many years, entrenched in Cold War American-Soviet hostility. Souls at Risk weaves together the long view of a personal, public, and historical story that embodies both the disruption of extremism and the disruption of grace. While remembering the unwelcome parts of life with hateful extremism, the author also delights in the memory of experiences and people who kept her fledgling soul from completely flattening out in a turbulent time. Indeed, the sweetest touch of mercy arrived in Kelly's inbox almost fifty years after the concert.
The first biography of Elaine de Kooning, A Generous Vision portrays a woman whose intelligence, droll sense of humor, and generosity of spirit endeared her to friends and gave her a starring role in the close-knit world of New York artists. Her zest for adventure and freewheeling spending were as legendary as her ever-present cigarette. Flamboyant and witty in person, she was an incisive art writer who expressed maverick opinions in a deceptively casual style. As a painter, she melded Abstract Expressionism with a lifelong interest in bodily movement to capture subjects as diverse as President John F. Kennedy, basketball players, and bullfights. In her romantic life, she went her own way, always keen for male attention. But she credited her husband, Willem de Kooning, as her greatest influence; rather than being overshadowed by his fame, she worked "in his light." Nearly two decades after their separation, after finally embracing sobriety herself, she returned to his side to rescue him from severe alcoholism. Based on painstaking research and dozens of interviews, A Generous Vision brings to life a leading figure of twentieth-century art who lived a full and fascinating life on her own terms.
The perfect gift for music fans and anyone who loves artists like Elvis Presley, Randy Newman, Sly Stone, Robert Johnson, and Harmonica Frank. In 1975, Greil Marcus’s Mystery Train changed the way readers thought about rock ’n’ roll and continues to be sought out today by music fans and anyone interested in pop culture. Looking at recordings by six key artists—Robert Johnson, Harmonica Frank, Randy Newman, the Band, Sly Stone, and Elvis Presley—Marcus offers a complex and unprecedented analysis of the relationship between rock ‘n’ roll and American culture. In this latest edition, Marcus provides an extensively updated and rewritten Note and Discographies section, exploring the recordings’ evolution and continuing impact.
Can postwar art be understood as an exercise in calculated insanity? Taking this provocative question as its basis, this book explores the art and history of delirium from 1950 to 1980, an era shaped by the brutality of World War II and the rapid expansion of industrial capitalism. Skepticism of science and technology—along with fear of its capability to promote mass destruction—developed into a distrust of rationalism, which profoundly influenced the art of the times. Delirious features work by more than sixty artists from Europe, Latin America, and the United States, including Dara Birnbaum, León Ferrari, Gego, Bruce Nauman, Howardena Pindell, Peter Saul, and Nancy Spero. Experimenting with irrational subject matter and techniques, these artists forged new strategies that directly responded to such unbalanced times. Disturbing and challenging, the works in this book—in multiple media and often, counterintuitively, incorporating highly ordered and systematic structures—upend traditional notions of aesthetic harmony. Three wide-ranging essays and a richly illustrated plates section investigate the degree to which delirious times demand delirious art, inviting readers to “think crazy." p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana}
Wayne Thiebaud has long been recognized as one of Americas most prominent modern artists. Probably best known for his straightforward, deadpan, still-life paintings of the 1960s, Thiebaud is identified by his brilliant palette, his luscious handling of paint, and the intensity of light that lends a particularly California flavour to his images. Originally published on the occasion of the artists eightieth birthday, this definitive retrospective brings together 120 of Thiebauds most important paintings, watercolours and pastels, while thoughtful essays by Steven A. Nash and Adam Gopnik trace the course of his career from the 1950s, when he first began to emerge as a significant artist of our times.
Discover anew the herstory of art that Publishers Weekly calls "illuminating" and Foreword Reviews calls "spirited" for an enlightening art history read. How many female artists can you name? Frida Kahlo, Georgia O’Keeffe, Marina Abramovic? How about female artists who lived prior to the Modern era? Maybe Artemisia Gentileschi and then… even a regular museum-goer might run out of steam. What about female curators, critics, patrons, collectors, muses, models and art influencers? This book provides a 360 degree look at the role, influence, and empowerment of women through art—including women artists, but going beyond those who have taken up a brush or a chisel. In 1971, Linda Nochlin published a famous essay, “Why Have There Been No Great Women Artists?” This book responds to it by showing that not only have there been scores of great women artists throughout history, but that great women have shaped the story of art. The result is a book that sheds light on the art world in a very new way, finally celebrating the great women artists and influencers who deserve to be much better known. The entire history of art can be told as a herstory of art.
In this intimate memoir, Ruth Rosengarten explores the subject of evocative objects through a series of interconnected essays. Evocative objects reflect our attitudes to our own lives and how we seek to display ourselves to ourselves. They are therefore, closely linked to our memories, and how we filter, process and reconstruct them. Rosengarten explores the themes and associations invoked by her own evocative objects, which are frequently shabby things of no material value. They are, importantly, often objects that, in their materiality, bear traces of actions, of something-having-been. Through the associative pathways that these objects have paved, she discusses her experiences with the losses she has undergone, her family’s migrations, and what it means to be a childless woman. This leads her to address the question of what will become of her storied objects and the memories attached to them when she is no longer in existence. This memoir offers an interdisciplinary approach to collecting and compiling fragments of one’s life, paying close attention to the evocative objects that embody us. In doing so, these essays explore loss, memory, childlessness, longing, family history, literature and art theory through material entities which reveal the immaterial ‘things’ at the heart of this study. This book is sure to be of interest to anyone stimulated by memory work and the relationship between humans and their possessions