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This is a new release of the original 1942 edition.
A survey of life on earth, in all its variety and pagentry, by a very annoyed humorist. From early man, the Neanderthal, Cro-Magnon, to irascible observations on mankind and the animal kingdom today (including "Birds I Could Do Without"), Will Cuppy, a perennially perturbed hermit, is your guide in these are very funny essays. For eight years, from 1921 to 1929, Will Cuppy lived alone on Jones Island, off Long Island's South Shore. From that outpost, he gained a reputation for his factual but funny magazine articles and wrote the book, How to be a Hermit, his first bestseller. His last, The Decline and Fall of Practically Everybody, was left unfinished after Cuppy's death in 1949 and has become a classic of American humor. In between (among other titles) was this very funny collection. First published in 1931, the subjects include "What I Hate About Spring," "Awful Mammals," and "Why Be a Rhinoceros?" Great for anyone who loves classic American humor.
Donated.
Eugene Marais spent three years living in the South African wilderness in close daily contact with a troop of baboons. He later described this as the happiest, most content time of his troubled life. This period produced two works which are testament to his research and conclusions; they have very different histories. Firstly, there was a series of articles written in Afrikaans for the newspaper Die Vaderland. They were then published in book form under the title Burgers van die Berge, and were first published in an English translation in 1939 under the title My Friends the Baboons. These pieces were written in a popular vein suitable to a newspaper readership, and were not regarded seriously by Marais himself. They are a journal; a series of anecdotes and impressions. The Soul of the Ape, which Marais wrote in beautifully clear and precise English, was the more serious scientific document; however after his death in 1936, it could not be found. It was lost for 32 years, and was recovered in 1968, and published the following year. The excellent introduction by Robert Ardrey that is included in this volume was part of the 1969 and subsequent editions of The Soul of the Ape, and adds greatly to an appreciation of its importance. Together, these three texts give us as complete a picture as we will ever get of Marais’ three year study of these complex relatives of humanity, and its implications for the study of consciousness.
Tracing the global trade and trafficking in animals that supplied U.S. zoos, Daniel Bender shows how Americans learned to view faraway places through the lens of exotic creatures on display. He recounts the public’s conflicted relationship with zoos, decried as prisons by activists even as they remain popular centers of education and preservation.
Some people lost their sense of proportion, others their sense of scale, but Simon Dykes, a middle-aged, successful London painter, has lost his sense of perspective in a most disturbing fashion. After a night of routine, pedestrian debauchery, traipsing from toilet to toilet, and imbibing a host of narcotics on the way, Simon wakes up cuddled in his girlfriend’s loving arms. Much to his dismay, however, his girlfriend has turned into a chimpanzee. To add insult to injury, the psychiatric crash team sent to deal with him as he flips his lid is also comprised of chimps. Indeed, the entire city is overrun by clever primates, who, when they are not jostling for position, grooming themselves, or mating some of the females, can be found driving Volvos, hanging out on street corners, and running the world. Nonetheless convinced that he is still a human, Simon is confined to the emergency psychiatric ward of Charing Cross Hospital, where he becomes the patient of Dr. Zack Busner, clinical psychologist, medical doctor, anti-psychiatrist, and former television personality—an expert at the height of his reign as alpha male. As Busner attempts to convince him that “everyone who is fully sentient in this world are chimpanzees,” Simon struggles with the horrifying delusion that he is really a human trapped in a chimp’s body. Written with the same brilliant satiric wit that has distinguised Self’s earlier fiction, Great Apes is a hilarious, often disturbing, and absolutely original take on man’s place in the evolutionary chain. In a strange and twisted tale that recalls Jonathan Swift and Franz Kafka’s Metamorphosis, Will Self’s comic genius is impossible to ignore.
Armadillo is trying to come up with a plan for global domination...but with every new idea, being a bad guy seems a little less fun—especially if ruling the world means losing your best friend. Readers will delight in star cartoonist James Sturm's tender and just depiction of a friendship in peril. James Sturm is the author of several books for kids, including the Adventures in Cartooning series and the forthcoming Ape and Armadillo Take Over the World. Sturm also helped start a college for cartoonists, the Center for Cartoon Studies, in the small railroad village of White River Junction, Vermont.
Marvin the ape slips out of the zoo and finds he likes it on the outside, where he easily blends into city lifestyles.