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Acclaimed Japanese novelist Yukio Mishima (1925-1970) was also a prolific playwright, penning more than sixty plays, nearly all of which were produced in his lifetime. Hiroaki Sato is the first to translate these plays into English. For this collection he has selected five major plays and three essays Mishima wrote about drama. The title play is a satire that follows the breakdown of friendship between Adolf Hitler and two Nazi officials who were ultimately assassinated under orders from Hitler.
Traces the life of the Japanese author who went from sickly youth to dedicated student of the martial arts, looking at his family life, the wartime years, and his career as a writer who advocated for traditional values.
Organized chronologically, these poems provide an engaging portrait of an artist's life.
Beginning in the late Edo period, the Japanese faced a rapidly and irreversibly changing world in which industrialization, westernization, and internationalization were exerting pressure upon an entrenched traditional culture. The Japanese themselves felt threatened by Western powers, with their sense of superiority and military might. Yet the Japanese were more prepared to meet this challenge than was thought at the time, and they used a variety of strategies to address the tension between modernity and tradition. Inexorable Modernity illuminates our understanding of how Japan has dealt with modernity and of what mechanisms, universal and local, we can attribute to the mode of negotiation between tradition and modernity in three major forms of art: theatre, the visual arts, and literature. Dr. Hiroshi Nara brings together a thoughtful collection of essays that demonstrate that traditional and modern approaches to life draw from one another, and tradition, whether real or created, was sought out in order to find a way to live with the burden of modernity. Inexorable Modernity is a valuable and enlightening read for those interested in Asian studies and history. Book jacket.
"Reveals another side of Mishima's skill with words: his delicacy and subtlety." -The New York Times "A startlingly original collection of stories by a world class Japanese writer." -Boston Globe
A survey of Japanese poetry contains the works of over one hundred poets from the eighth century to the present.
The most internationally acclaimed Japanese author of the twentieth century, Yukio Mishima (1925–70) was a prime candidate for the Nobel Prize. But the prolific author shocked the world in 1970 when he attempted a coup d’état that ended in his suicide by ritual disembowelment. In this radically new analysis of Mishima’s extraordinary life, Damian Flanagan deviates from the stereotypical depiction of a right-wing nationalist and aesthete, presenting the author instead as a man in thrall to the modern world while also plagued by hidden neuroses and childhood trauma that pushed him toward his explosive final act. Flanagan argues that Mishima was a man obsessed with the concepts of time and “emperor,” and reveals how these were at the heart of his literature and life. Untangling the distortions in the writer’s memoirs, Flanagan traces the evolution of Mishima’s attempts to master and transform his sexuality and artistic persona. While often perceived as a solitary protest figure, Mishima, Flanagan shows, was very much in tune with postwar culture—he took up bodybuilding and became a model and actor in the 1950s, adopted the themes of contemporary political scandals in his work, courted English translators, and became influenced by the student protests and hippie subculture of the late 1960s. A groundbreaking reevaluation of the author, this succinct biography paints a revealing portrait of Mishima’s life and work.
Explores the significant impact of this countercultural figure of postwar Japan.
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Politics and Suicide argues that whilst the historical lineage of suicidal politics is recognised, the fundamental significance of autodestruction to the political remains under examined. It contends that practices like suicide-bombing do not simply embody a strange or abnormal ‘suicidal’ articulation of the political, but rather, that the existence of suicidal politics tells us something fundamental about the political as such and thinking about political violence more broadly. Recent world events have emphatically shown our need for tools with which to develop better understandings of the politics of suicide. Through the exploration of several arresting case-studies, including the ‘Kamikaze’ bombers of World War Two, Jan Palach’s self-immolation in 1969, Cold War nuclear deterrence, and the suicide-terrorist attacks of 9/11 Michelsen asks how we might talk of a political suicide in any of these contexts. The book charts how political processes ‘go suicidal’, and asks how we might still consider them to be political in such a case. It investigates how suicide can function as ‘politics’. A strong contribution to the fields of philosophy and international relations theory, this work will also be of interest to students and scholars of political theory and terrorism & political violence.